Monster from Green Hell

Kenneth Crane followed his classic 'Half Human' with this little masterpiece whose 1956 copyright date indicates they weren't in a great hurry to release it.

In order to reassure the viewer that this is a twentieth-century sci-fi movie we get the usual footage under the opening credits of a wartime V-2 taking off masquerading as Dr. Quant Bradley's "experimental rocket". This time the film being cannibalised is 'Stanley and Livingstone', so they all don 19th Century pith helmets and WALK 400 miles across Africa to the Hollywood Hills to confront the giant mutant wasps following the "typical wasp markings" they leave behind them (although they look more like giant termites than wasps and in distress sound more like elephants than insects) that cosmic rays have created and are now wreaking havoc with the usual stock footage of antelopes and giraffes.

At the time of his death in 1981 Jim Davis was a household name on TV as Jock Ewing in 'Dallas' and he is here supported by veterans Eduardo Ciannelli and Vladimir Sokoloff; the latter's daughter played by the soulful-eyed Barbara Turner (herself later the mother of Jennifer Jason Leigh).

Before Jim Davis got his last and career part as Jock Ewing in Dallas, he had one tortured path to Hollywood success. He had a much publicized debut as Bette Davis's leading man in Winter Meeting which was one of her worst films. His portrayal of a war hero about to enter the priesthood met with a ton of critical guffaws. Still Davis persisted and took any kind of work. The Monster from Green Hell qualifies as any kind of work.

A wasp is sent up in space to see the effects. Unfortunately on re-entry the space capsule crashes in the region of West Africa and the wasp has grown to the size of a Panzer tank. To top it all off the geniuses sending up the rocket sent up a pregnant queen so we've got all kinds of those Panzer wasps running around Africa.

Jim Davis is sent to clean up the mess and runs into a medical missionary played by Vladimir Sokoloff. Albert Schweitzer was very much alive at the time and running his mission in West Africa. No one in 1958 mistook who Sokoloff was portraying. The wasps set up a colony in the shadow of a volcano. You can figure out the rest.

This is typical Fifties science fiction when all kinds of radiation was the explanation for these creatures. In this case it was the radiation from cosmic rays, presumably from the newly discovered Van Allen belt around the earth.

Tepid acting and chintzy special effects make The Monster from Green Hell great cult stuff. One thing though that is timely. An Arab character played by Eduardo Ciannelli joins forces with Davis and one of the natives Joel Fluellen to combat the danger the giant wasps present. Amazing how religious differences can suddenly melt away in time of crisis.

When this crappy film begins, you see a lot of stock footage of V-2 rocket tests. Supposedly these rockets are taking animals into the stratosphere to see what radiation there does to them. However, they loose track of one ship and where it lands, no one knows. Soon there are reports of monsters in a region of Central Africa known as 'Green Hell'--and instead of sending in troops, just two scientists are sent in to investigate. After a long series of adventures, they meet up with the evil killer wasps and, inexplicably, the long arm of God kills these creatures!!

Much of this film consists of stock footage clumsily inserted into the picture. Much of it grainy and the overall effect is lousy. But what's worse is that the film is incredibly dull...which you'd never expect from a monster film. Cheap and silly---and get a load of those stop-motion wasps!!

I recently acquired a copy of Monster From Green Hell and was after it for ages. This was released on video in Britain as part of the Killer B's series, all now out of print.

A nuclear test rocket containing wasps crashlands in an uncharted area of Africa known as 'Green Hell'. An expedition is sent over there to search for it. But before they arrive, locals are being killed by these wasps which, as a result of radiation, have grown into giants. While searching for the rocket and its contents, the party encounters dangers such as unfriendly natives, several days' of rain, a volcano, jungle wildlife and of course the giant wasps. They eventually find what they are looking for and the volcano erupting kills all the wasps at the end. They could have done with Tarzan's help. He would not have any trouble killing the wasps.

I found this movie rather enjoyable and the colour sequence at the end featuring the volcanic eruption was impressive.

The special effects were good considering the low budget. Some of the wasps and a snake were done in stop-motion. The cast includes Dallas star Jim Davies. This movie features stock animal footage and clips from the movie Stanley and Livingstone.

Great stuff.

Rating: 4 stars out of 5.

I was surprised at the amount of giant wasp animated action in the film at the start. There is even a giant full sized head prop too. But there seems to be quite a bit of Jim Davis voice over and as the movie goes on there starts to be more walking to get to the giant wasps than there is actual giant wasps. One major character dies off screen in a way that seems like they never got to shoot it. (Another character shows up and explains what happened) Then the ending is all stock footage and dissolves to footage we've already seen. And Jim Davis, as he did later in THE DAY TIME ENDED, explaining it all to us. Thank god otherwise you'd have only a vague idea of what you just saw, or didn't really get to see.

Too bad they ran out of what little money they had. A lively start progressively gets duller. Still that big wasp head was cool, another problem is the generally crappy quality of many copies of the film available which make the footage either dark or blown out. If you're going to watch it make sure you get a decent copy first.

The sending test animals into space aspect of the premise is a bit novel as is the idea of having the space ship crash way out in the middle of Africa and having to go find it. Certainly since the film was made, like with the remains of Space Lab, that type of thing has happened.