Monster on the Campus

Here is another movie offered in the recently-released Sci-Fi Ultimate Collection that, like the others, offers a good DVD transfer. This story isn't quite up to a few of the others, but it's still interesting which is the main thing. A boring sci-fi film would be inexcusable.

This one is almost laughable in spots because it does have a Grade-B feel to it. The main actor, Arthur Franz, sounds like a wooden in spots and is a bit too serious. The rest of the cast, except for wooden-voiced pretty boy Troy Donahue, is fine.

The story is totally ludicrous and a feeble, shameless attempt to promote evolution. Only a leftist loony would believe this stuff. It's presented so

I wish they had at least put in more tension in the earlier "monster" scenes. What the monster looked like was totally left up the viewer's imagination, until the final dramatic scene when he was "exposed." That was cool; a kind of wolf-man look. Earlier, the super-sized dragonfly was so poorly done it was funny.

It's decent, nothing notable but a okay part of the five-movie Sci-Fi Ultimate Collection DVD that was released in the fall of 2006. I've seen three of these so far and have been impressed with the transfer on these discs.

A college professor obtains an ancient life-form whose fluids soon turn deadly.

Looks like Universal just couldn't give up their werewolf franchise. So they reworked it, replacing full moons with prehistoric "coelacanth" fluid. Seems the stuff turns modern creatures into vicious prehistoric counterparts. So a sophisticated modern guy like Prof. Blake (Franz) turns into a hairy, monstrous hominid, and Hollywood 1958 scares drive-in kids the way necking teens hoped.

You gotta give actor Franz credit. He treats the drive-in material like it was Ben Hur. There's not a hint of camp in the sometimes campy material. But then it's got not only studio backing, but ace sci-fi director Jack Arnold ( e.g. The Incredible Shrinking Man {1957}) at the helm. So the camera never falters even when the cardboard monsters do. (Please, couldn't they have re-worked that awful dragonfly.) Thus, the results suggest eye-level Hollywood professionalism at its most challenged. All in all, it looks like the studio was aiming for respectable sci-fi on the order of Arnold's previous It Came From Outer Space (1953). In my view, Universal only half succeeds, no thanks to the generally poor special effects. Anyway, give actor Franz a combat Oscar for pressing on fearlessly under adverse circumstances. And give director Arnold a Lifetime Achievement Award for excelling in a genre generally bypassed by snooty media critics.

(If memory serves, the coelacanth talked about in the movie was a "missing link" first discovered in the 1930's. Its fish-like body crucially contained fleshy fins, indicating it could move about on land, thus confirming scientific hypothesis that life evolved from the sea.)

Monster on the Campus (1958)

*** (out of 4)

Entertaining Universal Sci-Fi about a college scientist who turns into a monster after his blood is mixed with that of a prehistoric fish. I've been wanting to see this for quite some time but never got around to buying the VHS since it was released just as I was jumping on the DVD format. The wait was certainly worth it even though the film isn't really anything other than your typical Jekyll and Hyde story. The film goes by at a very quick pace and the monster looks great, although it's a shame we only get to see him twice. I was somewhat shocked at the rather violent third death scene. The film also contains one of the dumbest girlfriends in sci-fi history.

Ah yes! The good old days when Sci-Fi was simple. All you needed was a little radiation and most anything was possible. This movie was one of the last 50's Sci-Fi movies from Universal coming out in 1959-same year I did. Audiences then were not as sophisticated as they are now and quicker to give a movie the benefit of the doubt. This was the day of the Drive-In movie. Anyone my age or older should enjoy the simplicity of this film and the nostalgic quality of it. Good solid performances by Arthur Franz and especially Joanna Moore (whom would later become notable as one of Andy Taylor's girlfriends on TV). Plenty of the good old character actors from Universal's other Sci-Fi films give it a familiar feel. This movie doesn't ask you to think too much; when I was a kid watching Shock Theatre on a Saturday afternoon I didn't want to. Sure, the make-up could have been much better but from a distance the monster is quite scary.You don't have to look close to find a few blunders: lace-up shoe or loafer? You'll hear music from practically all of Universal's Sci-Fi and horrors movies: Tarantula, Frankenstein, the Mummy movies.This movie is probably not very entertaining to the younger generations of viewers other than finding it quite campy. How far we've come as an audience. But this movie tries hard and with its budget I've got to give it credit. It holds a warm spot in my heart and a solid place in my video library.

A previous commentator writes that: "The story is totally ludicrous and a feeble, shameless attempt to promote evolution. Only a leftist loony would believe this stuff."

Just to set the record straight, the concept of "evolution" promoted by the film is a gross distortion of actual evolutionary theory, suggesting as it does that evolution involves some sort of mystical forces and that certain so-called "living fossils" contain some sort of substance which somehow counteracts these forces. None of this actually makes in any sense, however, in terms of the actual science.

To sum up, evolutionary theory is perfectly valid science, and there's nothing particularly shameful about promoting it as science, contrary to what the above poster might think. OTOH, the movie's conception of what evolution actually means is just plain silly.