Born Reckless

Amateur night at the rodeo. As barroom singer Jackie Adams, sort of a fashion-plate cowgirl (her western hat tilted to one side), Mamie Van Doren is dressed to kill, peroxided and puckered for a kiss that never comes. This lady knows her way around a photogenic pose but, unfortunately, she has no personality; when asking someone a simple question, she squints her eyes and quivers her lips as if trying to comprehend the theory of relativity. Van Doren is so stilted on-screen that she's hardly even a presence, yet the drooling cowboys in her path don't seem to notice. Mamie hitches up with a hunky rodeo cowboy and his grizzled cohort, but the so-called screenplay isn't interested in the (often crooked) rodeo circuit. What the filmmakers really want to do is get their sexy starlet into compromising positions (which she then squirms her way out of). Joseph F. Biroc's cinematography is compromised by poor stock shots of rodeo crowds (which must have pained him), and every performance leans toward the extreme: extremely wooden or extremely hammy. Either way, the picture is extremely awful. * from ****

Born Reckless has 50s sex kitten Mamie Van Doren filling out those tight rodeo cowgirl outfits with the bulges in all the right places. She sings and does some trick riding and she's an itinerant performer who makes the acquaintance of Jeff Richards and Arthur Hunnicutt.

These folks are small circuit performers who do it for the love of it. The money is nice though when you win and it hurts just as bad when a bull bucks you off at Cheyenne Frontier Rodeo or at one of these small town events.

Richards enters many events but he can somehow never put together enough money at once so he can buy a piece of land and settle down. And he's not getting any younger. Van Doren has some competition from rich rodeo groupie Carol Ohmart as well.

Some familiar western faces and some forgettable country songs are in this film enough to qualify it as a musical. Not sure if Van Doren's numbers were dubbed or not.

Born Reckless is not up there with really good rodeo films like Junior Bonner or The Lusty Men. But it's still good entertainment cheaply made.

Shapely saloon singer Mamie Van Doren (as Jackie Adams) is ogled by many man. After a performance, she is assaulted by a particularly amorous admirer. Handsome rodeo rider Jeff Richards (as Kelly Cobb) saves Ms. Van Doren. She partners up with Mr. Richards and his companion, Arthur Hunnicutt (as "Cool Man"), on the rodeo circuit. Although Richards seems more interested in other women, like Carol Ohmart (as Liz), he and Van Doren become attracted. Van Doren continues to arouse other men with her full, tightly-attired figure and platinum blonde looks. Seeing whether or not they can work it out and settle down is not very exciting.

**** Born Reckless (11/58) Howard W. Koch ~ Mamie Van Doren, Jeff Richards, Arthur Hunnicutt, Tom Duggan

A typical rodeo film. fistfights, bronc riding. ten gallon hats. Stars mamie Van Doren and Jeff Richards. Van Doren has a VERY interesting bio on imdb, if you have a couple minutes... makes for a fun read. pretty x-rated. Richards had a much quieter life; had started as a baseball player, but moved into acting after getting an injury. Some songs sung in the nightclubs. maybe some of them were actually sung by VanDoren. Arthur Hunnicutt is the sidekick. Hunnicutt was oscar nominated for Big Sky... always played the western character, and usually with the big beard. When Kelly (Richards) meets interloper Liz (Carol Ohmart), things get tense. Will that put an end to Jackie? (VanDoren) This Warner Brothers film has many similarities to UA's The Misfits (Gable, Monroe), but Reckless was first! Misfits would come a couple years later, with bigger stars, but the stories are almost the same. Reckless written by Richard Landau... had started out by writing short documentaries; worked up to films and then television series. little bits and pieces of various shows. Directed by Howard Koch; had some pretty big achievments in his life: was president of the Academy, was head of production at Paramount Studios, and was VP of Sinatra Enterprises. not a bad life!

Mamie has about five good Country song and dance numbers while worrying about her man, Kelly Cobb, a rodeo champ who has been drawn into the clutches of another woman (Carol Ohmart) Bland and polished with the big studio budget as they come. It's curious why an A grade studio like Warner Brothers decided to run with such a slim B grade rodeo opera. Without James Dean, they were no doubt trying to repeat Fox's success with Marilyn Monroe. Nice rodeo riding tricks help pad the time of a predictable show with a rather tame story book ending. One rock n roll number might have you laughing quite a lot..