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What's Opera, Doc?

  • 1957
  • Approved
  • 7m
IMDb RATING
8.3/10
11K
YOUR RATING
What's Opera, Doc? (1957)
Hand-Drawn AnimationParodyAnimationComedyDramaFamilyMusicalRomanceShort

Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.

  • Director
    • Chuck Jones
  • Writer
    • Michael Maltese
  • Stars
    • Mel Blanc
    • Arthur Q. Bryan
  • See production info at IMDbPro
  • IMDb RATING
    8.3/10
    11K
    YOUR RATING
    • Director
      • Chuck Jones
    • Writer
      • Michael Maltese
    • Stars
      • Mel Blanc
      • Arthur Q. Bryan
    • 65User reviews
    • 7Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Photos12

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    Top cast2

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    Mel Blanc
    Mel Blanc
    • Bugs Bunny as Brunhilde
    • (voice)
    • …
    Arthur Q. Bryan
    • Elmer Fudd as Siegfried
    • (voice)
    • (uncredited)
    • Director
      • Chuck Jones
    • Writer
      • Michael Maltese
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews65

    8.310.8K
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    Featured reviews

    10marcslope

    Kill the Wabbit... Kill the Wabbit...

    There's a tender Bugs-Elmer duet, set to Wagner, that goes like so:

    Elmer: Oh, Bwunhilde. You're so wuvwy.

    Bugs (in drag): Yes, I know it. I can't help it.

    Elmer: Oh, Bwunhilde, be my WUV...

    Scholars may detect actual commentary in this seven-minute masterpiece on the seeds of Nazism as sown by Wagner, the absurdity of the opera music-theater construct, or the multiple ironies of anthropomorphic cross-dressing. The rest of us just find it deadpan-knockout funny, musically glorious, and enacted on the greatest Wagnerian set ever built. Bravo tutti, and a deep, grateful bow to the late, great Chuck Jones; we shall never see his like again.
    Spleen

    A masterpiece, but not for the reasons some people think

    This is a classic short cartoon, all right. It's the art direction that does it - it's VERY 1950s (some would say it's pinched from UPA, but this is false: look at the previous work of Maurice Noble, and the direction in which background design was tending at Disney and to a lesser extent Warner Brothers before UPA was even formed, and you'll see that UPA was merely the most extreme expression of a zeitgeist which arose for as yet unexplained reasons) - but it fits the roasted twilight setting of Wagner like a glove. Colours, sets, linework, framing; all are marvellous.

    The cartoon is not, as is commonly asserted, Wagner's fourteen-hour Ring cycle compressed into seven minutes, since none of the content of the story is taken from Wagner (also, the disappointingly lame "Weturn, My Wuv" lyrics are set to a tune from "Tannhäuser"). It would be better still if it WERE a true parody of Wagner. As it is, wonderful and self-contained as the short is, it's also a bit baffling; not funny, but lacking the final ounce of courage required to be truly thrilling or moving, either. It IS a pity that it wasn't even nominated for Best Animated Short of 1957, especially in the absence of serious competition: Disney had shut down its short cartoon unit the previous year, UPA was churning out Mr. Magoo and nothing else, it wasn't a particularly outstanding year for MGM, and (the final indignity) the cartoon that actually WON the award that year was yet another worthless Sylvester and Tweety effort.
    9dimadick

    Looney Tunes at their best

    This short has always been one of my favorites.It combines humor,excelent music and feelings.Seing Mr.Fudd's love, wrath and sadness in what is probably his best performance makes it very memorable.Less silly visual jokes than most Looney Tunes and making comedy out of Elmer's and Bugs' interaction with each other realy makes it even better than the oftenly over-rated "Rabbit of Seville".Nice introduction to Wagner by the way.
    10ccthemovieman-1

    Artwork, Direction & Voices About As Good As It Gets

    Every aspect of this cartoon is outstanding, and that's coming from someone who hates opera! The illustrations in this are fantastic, the direction super and the dialog in this "opera" is hilarious.

    Kudos, too, to Mel Blanc (Bugs Bunny) and Arthur Q. Bryant (Elmer Fudd) for their outstanding voice-work having those two characters sing and talk in this opera. I appreciated their work in here more than about anything, although the direction by Chuck Jones and that artwork is really tremendous. All of them outshine the story in here.

    No, I still don't enjoy the "opera" but I will always enjoy this stunning-looking cartoon, which is part of Volume Two on the Looney Tunes Golden Collection.
    8gavin6942

    A Cartoon Classic

    Elmer Fudd is again hunting rabbits - only this time it is an opera. Richard Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.

    "What's Opera, Doc?" required about six times as much work and expense as any of the other six-minute cartoons his production unit was turning out at the time. Jones has admitted as much, having described a surreptitious re-allocation of production time to complete the short.

    There are a handful of cartoons that people will remember forever. This is one of them. Is there another Bugs and Fudd short that stands out more? Not that I can think of.

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    Short

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Warner Bros. Cartoons, Inc. only allotted five weeks for the production of each seven-minute short, but director Chuck Jones spent seven weeks on this short. To cover up for the extra time spent, he had his entire unit doctor their time cards to make it appear as if they working on the Road Runner/Coyote short Zoom and Bored (1957) for two weeks before they actually started (since Chuck and his staff were so familiar with the Road Runner formula, they were able to complete Zoom and Bored in three weeks).
    • Quotes

      [last lines]

      Bugs: Well, what did you expect in an opera? A happy ending?

    • Crazy credits
      The opera music continues and concludes over the "That's All Folks!" logo, substituting the usual exit music. The "That's All Folks" text doesn't go through its usual animation.
    • Connections
      Edited into The Bugs Bunny/Road-Runner Movie (1979)
    • Soundtracks
      The Pilgrim's Chorus
      from "Tannhäuser"

      Composed by Richard Wagner (uncredited)

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    FAQ5

    • Which series is this from: Merrie Melodies or Looney Tunes?
    • List: Bugs Bunny dresses in drag
    • List: "I killed the wabbit!"

    Details

    Edit
    • Release date
      • July 6, 1957 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Der Ring der Niegelungen
    • Production company
      • Warner Bros. Cartoon Studios
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $14,753
    • Opening weekend US & Canada
      • $12,285
      • Feb 16, 1998
    • Gross worldwide
      • $14,753
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 7m
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.37 : 1

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