Bullwhip

I thought it was quite an entertaining western, even though the story isn't very high-quality. Flemming's character is clearly explained right at the beginning of the film through her own voice-over. She's a tough cookie who doesn't want to know anything about love until she meets Steve, of course. It's a shame that this romance isn't really developed strongly. She plays hard to get for a while, but the transition to love is rather abrupt and feels a bit forced.

Rhonda Flemming certainly steals the show in terms of eye candy, and she also acts quite reasonably.

A nice western that's fun to watch once.

Here's an example of Plot #37 -- the couple forced to wed under unusual circumstances who seem to detest each other at first but who slowly, inevitably fall in love. Since the plot holds no surprises, the success of any film using Plot #37 largely depends on its two leads. Do they have the right chemistry? And does the script give them good dialog to toss back and forth?

Alas, Rhonda Fleming and Guy Madison lack the necessary spark, and both of them seem a bit over-the-hill for this kind of romance. Their lines are without style and wit and the course of their relationship manages to proceed both predictably and unconvincingly at the same time.

An air of sexism and racism pervades the movie and its depiction of the Old West, but in ways that are more amusing than offensive. Seeing Rhonda Fleming in her Indian maiden outfit, complete with feather, has a campy charm.

Not surprisingly, Guy Madison gets to take his shirt off in order to display the chest which once adorned the inside door of a thousand high-school lockers. Though slightly faded at age 35 or so, this chest is still easy on the eyes and it's so unshaved as to be downright furry.

So this starts out with our framed hero in a jail cell who agrees to marry a woman to get out of jail and then his buddy arrives, an assassin misses a shot at him, a sheriff(?) fires at them and his buddy kills the sheriff and then he rides after his new wife's pack train and when he catches up, he takes it over.

The assassin is following him but seems to appreciate his friendship and ends up getting all the money for (not) killing him anyway.

I don't like the Hollywood disrespect for the law, but the girl vs. Guy interplay is entertaining, and Rhonda Fleming is eye candy par excellence with every male viewer wishing he was in that covered wagon with her. (Why not just offer her a massage?)

Her father who owns the shipping company dies, but she's an Indian princess. It should have been clarified that she had been captured by the Indians and raised as one of their own.

And Iron Eyes Cody looking good! I wish he were still with us too.

Rhonda's bio says she had 5? 6? Marriages and ended up with a son and 4 great-grandchildren. She definitely should have had daughters too.

BEAUTIFUL woman!

Despite claiming self-defence, Steve finds himself in jail with nothing ahead of him but a short drop to the end of a rope. When the judge that sentenced him, offers him a way out, Steve suspects he has been set up but has no room to turn the offer down. So it happens then that Steve is married to Cheyenne – a fiery young woman, whose father's will states that she will inherit nothing unless she marries within so many days. With the papers signed, Steve is let out of jail with no knowledge of who his new wife is and quickly finds that he was not pardoned – only freed, so a posse of men are after him immediately. Steve gets offered a chance to get after his wife and claim his rights as her husband by sinister businessman Parnell and thus he sets of after her wagon train.

Despite the trimmings, western setting and plotting, the basic story here is very much a simple case of "man and woman dislike each other while the audience wonder if they will overcome differences and perhaps even fall in love". The answer to this question is unlikely to have audiences on the edge of their seats but the film does just about manage to entertain even if it never really does anything that special or interesting. The story treads the usual path but has some humour, action and intrigue to make for a distracting affair that more of less does the job for an undemanding afternoon in on a wet weekend. Of course a lot depends on the chemistry between the stars in this sort of plot and unfortunately the delivery isn't good enough on that front.

It isn't that the cast are bad, because they are actually OK but this film could have been lifted greatly by some really sparkling chemistry and interaction between the two leads. Madison is fairly solid in the lead role and does do well with a slight swagger and wry grin; meanwhile Fleming is quite interesting but is never as sexual or as fiery as she needed to have been. The scenes the two share don't work that well either – the audience had to care for both characters and see genuine affection below the surface even in the most argumentative encounters and they can't manage to do that and just come off as, well, two b-movie stars playing opposite each other rather than anything convincing. Adams plays the usual b-movie villain with some relish but didn't make much of an impression on me I'm afraid.

The end result of all these average ingredients is a b-movie that never really rises above par for the course at any point but just about has enough comedy and energy to provide distraction if you are in an undemanding b-movie mood.

Bullwhip casts Guy Madison as a man with an interesting predicament. He got framed for a murder that was self defense by Judge Don Beddoe working with Rhonda Fleming the mixed racial owner and boss of a freight line. She's got a huge advantage over her competitors being the daughter of a Cheyenne chief her wagons get safe passage through their territory.

But she also by the terms of her father's will has to have a husband in order to inherit the company. So poor Madison gets framed for a murder and then gets a signed release from Beddoe.

After that there's any number of people who want to see Madison alive or dead as their interests dictate. And there are some whose views change as far as Madison is concerned one of them being Fleming. As for Guy now that he's married he wants to assert his marital prerogatives in all fields. That especially works with the Cheyenne given their alpha male point of view.

Rhonda Fleming does well in a part that I'm sure was written with Barbara Stanwyck in mind. Though I doubt their are not too many mixed bloods that have her distinctive titian tresses.

In spite of a really stupid title song sung by Frankie Laine over the opening credits Bullwhip is a good little western with memorable supporting performances by Don Beddoe as one crooked and roguish judge and James Griffith as a gunman with shifting loyalties. Fans of the stars will approve.