Another Time, Another Place

I had heard a lot about this film. I like Lana Turner and I have always thought that Glynis Johns is one of the loveliest British actresses who ever went to Hollywood - our loss, their gain. She seemed to steal every scene that she was in.

I thought this was just going to be another love story with a wartime background, but it was more than that. It turned out to be a very touching and human story.

The scenes of Cornwall were beautiful. It would have been great in colour, and the film had the loveliest ending that I have ever seen in any film of this genre.

Lana Turner never won an Oscar, but I am surprised that she was not, at least, nominated for an Academy Award for this picture. She was always good at playing this sort of role, lighting up the screen as her performance developed.

I am not usually a fan of love stories, but there was just something about this film that made me keep watching it. I do not know what it was. Maybe it was just Lana Turner's performance and the beautiful scenes of Cornwall. I have recorded it on Talking Pictures. I might even watch it again.

I have also enjoyed watching Sean Connery in one of his early roles. He is always good, no matter what film he is in. However, I should imagine that British audiences must have sat in the cinema wondering how a Scotsman could have been born in Cornwall.

Everybody around here seems to be criticizing this fine piece of melodrama. It feels like a duty to say some good things to save it right away. I only heard about the title yesterday from Amazon, and then, in the afternoon, a friend of mine offered to lend it to me. I appreciated the coincidence. I've just finished watching it, and must confess I really enjoyed the show. The image is great, Lana Turner is beautiful. I will accept the fact that it's not as original as other melodramas, but it definitely uses all the ropes we love about this kind of movies. So my mark here is seven, I had a great time and I would advise anyone interested in melodramas to have a look at it on a sunny day, just before going to the beach. And dream while watching seagulls in the sky.

Sean Connery and Lana Turner are journalists who fall in love, in this enjoyable war time melodrama. Connery plays Mark Trevors, a radio reporter for the BBC and Turner plays Sara Scott, posted in London working for an American newspaper. Their relationship, which is never fully developed, has a sting in the tail. The second half of the story takes place in Cornwall, and although filmed in black and white, the scenery is still alluring. Turner, who gets most of the screen time, gives a decent performance and Connery, who at the time was relatively unknown, demonstrates the charisma which makes him a potent screen presence.

Set in Cornwall (not that you'd know from the accents, least of all Connery's) in 1945 (not that you'd know from Lana Turner's chic fifties wardrobe). The title is apt, as it belongs to a very specific moment in 1957 when Sid James was still playing Americans, Lana's film career was simply treading water (just before the publicity resulting from the Stompanato scandal revived it again) and Sean Connery - suffering yet another false start - cost next to nothing. Likewise it completely lacks the glossy high contrast colour photography by Russell Metty and mellow piano music by Frank Skinner (rather than the noisy score here by Douglas Gamley) that became a hallmark of her vehicles for Ross Hunter.

Turner's penchant for Bad Boys showed both in her offscreen liason with Johnny Stompanato and her onscreen one with a Connery still sporting his original bushy eyebrows. But it's really about Lana's relationship with Connery's wife Glynis Johns.

Another Time, Another Place is a multi-dimensional movie. Keeping in mind that it is fifty-eight years old, I imagine the storyline and character building was fairly innovative. Still today, the acting, script, and directing were relevant enough on a general level and pulled me in. I felt drawn towards each character and their individual plights, albeit some more than others. Emotions emanated off the screen, and some scenes were very powerful. While this isn't the best movie of all time, and arguably may not be the peak of Turner's and Connery's careers, it is certainly a heartfelt film that deserves respect.