Free Radicals

This is absolutely essential viewing for anyone into experimental film. I cannot believe it is 50 years old, it is absolutely timeless and suggests that we haven't progressed much since. I have never seen music and images work so well together, it's like the drums are fused with the visuals to create a new medium altogether. Stunning creativity and attention to detail, a beautifully 'simple' idea perfectly executed. To think of old Len visualising his then diligently scraping away film emulsion to the beats in his head is very exciting indeed (to me, at least). If you haven't seen this and are into experimental film, track it down - it's as essential as your By Brakhage Criterion DVD.

Displays the graph that follows traditional African music's voice strains of sway, between music and graphics so mix and so gave the impression of beauty in the melting pot of musical art and graphics.

Len Lye recalls, "I made Free Radicals from 16mm black film leader, which you can get from DuPont. I took a graver, various kinds of needles. (My range included arrowheads for romanticism.) You stick down the sides with scotch tape and you get to work with scratching the stuff out. … … You hold your hand at the right height and act is if you were making your signature. It goes on forever. You can carry a pictographic design in your head and make a little design. You can't see what you're doing because your hand is in the way. That's why those things have that kind of spastic look." There are some people that call this film original and innovative while others say it is just one of many doing the same thing about the same time. Now, I am not familiar enough with this sort of film to speak intelligently on that. I am not aware of the timeline, or which films came first. What I do know is that original or not, this is an interesting way to show the music of tribal people. We could film them dancing and that would be a great anthropological document... but there is something interesting bout turning it into both audio and visual art.

it seems simple, almost too simple. white scratches on black film, abstract lines that move to the rhythm of african drums. yet this film is captivating. the lines seem to become three-dimensional and jump out at you, and combine with the beat to dance. worth seeing if you get the chance.

Along with A Colour Box and The Peanut Vendor, Free Radicals is another highly exciting experimental animated short by Len Lye. Seeing chalk white lines constantly moving on a black background with African drums playing throughout makes for one of the most unique experiences I've ever seen in animation history. How is it I've never even heard of this guy until today when I looked up Cartoon Brew and there was an item about The Peanut Vendor (an early experimental stop-motion from the early thirties) that depicted a monkey and various uses of his tail. The item took me to YouTube which also had Free Radicals and A Colour Box and I was blown away by all three shorts! To anyone with a taste of the unusual, I suggest you seek all them out!

FREE RADICALS has very glowing reviews and I have to dissent. Having seen many, many animated shorts and experimental films, when I saw this film I thought "oh no--not ANOTHER film like this!". That's because I've seen lots of films with simply drawn images (often scratched into the film) dancing to the music. With films such as FREE RADICALS, A COLOUR BOX and HARPYA (among others) in this style, you certainly CAN'T call this film original or ground-breaking. It's just one of several and after seeing one or two, I can't stand the thought of watching more.

Overall, it's interesting if you haven't seen anything like it, but otherwise I can't see the point. Plus, if you show it to kids, they're likely to balk at seeing the film--even though it is only five minutes in length.