Monster from Green Hell

Kenneth Crane followed his classic 'Half Human' with this little masterpiece whose 1956 copyright date indicates they weren't in a great hurry to release it.

In order to reassure the viewer that this is a twentieth-century sci-fi movie we get the usual footage under the opening credits of a wartime V-2 taking off masquerading as Dr. Quant Bradley's "experimental rocket". This time the film being cannibalised is 'Stanley and Livingstone', so they all don 19th Century pith helmets and WALK 400 miles across Africa to the Hollywood Hills to confront the giant mutant wasps following the "typical wasp markings" they leave behind them (although they look more like giant termites than wasps and in distress sound more like elephants than insects) that cosmic rays have created and are now wreaking havoc with the usual stock footage of antelopes and giraffes.

At the time of his death in 1981 Jim Davis was a household name on TV as Jock Ewing in 'Dallas' and he is here supported by veterans Eduardo Ciannelli and Vladimir Sokoloff; the latter's daughter played by the soulful-eyed Barbara Turner (herself later the mother of Jennifer Jason Leigh).

Ah, the 1950's. If you wanted to make a monster movie all you had to do was insert the word "radiation" into the script and that explained where the monster came from, no further explanation was necessary. Hey, I like this film and I make no apologies for liking it. The stop motion animation for the monsters is pretty good, especially that scene where a giant wasp battles a python. Sadly there is an awful lot of jungle and not enough monster.

Jim Davis is a scientist firing rocket after rocket full of test animals into space to see what happens when they are exposed to radiation (our tax dollars at work!), this will show what future astronauts have to expect. I guess Jim never saw the movie FIRST MAN INTO SPACE or he would already know. Anyway a rocket full of wasps gets lost up there and eventually crashes in a remote African jungle. Let's not even ask why they launched a bunch of insects into space when they want to see what effect radiation has on mammals; just keep repeating "It's only a movie, only a movie, only a movie . . .". Concluding "There'a a lot of difference between 40 seconds of exposure and 40 hours." Jim packs up and heads for Africa.

Meanwhile the wasps have mutated into giants (what? you're surprised?) and are terrorising an area aptly named "green hell". The local doctor (Vladimir Sokoloff) believes the stories of monsters are nothing but superstition but his native pal Arobi (Joel Fluellen) reminds him "Does an elephant run from superstition? Will a bird not light in a tree because of superstition?" Score one for you, Arobi!

Jim and company have to walk 400 miles through the jungle to reach green hell and have to deal with no rain, poison waterholes and hostile natives before they arrive. When they finally do get there it's just them against the monsters and they'd better do something before the big wasps multiply!

This is really a fun movie and I wish the budget had allowed for more of the monsters. The colour tinting at the end was an especially nice surprise.

Now for all you detractors out there, we don't watch a movie called MONSTER FROM GREEN HELL expecting art; we watch it to have fun. That's what "B" movies are for and this one is lots of fun!

My biggest question about this movie is simply: How did the folks at MST-3000 ever miss this one? It simply cries out for the insights of Crow and Tom Servo.

Jim Davis ( "Dallas", "Guns Don't Argue" ) stars as the head of a group of scientists who attempt to launch some creatures into space. The rocket misfires and lands somewhere in darkest Africa where a bunch of wasps escape and grow into Sikorskys, thanks - natch - to atomic radiation. Davis then leads his own team of WASPS on an Orkin expedition to take care of the problem. Along the way, they are joined by Eduardo Ciannelli, looking a bit like Sabu's grandfather.

Nothing much goes right until the final scene, supposedly filmed in "Lava Vision", during which a giant volcanic eruption takes care of everything. This consists of the surviving crew standing around bathed in a red glow as the volcano - obviously taken from stock footage, as is much of the movie - does it's thing. All harmless fun really, it's only a shame that the MSTYs never got a hold of this one.

Considering the producer was responsible for Robot Monster, this film is not the incredible mess R.M. was.

It's also no THEM either.

It's an average 50's giant bug film. Slightly more inventive in using wasps that mainly crawl around on the ground rather than fly. We usually only see one giant wasp who resembles more dung beetle than a wasp.

I think there is a shot or two in which obviously animated wasps fly and buzz too.

Well radiation in Africa mutated wasps and they are killing natives mostly.

Harmless fun if you've got time. If you remember it as a kid your tolerance for it is significantly higher than viewers not familiar with the film.

I was surprised at the amount of giant wasp animated action in the film at the start. There is even a giant full sized head prop too. But there seems to be quite a bit of Jim Davis voice over and as the movie goes on there starts to be more walking to get to the giant wasps than there is actual giant wasps. One major character dies off screen in a way that seems like they never got to shoot it. (Another character shows up and explains what happened) Then the ending is all stock footage and dissolves to footage we've already seen. And Jim Davis, as he did later in THE DAY TIME ENDED, explaining it all to us. Thank god otherwise you'd have only a vague idea of what you just saw, or didn't really get to see.

Too bad they ran out of what little money they had. A lively start progressively gets duller. Still that big wasp head was cool, another problem is the generally crappy quality of many copies of the film available which make the footage either dark or blown out. If you're going to watch it make sure you get a decent copy first.

The sending test animals into space aspect of the premise is a bit novel as is the idea of having the space ship crash way out in the middle of Africa and having to go find it. Certainly since the film was made, like with the remains of Space Lab, that type of thing has happened.