Three Little Bops

Friz Freleng's 'The Three Little Bops' is a longtime favourite of mine. From the first time I saw it at a very early age, I was always on the lookout for a chance to see it again. While I was growing up during the 80s and 90s, Warner Bros. cartoons were frequently on TV and every so often this one came around. I was absolutely delighted when it finally became available for me to own on the essential Looney Tunes Golden Collection Volume 2. A jazz parody of Disney's famous 'Three Little Pigs' cartoon, 'The Three Little Bops' is entirely set to music with a great vocal by the underrated Stan Freberg (who finally gets screen credit in this cartoon). It tells the story of the Big Bad Wolf's unsuccessful attempts to be accepted into the Three Little Pigs nightclub act and each time he is rejected, he blows the nightclub down! The visuals are beautifully stylised, fitting perfectly with the modern theme of the cartoon, and Warren Foster's lyrics are often priceless ("Dew Drop Inn did drop down"!). It's not quite a perfect cartoon, since there are a couple of slightly mistimed moments and the section in which the Wolf adopts a series of disguises slows things down and unnecessarily breaks from the musical narration for a conspicuously long time. Nevertheless, if asked to list my favourite cartoons, 'The Three Little Bops' would always be one of the first to pop into my head. It's a toe-tapping delight of which I never tire.

A variation on the Three Little Pigs fable set to toe tapping jazz swinging music. Has the pigs playing different clubs which the Wolf blows down when no one likes his trumpet playing and call him a square. This was an amusing short and the music was good so I enjoyed it. Not the best of the music-centric Looney Tunes shorts, but it's still a fun time to be had be all. This animated short can be seen on Disc 4 of the Looney Tunes Golden Collection Volume 2. It features a commentary by Jerry beck, as well as an optional music only track, and a vocals only track.

My Grade: B

Why this absolutely brilliant 1957 "Looney Tunes" entry was not nominated for an Academy Award, I'll never know. In a 1992 television viewers' poll, it was deservedly voted one of the best twenty cartoons in the whole Warner Brothers' repertoire.

For once, the UPA cartoon style isn't employed by the Warner artists simply because it's flavor of the month, but because it's highly suited to the subject matter. The backgrounds and the character animation all perfectly compliment the up-beat vocal.

No matter how many times you watch and listen to "The Three Little Bops", repeated viewing does little to lessen the impact of its cleverly off-beat visual and verbal humor.

The Three Little Pigs are a performing trio playing at the House of Straw. The Big Bad Wolf tries to join the band, but he plays badly. The Pigs call him square and rejects him. He leaves and blows down the place. The Pigs' next gig is the House of Sticks. The Big Bad Wolf tries again and the audience is disgusted with his playing. He gets thrown out and once again, he blows the place down. Finally, the Three Little Pigs are playing at The House of Bricks. This one has a sign that reads, "No Wolves Allowed". The wolf keeps trying, but he can't ever blow it down.

The Three Little Pigs are Looney Tunes favorites despite not being uniquely to them. I really like doing this take. Mostly, I love the narration mixed with this song. It is loads of fun and I love the ending.

Through many of the Looney Tunes cartoons, I've derived that the creators probably had a way with jazz, and it plays out in "Three Little Bops", as a trio of jazz-playing pigs perform in clubs, but a square wolf keeps interrupting and blowing the clubs down. But then, they find a place built out of bricks.

Not only is this a jazz-centric cartoon, but I notice that the narration sounds like "Rock Around the Clock". But that shouldn't be any surprise; after all, rock 'n' roll was pretty much based in jazz and blues. All in all, this is a very fine cartoon. I can say with certainty that Stan Freberg was as great a voice artist as Mel Blanc was.