Peyton Place

Peyton Place is a great and realistic observation of human behavior taken in the context of when and where it was written, no matter how shocking truth may appear. After years of medical practice, I have lived many experiences not unlike that of Dr. Swain in this novel/movie. I saw "Peyton Place" for the first time in my late forties as part of a CineClub presentation. I grew up naively in a small North East farm town in the late 50's. My grand uncle was our local Country Doctor. I was frightened if not scandalized by the big city lifestyle when I moved to the city to attend medical school. He assured me that "we" had the same "scandals" in our community, it was just "hidden or kept secret". In all honesty, I had already witnessed some of these issues as they shook my own family of origin. Later, I returned to practice in a rural town. As I got closer to the native citizens, I discovered many secrets, secrets not unlike some of the tragic events that took Peyton Place by storm. As I grew older (and hopefully wiser), I realized that each town has their own "Peyton Place". It's all around us, it's is part of our human nature, part of it is in each one of us. Mrs. Metalious, the author of this great novel, paid the price of her own honesty with her life. This novel and the movie that it is based on, have to be taken in the time context it was created. Unfortunately, many of these events are still taking place around us today. I have witnessed them through my interaction with many patients and friends. Love, lust, passion, ambition, greed, envy... are all basic instincts that drive us through the meanders of life, some leading us to good outcomes others to tragedy. I recently returned from our occupation in Iraq where I was severely injured in combat, ending my career as a physician. I saw the best and also the worst of what man can do to mankind. I witnessed many issues that I saw in Peyton Place, only on a larger scale. Peyton Place bears witness to a part of the world we live in, it is in all of us. The events taking place in her youth were the source of Grace Metalious' novel and shaped the course of her story. I highly recommend this movie, it is part of history, our American history, good or bad. Finally, I greatly appreciate all the viewers that take time to share their opinion about movies with the readers through IMDb's Comments Place. May God or your "Higher Power" bless you all, GLN.

The Granddaddy of all soap operas, Peyton Place has its place in film and television history. When the steamy best seller by Grace Metalious and film by Jerry Wald and 20th Century Fox were converted into a television series, it set a standard for evening prime time soap operas that some will argue has never been equaled.

Times have surely changed. Set in New England as it is if Peyton Place existed it's now in the vanguard of blue state America. But in 1941 Peyton Place in New England would probably have enjoyed keeping cool with native son Calvin Coolidge and no doubt voted for Hoover, Landon, and Wilkie instead of that radical FDR in the White House.

In this prim and proper New England town it's all about keeping up appearances. Everybody knows everyone so if things aren't quite fitting the America of Norman Rockwell you keep them behind closed doors.

Like Lana Turner never bothering to tell daughter Diane Varsi that she's an out of wedlock child, like poor Russ Tamblyn not being able to relate to the opposite sex in his teen years, like Hope Lange living with a brutal rampaging father in Arthur Kennedy who physically abuses her mother Betty Field and does more than that with her.

Leon Ames as the town's employer, owner of the mill where most of the town works maybe the leading citizen, but the town's moral authority is Lloyd Nolan, a very wise and caring doctor, the kind of small town doctor who's a passing memory.

It's impossible to describe the plot of Peyton Place because there are so many strands in the plot fabric. It all works very well courtesy of screenwriter John Michael Hayes and director Mark Robson. The whole thing is narrated by Diane Varsi as Allison McKenzie who grew up and wrote a book about her home town.

Peyton Place got nine Oscar nominations, but unfortunately lost a lot of awards it was up for to The Bridge On The River Kwai. Lana Turner's one and only nomination came in a year that the Academy voters gave the Best Actress Award to relative newcomer Joanne Woodward. Russ Tamblyn and Arthur Kennedy split the vote and Red Buttons won for Sayonara for Best Supporting Actor and the same thing happened with the Best Supporting Actress with Diane Varsi and Hope Lange splitting for Miyoshi Umeki to win for Sayonara as well.

The Code was still firmly in place and had it not been I think Russ Tamblyn's character would have been more explicitly gay. Here he's a timid young man not comfortable with the opposite sex and not real popular among his own heterosexist males. Then as now, gays are not real comfortable in most small towns.

Still for those who like their big screen soap operas, you'll love Peyton Place, even with changing mores the film holds up well.

"Peyton Place" was historically very interesting cause it was virtually the first miniseries in movie theaters.After viewing it,you 've got the strange feeling of having been told ten stories or to have seen ten or twelve episodes of a miniseries.

Adapted from a bestseller which spawned a -real-TV miniseries this time- in the sixties,Dorothy Malone and Mia Farrow replacing Turner and Diane Varsi ,it is the granddaddy of the soap opera miniseries we've been seeing for all those years.Classy soap opera indeed.

Although the McKenzie (Turner and Varsi) are in the center of the plot,you can hardly call them "main characters"."Peyton Place" is made of many subplots which interfere or don't.It depicts life in a small provincial town where the main danger is gossips.The fear that" people will talk" is everywhere mainly if ,like Constance ,Serena and her mother you have secrets to conceal.Doctor Matthew Swain 's final speech deals with the talk of the town.

A soap opera maybe ,but one which depicts a not so rosy world: child abuse was not a subject movies often broached in the late fifties.My favorite scene is very short and might seem to some very down to earth: the drunkard's boy licks the home made cakes of the picnic,then stuffs himself with hot dogs and watermelon which he washed down with plenty of cola.This is not a comic relief,it makes you think:this boy is miserable,because ,even if the monster is away,he knows there's a crack in the mirror at home.Psychologically,they call that "compensation".

My favorite character is Russ Tamblyn's.Although many of the problems of PP are dated now,his is still around today: the shy boy,whose mother is over possessive ,who does believe he is "a sissy,a coward" and who thinks he will never know a girl's true love because he is too gauche.There are plenty of them even now.

Peyton Place is no masterpiece but it is really an entertaining film.

Like this?Try these....

Imitation of life Douglas Sirk 1959

Rebel without a cause Nicholas Ray 1955

When I saw "Peyton Place" recently on AMC for the first time, my thought was: "This is it? This is what drove the puritans into a foaming frenzy 42 years ago? There's more filth and dirt in the dumpster!" While it's true that the world has taken more than a few spins since 1957, and while it's true that the film tends to date a bit, "Peyton Place" is still, at it's best, top-notch entertainment.

Lana Turner, in what was, regrettably, her only Oscar-nomination, scores solidly as the pivotal character of Constance McKenzie. Diane Varsi, whose life and career would go out of control soon after (remember "Wild in the Streets?"), is equally compelling as Allyson McKenzie, her daughter. Arthur Kennedy lends his usual understated but powerful presence to the principal heavy of the piece, Lucas Cross, and the young Hope Lange, whom a later generation probably remembers best for TV's "The Ghost and Mrs. Muir," gives a solid performance as Selena Cross, the girl with a secret from the wrong side of the tracks. Others in the notable cast include such reliable performers as Lloyd Nolan, Russ Tamblyn, Betty Field, and a two years pre - "Bonanza" Lorne Greene, all turning in fine performances.

If you can, see this film in letterbox, if only for the beautiful Camden, Maine, scenery, beautifully captured by William C. Mellor's cameras. And, if you don't think this film's been influential, look at all it's successors, including the only TV series ever to have been on three times a week during the '60's, and today's "Dawson's Creek" and "Melrose Place." Here's the film that started it all, though, and it's still solid entertainment, especially if you put yourself in a late-'50's mindset while watching it.

A sheer number of society issues this film covered is staggering, and it was done in warm and kind way, with great scenario and good performances from the actors. The only sad thing is that most of the themes they covered are still taboo and unresolved in 2020. Really enjoyable film, glad I had the chance to watch it!