Oregon Passage

I sincerely doubt any cavalry fort in the nineteenth century would have girlfriends or wives of the soldiers living there on the base. Most likely they would live in the nearest town or city, even in a different state if the territory wasn't settled. Easy chances were handed out to kill the renegade warrior Black Eagle, but refused to stretch out the running time. Lola Albright is almost unrecognizable in a heavy dress and makeup of the time period the film is set.

John Erickson is Lt Niles Ord, a cavalry officer stationed at a fort nervously awaiting an attack from a marauding Indian chief, who also has to contend with tyrannical post commander Eric Platt in this ordinary b-movie from Allied Artists. It seems that the commander's new wife is a bit of a cougar who took advantage of Ord when he was a callow youth and now sees him as a way out of the godforsaken posting which she considers to be her husband's way of punishing her for being desirable to other men. Erickson makes a bland leading man and the rest of the cast - apart from a luminous Lola Allbright as the predatory femme fatale - is equally forgettable.

Will anyone be offended if I say that Edward Platt was not as good a screen actor as Henry Fonda, nor John Ericson as interesting as John Wayne? I mention these startling opinions because the first half of this movie is a remake of FORT APACHE.

I'll go further with these radical insights and assert that Paul Landres was not as good a director as John Ford. While most of the actors are at least adequate, there are some wonky lines offered that didn't sound very convincing.

After the borrowed beginning, this settles down into a standard B western in which Ericson winds up fighting H.M. Wynant, the Indian chief who leads his warriors into battle by standing on a rock and raising his arms. It's an attempt to save the B Western by some serious location shooting in Deschutes National Forest in Oregon, and the camera-work of Ellis Carter is up to the job; he chooses lighting that suggests the forests of the Hudson Valley School of painting, rather than the Frederick Remington lighting that Ford lighted for his color excursion to the Southwest. However, the rest of it is standard fare.

Nice outdoor location cinematography is the best feature of Oregon Passage, a western shot on location, well, Oregon. John Ericson stars in this film and he's got himself an impossible mission. He wants to bring in Shoshoni chief Black Eagle alive.

Turns out to be an impossible task after martinet eastern Major Edward Platt takes command. The fact that his new bride Lola Albright has some history with Ericson doesn't help matters.

Albright is the real star here, one frontier vixen. Even the Shoshonis here say that fair haired women are to be avoided. This one sure should.

Battle scenes are nicely staged and the plot is most adult.

The plot is tired and the characters are never fully developed, but there is enough action to keep you interested. The original score by Dunlap is uplifting, and I have to think that the novel this one is based on(By Sheriffs)is a better read than movie. The brutal hand to hand combat between hero and Indian Chief at the picture's climax is a surprise. The rest is pretty much routine.