Cry Terror!

A splendidly over-the-top performance from Rod Steiger as the maniac who holds a family hostage as part of the extortion plot that involves putting a bomb on a plane, is the main reason to see Andrew L Stone's thriller, "Cry Terror!". It's all a bit daft but it's got a good cast, (even if James Mason is wasted as the poor dupe who made the bomb in the first place). Inger Stevens is very good as his wife and Neville Brand, Jack Klugman and Angie Dickinson are suitbaly nasty villians while Stone always knew how to keep the suspense on the boil. Minor but watchable.

The airline is getting bomb threats. Chet Huntley reports. Mastermind Rod Steiger has an extortion scheme to collect half a million abetted by Klugman Dickinsom, and Brand. Steiger bamboozled Mason into building his bombs, then kidnaps his family to execute the plot. Interestingly, Stevens is overwrought (purposefully directed so)while nearly everyone else underplays it very effectively - UNTIL things start unwinding. Then Brand's psycho begins to freak out, Steiger's mastermind blows his cool, and Mason loses it - all very realistically done in semi-documentary fashion. I do not see the "routine" aspects others cite. These characters are quite different from the ordinary - especially Dickinson's matter-of-fact criminal who has no compunction about killing if necessary and has ice water running through her veins - a great performance. It makes fabulous use of its New York locations on a low budget. Stevens' race to make the ransom delivery on time despite being diverted by traffic miles in the wrong direction is a tour-d-force like I have seldom seen. The wrap-up is a bit melodramatic considering the tension that came before it - but only then did I breathe normally again. If you are from New York or interested in New York in the 50's, this is an edge-of-your seat treat.

The plot is REALLY dumb, with a back story that writer/director Andrew Stone wisely soft peddles, since it makes James Mason's character look like a complete dope. Also, it is not very suspenseful. Basically it's a lot of Inger Stevens and Mason too easily outsmarting the bad guys and gal interspersed with some aggressively dull FBI procedural stuff. Finally, the look of it is extremely cheesy, what with Riverdale alternating with LA, often in the same scene (last time I looked the Bronx did not boast palm trees or craftsman bungalows). So, why a 6 'stead of a 5, or worse? In a word, the cast. Great assemblage of actors. How great? Well, let's just say, as a previous reviewer has noted, that the least distinguished member of it is Mason and when that happens you know there's some serious character acting going on. My fave? Angie Dickinson, of course, never better or more convincing than when playing a hot, morally challenged, moll. Also nice to see Jack Klugman, fresh from playing knife hating juror #5 in "12 Angry Men", this time lovingly nursing a shiv. Give it a C plus.

A genuine nail biter, from start to finish! This film is guaranteed to keep you in suspense from beginning to end! Led by Rod Steiger, who gives a riveting performance as the psycho-kidnapper, the rest of the cast performs most ably, lending considerable credulity to the storyline. Acting honors must go to the underrated Inger Stevens, whose career was tragically shortened by her untimely death. She lends just the right note of hysteria as the wife and mother whose family is being held, as she is made to follow the demands of the kidnap gang members in order to secure their safe release. The film also gives us some great shots of the NYC of the period, particularly the West Side Highway and other notable spots in the city.

Fairly grisly for the 50's, with the subjects of rape, child-killing and mass murder right out in the open. One of the greatest casts ever: James Mason, Rod Steiger, Inger Stevens, Angie Dickenson, Neville Brand, Jack Klugman! Wow! Exciting scenes of NY streets as Inger takes the ransom money to Steiger. Some of the other scenes are duds (the elevator shaft did nothing for me), but many are electric, and the generic evil generated by over half the cast takes up the slack.