Cattle Empire

The film begins with a group of townsfolk dragging John Cord (Joel McCrea) from a rope tied to a man's horse. Yes, their plan is to drag him to death. Apparently five years earlier, Cord and his gang of cowboys entered the town and tore the place apart and spread a lot of misery. Inexplicably, he's back as one of the leading citizens in the town has hired him to take the town's cattle to market. How could this be?! After all, he was convicted of standing by and doing nothing to stop his men from an orgy of destruction. And, why is Cord so angry?! After all, the dragging seems more than justified when year hear about all the hellish things his men did to the town! And, why does Cord agree to take the job?! None of this makes any sense....and that's okay. Just keep watching!! It will make sense by the end.

This is a very good western...which isn't a surprise considering it stars Joel McCrea. Even the most ordinary of westerns were made better by his solid acting...and this is a decent film to boot. Well worth seeing...mostly because it is unique...and that's very rare with westerns.

This B-Western starts off brilliantly – despite unconvincing use of stock stuntwork – with 'murderer' Joel McCrea dragged through the streets by irate townspeople, then finally hauled, half-dead, onto the wagon of a man he once blinded. The script drops a few tantalising clues to the past, as McCrea encounters his old girl, his protégé and a mysterious local rancher... Then we're out on the trail and the low budget takes its toll, with a disappointing reliance on old footage. How many cows did the filmmakers actually have at their disposal? One? McCrea excelled in Westerns – I could watch them all day – but the plotting here is slack and the revelations far too contrived, leaving holes one could drive a herd through. Does McCrea intend to lead his old adversaries (and their cattle) to their doom? Will he steal the blind man's gal? And what really happened five years ago? You'll want to know, and then when you find out, you'll think: 'Is that it?' A strong action climax calls to mind 'Comanche Station', which is a far better film. Still, 'Cattle Empire' – for all its dead-ends and cattle shortages – remains a fascinating, idiosyncratic watch.

(2.5 out of 4)

Joel McCrea stars as a trail boss falsely imprisoned for his men's misdemeanours. Released and suffering at the hands of an unforgiving and irate town, he's hired by a blind Don Haggerty to drive his herd - but Haggerty has his own agenda's on this trip.

A routine Western that is chiefly saved from the bottom rung by the presence of Joel McCrea. McCrea was a real life cowboy type who owned and worked out of a ranch in California, thus he gives this standard Oater a naturalistic core from which to tell the story. If only they could have given him some decent actors to work with, and, or, a bolder script, then this might have turned out better than it did.

Directed by Charles Marquis Warren (more famed for TV work like Gunsmoke and his writing than movie directing), the piece is scripted by Daniel B. Ullman, a prolific "B" western script specialist of the 1950s. This, however, is far from being a good effort from his pen. Shot in CinemaScope with colour by DeLuxe, it thankfully at least proves to be most pleasing on the eye. Brydon Baker proving to be yet another cinematographer seemingly inspired by the Alabama Hills, Lone Pine, locations.

Away from the turgid story there's a classical big Western shoot-out to enjoy, while a Mano-Mano shoot out set among the Alabama rocks towards the end is nicely handled. But the good technical aspects are bogged down by the roll call of by the numbers gruff cowboy characters, and worse still is a two-fold romantic strand that is so weak it beggars belief. All of which is acted in keeping with such an unimaginatively put together series of sub-plots masquerading as a revenge thriller. For McCrea this film is worth a watch - as it is for its beauty (the print is excellent), but in spite of the old fashioned appeal, and a couple of action high points, it remains borderline dull.

McCrea and the audience deserve far better. 5/10

In its time the American B western was possessed of a form as rigid as any dramatic form in existence. There would be half a dozen plots that could be used for a western and the story was usually told in a conservative fashion, using techniques that ran back to when William S. Hart, popularizer of the Good Bad Man in the movies, was one of the leading western stars. The conservatism was a combination of practicality and art: the Bs were the stomping grounds of silent A directors who wished to continue to work.... and the fact that the story took place in the outdoors meant that the outdoors formed a good part of the story.

In this one, Joel McCrea is the Good Bad Man -- a great trail boss whose men got out of control and wrecked a town. Now the town is struggling to make a comeback, and has hired McCrea to lead the drive -- and much of the town has come along on the drive The movie is beautifully shot and the plot has a revenge drama quality that makes it peculiarly interesting. Unhappily, most of the acting talent, once you get past McCrea, is less than first rate. Still, it does have its not inconsiderable charm and its easy assumption of what may seem like bizarre attitudes may give you the start of an understanding of the genre.

Plot-- Trail-driver Cord (McCrea) is blamed for letting his cattle crew wreck a town. After prison, he consents to head up a trail drive that will save the same town's finances. But the town's in competition with an outside cattleman to be first to arrive at the buyer's base and get the contract. So who will win, and can Cord be trusted.

Despite the great Joel McCrea and a grabber opening, this is a bland western. The only action, until the showdown, is loping cattle going here and there and who knows where. The rambling script fails to gel into any kind of suspense, with one talky scene after another to accommodate the many characters and subplots. Meanwhile the large supporting cast flounders getting no help from director Warren. The one compensation —the scenic eastern Sierras— is marred by contrast with poorly designed nighttime sets that take us back to the studio. Considering this was a TCF production, I'm surprised it was so poorly put together. Maybe they were trying to capitalize on the McCrea name. But by this time, he was in his mid-50's, still quietly commanding, but aging, nonetheless. At least they don't have him riding into the sunset with one of the girls. Mostly he sits astride his horse and gives orders. As a fan of the ace cowboy, I wish there were more to compliment. But unfortunately, there isn't.