She Devil

Under-the-Radar Low-Budget Science Dabbler.

Familiar Story, from Noted Author Stanley G. Weinbaum ("The Adaptive Ultimate").

A "Miracle" Cure-All is Injected into Terminal Tubercular Mari Blanchard.

She Instantly Recovers but with Positive/Negative Side-Effects. Invulnerable with Chameleon Like Body Manipulative Powers (changing hair-color in a whim),

Complication Abound Including a Personality Change into a Socio-Pathic Narcissist.

The Movie Skirts Film-Noir in Tone and Style.

It is also one of those Misogynist Movies, Typical of the Era, with Pre-Determine Roles for Women. Rigid,Conservative Hive Mentality Machinations.

With Her New-Found Abilities She will have None of that. "Try and stop me."

Mari Blanchard's Angular Odd Beauty Enhances Her Role and She Dominates All Her Scenes.

She is Co-Starred a Pre-"Maverick" Jack Kelly and Albert Dekker who is Always a Presence On Screen.

The Sleek Black and White Cinematographer is by the Famous Karl Struss with a Career Dating Back to F. W. Murnau

The Film with All its Intriguing Ingredients Contributing to Make This...

Worth a Watch.

I remember seeing this movie when I was a kid on the Sunday afternoon TV matinee. In the film, a terminally-ill woman will die unless an experimental drug is administered by the scientist who developed the serum, if I remember correctly, from some type of insect or spider (or was it some deadly plant?). Her life is saved, but she has developed extraordinary methods of survival and becomes seemingly indestructible. What can the scientist do to solve this situation? In many ways, this film is typical of the 50's "horror" genre as seen in its low-budget, B-list tier of performers and the opinion that a man can save a woman, but who can save a woman from herself (especially one who's developed into some kind of monster)? As a kid, I remember being really impressed with a scene where, to avoid being caught, the woman (having developed those incredible survival techniques), mentally changes her hair color from brunette to platinum blonde (much like a chameleon). I remember thinking that would be really cool to be able to do that! So while this film is no awards-contender, it's a memorable quasi-horror title from the 50's!

They created an inhuman being who destroyed everything she touched! The woman they could not kill!

This film was written, produced and directed by Kurt Neumann, best known for "The Fly" (one of his next features). He was also allegedly considered for the director's chair on "The Bride of Frankenstein", though I must say I am glad James Whale got the job.

Worth noting is that the source material came from Milwaukee native Stanley Grauman Weinbaum, who sadly died at age 33 and never saw his work brought to the screen. Weinbaum, though not well known today, was influential in the 1930s and H. P. Lovecraft praised his work.

While all of the film is quite good, the best part is probably the awesome sequence of a car driving off a cliff... no dummies were killed in the making of the movie!

Two scientists (Albert Dekker and Jack Kelly) treat a young female patient's medical trauma with an injection that has a profound effect: the woman's black hair becomes luminously blonde, she gains an irresistible sexual magnetism, but she also becomes an impulsive thief and killer possessed with the instinct to get whatever she desires at any cost. Mari Blanchard is ideal in her role as the gorgeous femme fatale, who has also gained an immunity and cannot be stopped even by her own doctors who've created her. Albert Dekker (popular to fans for his title role of DR. CYCLOPS) spews a lot of hokey dialogue in his remarkably self-assured manner. The younger Jack Kelly is his assistant hovering on falling under Blanchard's spell. Another fun 1950s 'B' . **1/2 out of ****

Dr. Scott has created a miracle serum. When he's given it to animals with horrible injuries or on the verge of death, they quickly recover and are healthy. So, they want to try it out on a human...but ethically the only way they could do this is to give it to a terminal patient with no hope for recovery. Kyra (Mari Blanchard) is dying of advanced tuberculosis and she very willingly agrees to be the guinea pig. Amazingly, she soon completely recovers. However, there are unforeseen complications--she is now virtually indestructible AND she's evil!

Soon, Kyra is off doing rotten things...and with seeming impunity. In a really, really neat scene for a 1950s film, she bashes some poor guy over the head while stealing something. When the police are searching for her, she hides out in a dressing room and wills her hair color to change...and it does on camera! Then, she just walks off...as they're looking for a brunette and she's now a platinum blonde! And, she seems to exude sex appeal that turn men into puppets in her hands! What's next for this budding sociopath with X-Men powers?!

Overall, this is a highly entertaining film that doesn't always make sense. Why didn't the doctors go to the police? This never made complete sense.