An alien lifeform consumes everything in its path as it grows and grows.An alien lifeform consumes everything in its path as it grows and grows.An alien lifeform consumes everything in its path as it grows and grows.
- Directors
- Writers
- Stars
- Awards
- 1 nomination total
Steve McQueen
- Steve Andrews
- (as Steven McQueen)
Aneta Corsaut
- Jane Martin
- (as Aneta Corseaut)
Olin Howland
- Old Man
- (as Olin Howlin)
Stephen Chase
- Dr. T. Hallen
- (as Steven Chase)
Vincent Barbi
- George
- (as Vince Barbi)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I grew up in Royersford, Pa. The town where Jerry's market was. I remember my whole family going out to watch the filming. I remember a guy showing the "Blob" to me and my brothers in a bucket. I also would like to share that my mother was in the movie. Her hair style was the same as Aneta Corsaut's and she was ill one evening and they saw my mom and asked her to sit in the car with Steve Mcqueen for some shots from behind. They payed her $25.00 and gave her a story to tell until she passed away this past August. My mom was not a teenager and she was a few months from giving birth to my little sister.
I have read many of the user comments and I think that the film is generally not getting credit for being a smart thriller. Why does the monster have to be on-screen to make it good? Hitchcock said that suspense plays better than action and although this film missed many opportunities to be more suspenseful, it's is at least not stupid.
In how many horror films today does the hero know the monster and its nature when he should? Steve knows what he's dealing with almost from the beginning and his frustration is not being able to convince the authorities.
Yet the authorities act in a totally credible way as well, even the annoying sergeant. Who would believe such a story from a bunch of "kids" (we know Steve wasn't a kid, but his character is).
One key example of the movie's intelligence: Steve is yelling to Dave to get CO2 fire extinguishers long after Dave has already gotten the message and dispatched people to get them. How many movies made in the 90s would be smart about this subtle detail?
I'm really tired of watching movies and having people behave in ways different than they really would in real life (the most irritating recent example is Tom Hanks falling asleep with the flashlight on in Cast Away). Horror films in particular do this in spades (which is why the Scream films have been so popular), but The Blob, to me, stayed pretty true to its characters, and in so doing made a smarter and better film.
Yes there are many flaws, perhaps biggest is Steve McQueen's very uneven performance, but I think they missed key opportunities for suspense that could have turned this above average, kinda scary, kinda funny movie that's a cult favourite into a true classic.
In how many horror films today does the hero know the monster and its nature when he should? Steve knows what he's dealing with almost from the beginning and his frustration is not being able to convince the authorities.
Yet the authorities act in a totally credible way as well, even the annoying sergeant. Who would believe such a story from a bunch of "kids" (we know Steve wasn't a kid, but his character is).
One key example of the movie's intelligence: Steve is yelling to Dave to get CO2 fire extinguishers long after Dave has already gotten the message and dispatched people to get them. How many movies made in the 90s would be smart about this subtle detail?
I'm really tired of watching movies and having people behave in ways different than they really would in real life (the most irritating recent example is Tom Hanks falling asleep with the flashlight on in Cast Away). Horror films in particular do this in spades (which is why the Scream films have been so popular), but The Blob, to me, stayed pretty true to its characters, and in so doing made a smarter and better film.
Yes there are many flaws, perhaps biggest is Steve McQueen's very uneven performance, but I think they missed key opportunities for suspense that could have turned this above average, kinda scary, kinda funny movie that's a cult favourite into a true classic.
The Blob is a classic 1950s B-movie sci-fi flick. You probably know the story: two teens (Steve McQueen & Aneta Corsaut) see a meteorite hit the ground, and when they go to look for it, they run into an old man with some weird...blob attached to his arm. They take him to the doctor's office, and then go to find out what happened. From there, the blob spreads, eating everyone in its path. The special effects are cheesy fun, as is the story. There are a lot of great touches, like the cop who plays chess over the radio with a cop in another district. It's no masterpiece, but it has a special place in its genre. Steve McQueen is very good. 8/10.
I first saw "The Blob" on TV back in the '70s when I was about eight years old and it scared the unholy crap out of me. (I was a nervous type kid.) Seeing it again as a grown man, I smiled a lot at how relatively mild-mannered it is by today's standards, but "The Blob" is still a ton of fun. A young Steve McQueen (billed as "Steven" here for the first and only time in his career) plays the plucky, square-jawed teenage hero (despite the fact that he was 27 when he made the movie) who battles valiantly against the usual group of unbelieving grown-ups (who's gonna take the word of a teen-age hot rodder?) in order to save his small town from a man-eating alien hunk of goo that crashes to earth inside a meteor and begins absorbing townspeople at an alarming rate overnight. The title creature may resemble a wiggling, chewed up hunk of bubble gum, but you gotta love those attack scenes shot from The Blob's point of view (did they use a "Blob Cam?") and that oh-so-catchy theme song ("It creeps! It leaps! It slides, it glides across the floor!"). Admittedly "The Blob" suffers a bit from a few slow patches in the middle of the film where Steve and his fellow teens do more talking than anything else, but once the third act begins and the creature oozes into a sold-out midnight horror movie show at the local theatre, causing mass panic, it's golden. "The Blob" is an iconic piece of 50s sci-fi/horror, no doubt, and it's just as much fun to watch today as it must've been "back in the day." "The Blob" was remade in the late 80s by "Nightmare on Elm Street 3: The Dream Warriors" director Chuck Russell (I like that version as well), and now I'm hearing that Rob Zombie's next film project will be yet another new version of "The Blob." What puzzles and worries me is that Zombie says the first thing he's going to change in his remake is that there won't be "a big, red Blobby thing. I hate that." Now, how the hell are you going to make a "Blob" movie WITHOUT a big, red Blobby thing? Blasphemy!!!
This hugely entertaining b-movie starts off with an insanely catchy rockabilly song that perfectly sets the mood for what's to come. This movie never makes the mistake of taking itself seriously, which is what made it such an effective thriller.
The acting was actually pretty stiff, and the main characters aren't that interesting, but the director is really good at keeping this viewer in suspense. The blob was pretty ridiculous, but I still tensed up whenever I saw it on screen. And like I said in the summary, this movie has a sense of humour, which is important in low budget science fiction.
I also found the special effects to be clever. The Blob slithered under doorways, through vents, and up people's legs. It was kind of obvious how they did a lot of it,but I personally think that's part of the charm of pre-cgi effects.
Bottom Line: If you're expecting great acting and character development, skip this, but if you like b- movies, it's a masterpiece.
The acting was actually pretty stiff, and the main characters aren't that interesting, but the director is really good at keeping this viewer in suspense. The blob was pretty ridiculous, but I still tensed up whenever I saw it on screen. And like I said in the summary, this movie has a sense of humour, which is important in low budget science fiction.
I also found the special effects to be clever. The Blob slithered under doorways, through vents, and up people's legs. It was kind of obvious how they did a lot of it,but I personally think that's part of the charm of pre-cgi effects.
Bottom Line: If you're expecting great acting and character development, skip this, but if you like b- movies, it's a masterpiece.
Did you know
- TriviaSteve McQueen had the poster of this film on his bedroom wall at the time of his death.
- GoofsAt 1:05:01, as the actor awakens and dons clothes, the siren (added in post-production) changes from air raid to fire. The Director can plainly be heard off screen cuing the actor with "Fire" just before the actor says it.
- Quotes
[last lines]
Lieutenant Dave: At least we've got it stopped.
Steve Andrews: Yeah, as long as the Arctic stays cold.
- Crazy creditsWhen the movie ends it shows the Blob being dropped into the Arctic. "THE END" appears and changes into a question mark.
- Alternate versionsSpanish-dubbed version substitutes the opening credits theme song for a more conventional, in-tone with the movie, instrumental tune.
- ConnectionsEdited into The People Who Own the Dark (1976)
- SoundtracksThe Blob
Written by Burt Bacharach & Mack David
Performed by The Five Blobs, arranged by and all vocals by Bernie Knee
[Played over the opening credits]
Details
- Release date
- Country of origin
- Languages
- Also known as
- La mancha voraz
- Filming locations
- Royersford, Pennsylvania, USA(Jerry's Market)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $240,000 (estimated)
- Runtime
- 1h 26m(86 min)
- Sound mix
- Aspect ratio
- 1.66 : 1
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