Bullwhip

To be honest I had heard this was pretty bad before I decided to watch it, but I'm never one to let others influence my viewings, in fact I'm more likely to watch something out of defiance! Bullwhip had one thing going for me before the viewing anyway, the fact that Rhonda Fleming and those gorgeous eyes was in it. The picture isn't very good, and it is in fact very morally dubious, all the characters are corrupt and shifty in one way shape or form, all motivated by greed or egocentric victories, which is all well and good if the surrounding film can at least do justice to a bunch of despicable people to create a taut climax. Sadly it doesn't, and as the finale fills your eyes with sugar you can't help shouting out that you have been cheated into watching a pretty bad film. Nobody in the cast come out with any credit, with lead man Guy Madison particularly wooden in the extreme.

Not even the lovely Rhonda can make me recommend this to anyone. 3/10

I thought it was quite an entertaining western, even though the story isn't very high-quality. Flemming's character is clearly explained right at the beginning of the film through her own voice-over. She's a tough cookie who doesn't want to know anything about love until she meets Steve, of course. It's a shame that this romance isn't really developed strongly. She plays hard to get for a while, but the transition to love is rather abrupt and feels a bit forced.

Rhonda Flemming certainly steals the show in terms of eye candy, and she also acts quite reasonably.

A nice western that's fun to watch once.

So this starts out with our framed hero in a jail cell who agrees to marry a woman to get out of jail and then his buddy arrives, an assassin misses a shot at him, a sheriff(?) fires at them and his buddy kills the sheriff and then he rides after his new wife's pack train and when he catches up, he takes it over.

The assassin is following him but seems to appreciate his friendship and ends up getting all the money for (not) killing him anyway.

I don't like the Hollywood disrespect for the law, but the girl vs. Guy interplay is entertaining, and Rhonda Fleming is eye candy par excellence with every male viewer wishing he was in that covered wagon with her. (Why not just offer her a massage?)

Her father who owns the shipping company dies, but she's an Indian princess. It should have been clarified that she had been captured by the Indians and raised as one of their own.

And Iron Eyes Cody looking good! I wish he were still with us too.

Rhonda's bio says she had 5? 6? Marriages and ended up with a son and 4 great-grandchildren. She definitely should have had daughters too.

BEAUTIFUL woman!

There's not much to commend this Western apart from Rhonda Fleming looking good in an Indian princess outfit straight out of a musical. The plot is full of holes, such as Parnell's men knowing exactly where to find Steve and his sidekick and Pine Camp switching his loyalty from Cheyenne to Steve after being thrashed by him.

Pine Camp is an unconvincing Indian, just as Fleming makes an unconvincing half-breed.

When Cheyenne's wagons meet the Indians in an exchange of hand gestures I couldn't help feeling that Cheyenne should have been looking at them to the right, rather than to the left. I played back this sequence several times and the "wrong way round" effect persisted.

James Griffith was a bit of a disappointment - he spent all the time looking enigmatically po-faced, though at least he kept us wondering about which contract he was going to fulfil.

The bullwhip of the title wasn't much in evidence - just when Rhonda was flicking it in a fit of petulance and when she used it ineffectually on Steve.

The film could have been beefed up a bit by more tension between Steve and Cheyenne, especially if they had been played by not-so-nice actors; imagine Jack Palance and Barbara Stanwyck in the lead roles.

In which I woud have prefectly imagined Barbara Stanwyck. But Rhonda Fleming is OK in this role and for which you can unfortunately foresee the ending. This is a pretty good little western, and do not confound with Chuck Marquis Warren's BLACKWHIP nor Harmon Jones' - the same director as this one - SILVER WHIP, starring Dale Robertson and made for 20th Century Fox. Nothing fantastic, exceptional. Harmon Jones is a director whose films would deserve to be discovered again by old gems diggers. For me women are not necessarily made to be monitored, dominated by males, and in his kind of schemes - strong females - in most cases they finally.... Know what I mean? I love strong male stories and I am also a feminist in the same time.