She Gods of Shark Reef

Since the early 1950s, Roger Corman has been directing and releasing films at a break-neck pace. Typically, he tosses four or five into the arena per year. This explosive productivity, of course, limits the range of quality (and budgets) for his productions. However, Corman has only occasionally released really truly bad films. This is an example.

Corman used the lovely islands of the Hawaiian Archipelago as a setting for this early color flatliner. If you have seen a few of his films, you know how important setting is to Corman. First - he never seems to have an adequate budget for his most ambitious projects, so he makes sure he films in visually interesting settings. Second - Corman often uses over-long and somewhat tedious pans ("Corman pans"). With nice scenery in the background, or a well designed set, the tedium factor for these shots is reduced. Corman's films are loaded with people moving from place to place, and "She Gods" is no exception.

The film is about a pair of vaguely likable brothers. Chris (Bill Cord) is a fairly normal, if not particularly bright, young man. Lee (Don Durant) is his evil, and only slightly less intelligent, brother. Lee is a fugitive from the law. They find themselves shipwrecked on an island inhabited by a tribe of Polynesian Amazons lead by the not-very-creepy but still rather annoying Queen Pua (Jeanne Gerson). Lisa Montell plays Mahia (Lisa Montell), who fairly quickly becomes romantically entangled with Chris, but the gods of the shark reef have apparently made it clear that both men are taboo. Chris and Lee plot to escape, and decide to take Mahia along with them, but the shark gods have other plans.

The acting is OK (with mediocre camera-work occasionally making the actors appear to be over-acting), the pace is as good as some of Corman's better works, the script is thankfully spartan, and the plot is as thin as a fish scale. The Hawaiian dancing and singing, underwater swimming scenes, shark-fight action and lovely costumes don't really succeed in making up for the virtually nonexistent story-line, middling cinematography and weakly developed main characters. Plus, some of the shark scenes (I believe one is repeated twice in the film) are laughable.

Can't really recommend this.

What will stick out most in this low budget affair is that it truly is low budget. You can tell not much is spent in this story of a prison escape of two men, aided by the brother of one, to meet with a hurricane, and get stranded on an island of beautiful women who fish for pearls in shark infested waters.

But Corman does a good job of keeping things fresh. This is a "cheese" film, make no mistake, and was meant to showcase a pair of hunks and a few gorgeous gals.

You can tell no money is wasted. But we don't mind that we don't see a ship torn apart by a hurricane. Only the most hopeless of dorks would complain about the lack of special effects, so long as the story is told.

There could have been more organization, however. The credits I saw on utube don't even begin to match the names of the characters. If you look at the credits while watching the movie, you'll go "Huh?".

And the bad brother is a bit cliché in his consistent evil doings. May as well let him muse over taking over the world with James Bond as a nemesis.

Still, the ending is totally unpredictable, particularly for Corman, and particularly for modern audiences. One has to be fairly impressed that Corman can at least keep from giving us a cliché to end this one.

A simple, one-lined description of this movie would sound a little like: two guys wash ashore a tropical island exclusively inhabited by women that dive for pearls all day and worship ocean Gods… Terrific! Sounds like a movie many (male) exploitation fans would want to see. Or better yet, where can we go to book our very own holiday to this island? In reality, however, "She Gods of Shark Reef" is nothing but a good-looking package with absolutely no content. Roger Corman is one of the greatest and most important directors in (B-) movie history, but many of his obscure mini-budget productions of the late 50's really aren't worth bothering for. Movies like "Creature from the Haunted Sea", "Attack of the Crab Monsters" or this "She Gods of Shark Reef" were shot in a period of only a few days and without a real script, merely because Corman had a handful of extra dollars to spend and/or wanted to make more out of a certain filming location. The events take place in Hawaii and the beautiful images of this wonderful place are the ONLY reason to give this movie a glimpse. It's one of Corman's first movies shot in color and the place does look enchanting even though nothing really is happening there. The two male leads are supposed to be running from the law and the female leader of the island doesn't want them there, especially not since one of them is after her slave girls. The other guy is more interested in the shiny pearls, so needless to say he's not going to make it out alive. Or is he? You better not be expecting any vicious shark-attacks or virgin sacrifices, because you WILL feel cheated. The closest we come to an action sequence is when a native girl encourages the handsome blond guy to dance with her. Despite the gorgeous setting and promising (but misleading) title, this is one of the most boring films I ever watched. 63 minutes never lasted this long. Sorry, Roger

Aside from having Roger Corman's name on the cover of this film there is a picture of a wet blond just wearing only a strategically placed lei.

No blonds.

No She Gods.

And the lei is broken.

Looks like Roger was distracted by the other movie he was making at the same time "Thunder Over Hawaii."

The basic story is a bad guy (who gets into killing and gunrunning) flees authorities with his brother's help. A storm arises and they get shipwrecked on a mysterious island with native girls, sharks, pearls, and a nasty old woman.

So, who gets the native girls, sharks, pearls, or worse yet the nasty old woman?

One way of looking at this movie is that it's one of the worst to come from its time and place. In this context, we see two young, good-looking hunks, both outlaws, who end up stranded on a tropical island inhabited by primitive hot white women who all speak broken English and cling to weird taboos and traditions, such as believing the sharks are gods, or some such nonsense.

Another way of looking at this movie is that clever editing could have turned it into a touching story about two men who, while vacationing in Hawaii near the Hospital for Brain Damaged Women, discover just how attracted they are to each other soon after one of them tries to stop being gay by dating one of the native women. In this sense, one could consider this movie a well done piece of cinema history, especially since it was ahead of its time on the topic of civil rights.

It is by imagining the latter scenario that this movie can be made entertaining enough to sit though. If you watch this by taking everything at face value, this flick is way too boring to finish. I'd say the only major motivation anyone would have to watch this movie is if they'd purchased some sort of boxed set that includes this, which is, incidentally, the only reason I watched it.

The full synopsis goes like this: Two young, well-built dudes end up stranded on a Hawaiian beach and decide to never wear shirts again. They encounter a civilization of aforementioned broken English-speaking women led by a psychotic mother matron character who is obsessed with local tradition, which involves human sacrifice to appease the shark god. This means feeding a few of the young hotties to a mid-sized shark that may or may not be alive.

One of the guys, Chris (Bill Cord) eventually falls in love with one of the native babes, Mahia (Lisa Montell), much to the irritation of Chris's ambiguously gay partner, Jim (Don Durant). Since the mother matron (Jeanne Gerson) is a nasty old woman who hates men, she decides to have Mahia sacrificed to the shark god to make herself feel better about neither Chris nor Jim finding her attractive.

SHE GODS OF SHARK REEF: it's not the worst thing I've ever seen, but it's far from the best. The good news is that this sucker is, I do believe, public domain. Those who might search for it could possibly locate it online for free.