Houseboat

Widowed lawyer Cary Grant hires Sophia Loren to take care of his three kids and moves them all onto a houseboat. He believes Sophia to be a maid but, in fact, she's the daughter of a famous Italian conductor. Comedy and romance ensues. Cary does well with a character that's not really likable at first. He has great chemistry with Sophia, who pretty much owns the picture. She's sexy, funny, and charming. The three kids are played by Paul Peterson (of Donna Reed Show fame), Charles Herbert (13 Ghosts, among others), and Mimi Gibson (this is probably her best role). They're all good, particularly Herbert. Love his scenes with Sophia. Harry Guardino is a treat as the guy who sells Cary the houseboat after destroying their other house. Cary's then-wife Betsy Drake was originally set to star. Their marriage was on the rocks at the time, and he was having an affair with Sophia, so she wound up with the part. It worked out best for us as it would have been a far different movie with Drake, who had a pretty bland screen presence. It's a pleasant, enjoyable mix of romantic and family comedy. Nothing unpredictable or deep but good fun.

I've known of this film for years and finally decided to watch it, expecting the usual corny/glitzy rom-com. I was pleasantly surprised, and enthralled. Formulaic? Yes. Predictable? Certainly. Sentimental? Without doubt. But the story has a tenderness and charm that draws you in. Divorced-father-reconnects-with-kids a well-worn theme, but the script and acting here carry you along. The children are all good in their parts (despite the naysayers here) and of course Grant and Loren shine. The movie appeals to all the sadly outdated bourgeois values of postwar America, i.e. the era in which I grew up. And the cinematography and wide-screen aspect is wonderful. I feel a bit sad for the progressive Bolshies who find the movie offensive (check the one star reviews).

This marked the first time Mom and I watched a movie that paired Cary Grant with Sophia Loren. I myself knew they had an affair during the previous film they made and that Ms. Loren was about to marry someone else during this one but that's the last thing I thought about while watching this one. Grant plays the father of three pre-teen kids whose mother he was separated from when she died from an accident. Ms. Loren initially works as their maid though she initially has no skills. While there was some funny lines and scenes, there was also plenty of drama. In summary, Houseboat was good, if not great, as entertainment for both of us.

A romantic comedy short on logic but long on suave chemistry from 1958. A woman passes leaving her passel of 3 children w/their estranged father played by Cary Grant. Enter the luminous Sophia Loren, the daughter of a well regarded Italian music conductor who's on the outs w/her father so she flees his strict confines to meet up Grant & offer her services to be his maid & au pair to his unruly trio of brats when they move into the moored titular houseboat. That she falls for Grant while his wife's sister has made her feelings known makes for an interesting set of misconceptions & situations. What is essentially a remake of Grant's Mr. Blandings Builds His Dream House mixed w/Sabrina has romance being the main sauce to this amorous pasta which makes this meal go down smoothly w/o the caloric guilt. Enjoy!

Cary Grant's devotees-and they are legion--will come to his defense even under the most trying of circumstances (I'm the same way with actors and actresses I admire). Grant's performances are often lovingly called "droll" and "relaxed" while I see them as unimaginative and one-dimensional. He's not at home on-screen so much as he inhabits the space he's in, and I unavoidably begin imagining different actors in his roles (consider Rod Taylor opposite Audrey Hepburn in "Charade"!). "Houseboat" is no exception, but it's a good movie. Grant is overanxious, as usual--and pushy or needling with the kids involved--but he's well-placed as a love-interest opposite Sophia Loren (whom he was dating just prior to the filming but not during). At first glance, "Houseboat" looks like the worst type of sitcom: stern father gets saddled with his estranged children, later hiring a governess who is really a runaway from high society. Grant plays the dad with consternation and suspicion (according to the script, of course, though Grant is typically like this). He goads his kids into being more than what he sees on the surface--and when his son finally pushes back, it seems an exceptionally realistic reaction. As for Sophia, who basks in her movie-star close-ups: she takes a cartoonish character (which is written like a cynical refugee from "Roman Holiday") and gives the lady a big heart. Her bonding with the children (and with Grant) is a treat and, while I wasn't convinced it would all work out happily, I was reasonably entertained. **1/2 from ****