IMDb RATING
6.2/10
1.2K
YOUR RATING
The spoiled daughter of a rich American family hires as butler an Austrian vagrant she finds on a pier, without knowing that he illegally jumped ship.The spoiled daughter of a rich American family hires as butler an Austrian vagrant she finds on a pier, without knowing that he illegally jumped ship.The spoiled daughter of a rich American family hires as butler an Austrian vagrant she finds on a pier, without knowing that he illegally jumped ship.
- Awards
- 1 nomination total
Featured reviews
This is the 50s remake of the 30s classic screwball comedy. This remake feels more like TV than the slick 30s comedy does. The slick is about the only part that is still in this 50s version, and the screwball. This is, more than anything, a silly flick.
A spoiled rich beautiful family falls hard for their new butler, Godfrey, played by David Niven. The younger daughter (June Allyson) brings him home after a scavenger hunt. He doesn't judge and helps wherever he can, best of all he isn't perfect. Even though this is such a silly flick, for some reason at the end I had a big smile. Silly is important.
A spoiled rich beautiful family falls hard for their new butler, Godfrey, played by David Niven. The younger daughter (June Allyson) brings him home after a scavenger hunt. He doesn't judge and helps wherever he can, best of all he isn't perfect. Even though this is such a silly flick, for some reason at the end I had a big smile. Silly is important.
I am an huge fan of David Niven, but not even his suave, sophisticated portrayal of "Godfrey" can rescue this from the clutches of June "Dorothy-on-speed" Allyson's frenetically annoying performance as "Irene". He is, ostensibly, a penniless Austrian vagabond she discovers on a pier, takes a bit of a shine to, and impressed by his cultivated style and urbane turn of phrase, takes him back to the US to be the butler in their exclusive family home. Needless to say, he fits in perfectly and has them all eating from his hands. He does not, however, disclose that his past isn't quite what they expect and when he is eventually rumbled - and not in the way you might expect, the story becomes terribly convoluted. Comparisons with the 1936 Lombard/Powell version do not really flatter this production. It is too in-your-face without the subtle humour or romance of its predecessor. Odd to see Jay Robinson in a film without a cape and some centurions and Eva Gabor brings some glamour (if little else) to the proceedings.
...then watch this one first. Because IMHO the original 1936 version is just better. And then your opinion will not be colored by the comparison between the two. It's kind of like Son of Frankenstein versus Young Frankenstein. If you must watch both, watch Son of Frankenstein first, otherwise a serious movie will become unintentionally hilarious. But I digress.
This one has the same structure as the original - A scavenger hunt turns up the titular Godfrey (David Niven), who is given a job with the Bullock family as the butler. He's a bit mysterious and very urbane, but Irene Bullock (June Allyson), one of the daughters of the family, comes to love him. In the original, Godfrey's big secret was that he was from a rich family living among the city's forgotten men due to a love affair that ended badly. In this one, Godfrey is in the country illegally. Naturally they couldn't keep the original Great Depression centered plot - It would be ridiculous.
This film was well acted, well directed, and attractively shot. But other than being in color, I just could not see the point of this being remade. It's something that I watched once, found to be OK, but probably would not seek out again.
This one has the same structure as the original - A scavenger hunt turns up the titular Godfrey (David Niven), who is given a job with the Bullock family as the butler. He's a bit mysterious and very urbane, but Irene Bullock (June Allyson), one of the daughters of the family, comes to love him. In the original, Godfrey's big secret was that he was from a rich family living among the city's forgotten men due to a love affair that ended badly. In this one, Godfrey is in the country illegally. Naturally they couldn't keep the original Great Depression centered plot - It would be ridiculous.
This film was well acted, well directed, and attractively shot. But other than being in color, I just could not see the point of this being remade. It's something that I watched once, found to be OK, but probably would not seek out again.
The original My Man Godfrey was one of the best of the Thirties screwball comedies. It was funny, but it also touched on some serious social problems caused by the Depression which Carole Lombard and her wacky family thought they were immune from.
In updating the story to the Fifties, the Depression was no longer the problem it was just David Niven's lack of a green card. In the remake it was just something that I as a member of the audience just didn't care about.
Until I read the IMDb page on this film, I didn't know that German actor O.W. Fischer was to be the new Godfrey. When he bowed out, David Niven came in to take his place. The script explained his British accent by saying that despite his Austrian birth and nationality, Godfrey was an Oxford man. I just didn't buy it, I don't think too many in the audience did.
Once again a film rose and fell on the considerable charms of David Niven. My Man Godfrey doesn't have too many peaks and valleys just seems to be one long plain.
Still it does have some amusing moments with whole stretches of dialog lifted from William Powell-Carole Lombard film. And personally I might have gone for Martha Hyer as the older sister Cordelia faster than June Allyson, but whatever floats your boat.
Nice film, but can't compare to what Gregory La Cava gave us back in the day.
In updating the story to the Fifties, the Depression was no longer the problem it was just David Niven's lack of a green card. In the remake it was just something that I as a member of the audience just didn't care about.
Until I read the IMDb page on this film, I didn't know that German actor O.W. Fischer was to be the new Godfrey. When he bowed out, David Niven came in to take his place. The script explained his British accent by saying that despite his Austrian birth and nationality, Godfrey was an Oxford man. I just didn't buy it, I don't think too many in the audience did.
Once again a film rose and fell on the considerable charms of David Niven. My Man Godfrey doesn't have too many peaks and valleys just seems to be one long plain.
Still it does have some amusing moments with whole stretches of dialog lifted from William Powell-Carole Lombard film. And personally I might have gone for Martha Hyer as the older sister Cordelia faster than June Allyson, but whatever floats your boat.
Nice film, but can't compare to what Gregory La Cava gave us back in the day.
The original is brilliant. But the re-make is sad at best. No matter how much I may love David Niven, he's a poor substitute for Powell. Don't bother with this trash. Rent the Powell/Lombard film (1936). It's one of the funniest films you'll ever see, with hallmark performances by everyone in the cast.
Did you know
- TriviaThe lead role was originally set to be played by then-German superstar O.W. Fischer, but he was fired after 16 days of filming. The official reason was "unbridgeable differences" between him and the director. Fischer later declared that the real reason was his loss of memory during shooting, which was kept a secret.
- Crazy creditsA white-gloved man's hand turns over, one at a time, place-cards engraved with the opening credits.
- ConnectionsEdited into Down with Love (2003)
Details
- Release date
- Country of origin
- Language
- Also known as
- Her Man Godfrey
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $2,616,000
- Runtime
- 1h 32m(92 min)
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content