Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.Elmer Fudd is again hunting rabbits - only this time it's an opera. Wagner's Siegfried with Elmer as the titular hero and Bugs as Brunnhilde. They sing, they dance, they eat the scenery.
- Director
- Writer
- Stars
- Awards
- 1 win total
Mel Blanc
- Bugs Bunny as Brunhilde
- (voice)
- …
Arthur Q. Bryan
- Elmer Fudd as Siegfried
- (voice)
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
In the style of a classic opera, Elmer Fudd, resplendent with magic helmet, seeks to kill the rabbit Bugs Bunny. However, dressing as an opera dame, Bugs attempts to outsmart and avoid Fudd the best he can. However, can he make the ruse last.
In terms of laughs, this is by no means Bugs's funniest cartoon. However it is easily one of my favourites of his simply because it is not a basic chase-em-up style comedy that relies on physical gags. In fact the reason I love this cartoon is part of the reason it isn't funny - simply because it is almost too clever to waste time making me roar with easy laughs. The plot is perfectly set to the music and it is surprisingly emotional for it. Bugs does his usual dressing up stuff but the music gives it all an edge it hasn't had before - and it is very interesting.
My favourite thing about this short is the style with which it is delivered. Look at some of the WB cartoons of the mid-sixties and you'd never believe those same drab animations could come from the same studio as this. Visually it is imaginative, style and very impressive - it easily matches the epic feel of the music. So much care has been put into it that it is difficult not to feel impressed by the look of the whole cartoon.
Fudd is a good character and here merges his usual meek personae with the epic operatic warrior to good effect. Bugs is his usual tricky self but he is down played a little bit as the cartoon seems less concerned about hilarity than about a witty, quality product. The two of them are adapted perfectly to the music and the cartoon is great with them.
Overall this is not the funniest of Bugs' shorts but it is easily my favourite. The cartoon is perfectly set to the music and it is intelligent and quite amusing. The look of the film is rich and well designed and fits the music really well - visually it is impressive, but then so is the whole cartoon.
In terms of laughs, this is by no means Bugs's funniest cartoon. However it is easily one of my favourites of his simply because it is not a basic chase-em-up style comedy that relies on physical gags. In fact the reason I love this cartoon is part of the reason it isn't funny - simply because it is almost too clever to waste time making me roar with easy laughs. The plot is perfectly set to the music and it is surprisingly emotional for it. Bugs does his usual dressing up stuff but the music gives it all an edge it hasn't had before - and it is very interesting.
My favourite thing about this short is the style with which it is delivered. Look at some of the WB cartoons of the mid-sixties and you'd never believe those same drab animations could come from the same studio as this. Visually it is imaginative, style and very impressive - it easily matches the epic feel of the music. So much care has been put into it that it is difficult not to feel impressed by the look of the whole cartoon.
Fudd is a good character and here merges his usual meek personae with the epic operatic warrior to good effect. Bugs is his usual tricky self but he is down played a little bit as the cartoon seems less concerned about hilarity than about a witty, quality product. The two of them are adapted perfectly to the music and the cartoon is great with them.
Overall this is not the funniest of Bugs' shorts but it is easily my favourite. The cartoon is perfectly set to the music and it is intelligent and quite amusing. The look of the film is rich and well designed and fits the music really well - visually it is impressive, but then so is the whole cartoon.
This short has always been one of my favorites.It combines humor,excelent music and feelings.Seing Mr.Fudd's love, wrath and sadness in what is probably his best performance makes it very memorable.Less silly visual jokes than most Looney Tunes and making comedy out of Elmer's and Bugs' interaction with each other realy makes it even better than the oftenly over-rated "Rabbit of Seville".Nice introduction to Wagner by the way.
Every aspect of this cartoon is outstanding, and that's coming from someone who hates opera! The illustrations in this are fantastic, the direction super and the dialog in this "opera" is hilarious.
Kudos, too, to Mel Blanc (Bugs Bunny) and Arthur Q. Bryant (Elmer Fudd) for their outstanding voice-work having those two characters sing and talk in this opera. I appreciated their work in here more than about anything, although the direction by Chuck Jones and that artwork is really tremendous. All of them outshine the story in here.
No, I still don't enjoy the "opera" but I will always enjoy this stunning-looking cartoon, which is part of Volume Two on the Looney Tunes Golden Collection.
Kudos, too, to Mel Blanc (Bugs Bunny) and Arthur Q. Bryant (Elmer Fudd) for their outstanding voice-work having those two characters sing and talk in this opera. I appreciated their work in here more than about anything, although the direction by Chuck Jones and that artwork is really tremendous. All of them outshine the story in here.
No, I still don't enjoy the "opera" but I will always enjoy this stunning-looking cartoon, which is part of Volume Two on the Looney Tunes Golden Collection.
This is one of the greatest cartoons ever made. When many experts in the field of animation got together a few years ago to list the 50 greatest cartoons ever made, this one ended up at number 1. Watching this cartoon, it's easy to see why they ranked it at the top. It's a classic. Everyone knows this one, especially the scene with Elmer Fudd, Spear in hand, magic helmet on head, singing "kill the wabbit!"
There's a tender Bugs-Elmer duet, set to Wagner, that goes like so:
Elmer: Oh, Bwunhilde. You're so wuvwy.
Bugs (in drag): Yes, I know it. I can't help it.
Elmer: Oh, Bwunhilde, be my WUV...
Scholars may detect actual commentary in this seven-minute masterpiece on the seeds of Nazism as sown by Wagner, the absurdity of the opera music-theater construct, or the multiple ironies of anthropomorphic cross-dressing. The rest of us just find it deadpan-knockout funny, musically glorious, and enacted on the greatest Wagnerian set ever built. Bravo tutti, and a deep, grateful bow to the late, great Chuck Jones; we shall never see his like again.
Elmer: Oh, Bwunhilde. You're so wuvwy.
Bugs (in drag): Yes, I know it. I can't help it.
Elmer: Oh, Bwunhilde, be my WUV...
Scholars may detect actual commentary in this seven-minute masterpiece on the seeds of Nazism as sown by Wagner, the absurdity of the opera music-theater construct, or the multiple ironies of anthropomorphic cross-dressing. The rest of us just find it deadpan-knockout funny, musically glorious, and enacted on the greatest Wagnerian set ever built. Bravo tutti, and a deep, grateful bow to the late, great Chuck Jones; we shall never see his like again.
Did you know
- TriviaWarner Bros. Cartoons, Inc. only allotted five weeks for the production of each seven-minute short, but director Chuck Jones spent seven weeks on this short. To cover up for the extra time spent, he had his entire unit doctor their time cards to make it appear as if they working on the Road Runner/Coyote short Zoom and Bored (1957) for two weeks before they actually started (since Chuck and his staff were so familiar with the Road Runner formula, they were able to complete Zoom and Bored in three weeks).
- Crazy creditsThe opera music continues and concludes over the "That's All Folks!" logo, substituting the usual exit music. The "That's All Folks" text doesn't go through its usual animation.
- ConnectionsEdited into The Bugs Bunny/Road-Runner Movie (1979)
Details
- Release date
- Country of origin
- Language
- Also known as
- Der Ring der Niegelungen
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $14,753
- Opening weekend US & Canada
- $12,285
- Feb 16, 1998
- Gross worldwide
- $14,753
- Runtime
- 7m
- Sound mix
- Aspect ratio
- 1.37 : 1
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