Zero Hour!

Yes the others are spot on when Airplane! is invoked...but I think a truly great film maker also watched and lifted the character of Zero Hour! Stanley Kubrick. The cockpit scenes are so Dr Strangelove looking and feeling that one has to consider if this is where Kubrick looked for production design inspiration for the classic Slim Pickens scenes. Certainly looks and feels that way to this viewer. A Kubrick documentary has some bits about how the Dept of Defense was very curious about how accurate Stanley was in the instruments and layout of the Strangelove plane. Watch ZH and I think its pretty odvious. And a big Thank You TCM for putting Airplane! and ZH back-to-back for what is undoubtedly great film viewing.

Arthur Hailey co-scripted this adaptation of his "story" (actually his play, the uncredited "Flight Into Danger") along with director Hall Bartlett and producer John C. Champion about an airliner crippled mid-flight when the crew and most of the passengers are stricken from bacteria-laced fish. Dana Andrews plays a war-scarred ex-fighter pilot haunted by his record in WWII who is the only person aboard adequately prepared to land the plane; he gets his radio instructions via land from Sterling Hayden, who just happened to be Andrews' wartime adversary! Mediocre in all aspects, but still thoroughly engrossing and enjoyable. The plot and characters should be recognizable to fans of the 1980 satire "Airplane!"...however this one is already spoofy as all get-out (though it doesn't mean to be), starting with that grave narration. Linda Darnell's role as Andrews' estranged wife and reluctant co-pilot is a scream (she has no faith in her nervous husband, yet near the finish glows with wifely pride). Andrews and Hayden act it to the hilt, while the dialogue becomes entrenched in a kind of quotable inanity ("He can't land that plane in this soup!"). Nothing to take seriously, but fun nevertheless. *** from ****

Dana Andrews's Zero Hour comes when former the pilot with the Canadian Air Force who lost several crews because of a decision about a mission toward the end of World War II is called upon to fly again because he's the only one on board a commercial aircraft who can.

Zero Hour is a tense thriller of a film without a second of wasted film frame in it. Andrews since World War II had come to an end has been at loose ends himself, drifting from job to job and now loosing his wife Linda Darnell and son Raymond Ferrell. On impulse after getting his wife's 'I'm leaving you' note Andrews boards a Canadian airliner in Winnipeg that is bound for Vancouver that's carrying Darnell and Ferrell. Then the passengers and both the pilot and co-pilot come down with food poisoning, courtesy of some badly prepared fish. Young Mr. Ferrell also becomes ill.

If the plot situations sound familiar that's because the film was written by Arthur Hailey who later cornered the market on these kinds of films with the successful Airport series. Story and screenplay were done by Hailey and while the film doesn't have the Ross Hunter type gloss that the Airport series had, it actually benefits because you're not stargazing among the glittering cast that all the Airport films had.

Although he's only in the last third of the film, Sterling Hayden plays one of Andrews's former Canadian Air Force pilots who knows what happened to him back in the war and who now flies for the airliner. It's Hayden's job to talk him down and give Dana on the job pilot training.

Usually the female role in these kinds of films is to patiently sit and wait while the man does his thing. That's not so in Zero Hour, Linda Darnell pitches right in and operates the plane radio right along side her estranged husband.

Andrews, Darnell, and Hayden all register well in their roles. Unusual in that time that the film has a Canadian setting though the players are mostly American. Probably helped that Arthur Hailey was British and in fact served in the RAF during World War II. I'm betting his source material for the story grew out of his experiences there.

Zero Hour is a suspenseful drama and ought not to be missed, especially if you're a fan of Hailey's Airport films.

And you thought the dialogue and acting went over the top in "Airplane," huh? Thank you TCM for running this the other day. I had never seen it before, but wait a minute, sure I had... dozens of times. That's what made the ZH viewing such a hoot. ZAZ did such a fine job colorizing "Zero Hour!" I had the whole script memorized. If you have grown slightly weary from repeated "Airplane" yukfests, find a copy of its propellorized progenitor and enjoy the comedy anew. So true is the original to its parody (note the deliberate juxtaposition) I half expected Geoffrey Toone's (Dr. Baird) nose to grow as he attempted to calm the passengers. All that was missing was June Cleaver's "Jive Talkin'!"

It's funny, but despite "Zero Hour!" being an excellent and tautly written movie, I found myself laughing periodically throughout the film--and there's a good chance you will too if you watch this movie. It isn't because it's a comedy (far from it), but because the 1980s comedy "Airplane!" is basically a re-make of this 1957--but with all the insane Zucker-Abrams humor. So many times, you'll notice that "Zero Hour!" says the exact same lines and has the exact same plot you'll find in the later comedy film. It's a shame, really, as some might think the folks remade "Zero Hour!" or poked fun of it because it was a bad film--and it's among the best of the air disaster films ever made. Plus, coming back in the 1950s, it was NOT a cliché--but fresh and exciting...unlike later dreck like "Airport '75" and "Airport '79"--films that truly deserved to be parodied and mocked.

The film begins with a guy named Ted Stryker (yes, the same name as the guy Robert Hayes played in "Airplane!") but this time it's played by the ever-dependable Dana Andrews. Like in "Airplane!", he's a combat vet with PTSD and blames himself for the deaths of six pilots--but it happened in Europe, not Macho Grande! And, like in the latter film, tainted fish cause the crew and many of the passengers to become violently ill. And, like the later film, it's up to Andrews and an old WWII pilot who knows him (Sterling Hayden) to talk him through the landing process.

Despite all these similarities, the film is first-rate. Hayden and Andrews are both two of my favorite actors of the era because neither one was a "pretty boy" and they excelled at playing realistic characters--real guys who rise to the occasion when the need arises. Not macho...just real men with real problems and real grit. The script sure helped as well--it didn't seem ridiculous but managed to create wonderful tension and kept me riveted.

Overall, an excellent and often ignored film. See it yourself and see why it as well as "The High and the Mighty" are two airplane disaster movies that manage to pack a lot of entertainment more than 50 years later.