IMDb RATING
7.1/10
5.4K
YOUR RATING
A hard-nosed newspaper editor poses as a night school student in order to woo a journalism teacher who cannot stand him.A hard-nosed newspaper editor poses as a night school student in order to woo a journalism teacher who cannot stand him.A hard-nosed newspaper editor poses as a night school student in order to woo a journalism teacher who cannot stand him.
- Nominated for 2 Oscars
- 9 nominations total
Don Ames
- Tour Group Member
- (uncredited)
Army Archerd
- Army Archerd
- (uncredited)
James Bacon
- James Bacon
- (uncredited)
Frank Baker
- Tour Group Member
- (uncredited)
Terry Becker
- Mr. Appino
- (uncredited)
Willie Bloom
- Reporter
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Priceless, brainy classic
One of the best comedies ever, which the critics overlooked, of course. There are many witty one-liners:
"Education teaches a man how to spell experience...A psychologist is a person who gives all kinds of advice about matters he knows nothing about...A reporter has to do a lot of sweating before he has the right to perspire...There goes the unpressed gentleman of the press...College is amateurs teaching amateurs how to be amateurs...".
Some scenes are incredibly risqué. Gable bluntly asks Doris "How do you feel about sex?" He repeatedly ogles, grabs and kisses her. Today he would be in trouble for it.
Ah, the good old days of real honest to goodness movie-making! This is a truly priceless comedy. I have seen it five times, and can see it five more times. When the screenplay is good, everyone is inspired. Doris is absolutely brilliant, a genius of timing. This lady is way too underrated. There is NO ONE like her. She even sings the thrilling song to perfection. The plot does have its unintentionally funny aspects: Doris preferring uncouth elderly Gable to dashing and debonaire young intellectual Gig Young - and what's more, Young not minding it!!! The plot would have been better if Gable had been politely rejected. There is an unfortunate tendency in too many movies to assume that even the homeliest and oldest man deserves a young woman, that women over 35 couldn't possibly delight any real man. The movie is also a trifle pedantic and conventional in idolizing college education, as if a degree were all that. There is a serious message to the movie, but one enjoys the comedy more.
"Education teaches a man how to spell experience...A psychologist is a person who gives all kinds of advice about matters he knows nothing about...A reporter has to do a lot of sweating before he has the right to perspire...There goes the unpressed gentleman of the press...College is amateurs teaching amateurs how to be amateurs...".
Some scenes are incredibly risqué. Gable bluntly asks Doris "How do you feel about sex?" He repeatedly ogles, grabs and kisses her. Today he would be in trouble for it.
Ah, the good old days of real honest to goodness movie-making! This is a truly priceless comedy. I have seen it five times, and can see it five more times. When the screenplay is good, everyone is inspired. Doris is absolutely brilliant, a genius of timing. This lady is way too underrated. There is NO ONE like her. She even sings the thrilling song to perfection. The plot does have its unintentionally funny aspects: Doris preferring uncouth elderly Gable to dashing and debonaire young intellectual Gig Young - and what's more, Young not minding it!!! The plot would have been better if Gable had been politely rejected. There is an unfortunate tendency in too many movies to assume that even the homeliest and oldest man deserves a young woman, that women over 35 couldn't possibly delight any real man. The movie is also a trifle pedantic and conventional in idolizing college education, as if a degree were all that. There is a serious message to the movie, but one enjoys the comedy more.
Loved the dialogue!
I was pleasantly surprised how much I liked this movie. I wasn't sure I would like Gable & Day together - that their age difference would be too awkward (she looked even younger than her 34 years and he was 58). But their chemistry worked. I like Doris much better when she isn't singing all the time - you get to really appreciate her acting skills!
I especially liked the smart dialogue in places. The ongoing debate of experience vs. education. I thought the analogy of the conductor was beautiful (see quotes page). Also, the comparison that "Experience is the jockey - Education is the horse." The screenwriters certainly deserved their Oscar nod for this gem!
I also was pleasantly surprised to see a young Marion Ross (Mrs. Cunningham on "Happy Days") in the role as Ms. Day's assistant.
I especially liked the smart dialogue in places. The ongoing debate of experience vs. education. I thought the analogy of the conductor was beautiful (see quotes page). Also, the comparison that "Experience is the jockey - Education is the horse." The screenwriters certainly deserved their Oscar nod for this gem!
I also was pleasantly surprised to see a young Marion Ross (Mrs. Cunningham on "Happy Days") in the role as Ms. Day's assistant.
Beautiful Doris Day, brilliant Clark Gable
Has anyone ever looked more beautiful than Doris Day does in this film? I doubt it. Also notable as one of the last of Clark Gable's films and certainly one of his best. He has ample opportunity to display his genius for comic timing, often unjustly neglected.
Pre "Pillow Talk" merriment with a sparkling Doris Day squaring off with virile Clark Gable, subbing for the Rock.
1958's "Teacher's Pet" is delightful, frothy fun, and probably what got the ball rolling a year later for Doris Day to film a batch of highly popular Universal Studios 'battle of the sex' comedies opposite Rock Hudson, among others. Here she's at odds with manly Clark Gable, in a change-of-pace comedy role.
Gable, in the twilight of his career by this time, is still loaded with sly, roguish charm as he plays a brusque, unrefined, self-taught city editor who, at the behest of his superiors, grudgingly signs up for a night class in Journalism 101, taught by the ever-spunky, no-nonsense Ms. Day. Clark doesn't let Doris in on the fact that he has a life time of experience in journalism, so Doris naturally comes off quite impressed by the "raw talent" of her novice pupil, taking a special interest in sharpening his "promising" skills. The fun really starts when the two start butting heads both professionally and romantically, with the devilish Gable stringing our girl along, while pushing her "virginal" buttons. You know how these things end but who cares? The joy is seeing two consummate pros play off each other.
Gable and Day are surrounded by a highly capable cast, especially (Oscar-nominated) Gig Young, a gifted comedy farceur, breezing through his patented "other man" role with effortless charm and skill. Here he plays Doris' handsome, long-standing beau who appears to be everything the roughhewn Gable isn't...glib, educated, charismatic, polished, impeccably-mannered, highly intellectual, a fabulous dancer, and an expert on practically every subject. Sounds like quite a catch to me! However, he's NOT the lead, so...
Sexpot Mamie Van Doren has a small, knockout role as Clark's platinum-blonde squeeze, a club singer who gets to bump and grind the hell out of a great solo number, "I'm the Girl Who Invented Rock and Roll." Trying to pass the bombshell off as an intellectual herself to impress Doris, the song pretty much says it all about Mamie, much to Clark's chagrin and Doris' delight. Day gets added laughs later when she gets to mimic the song as a sheepish Clark looks on. Others hitching a ride on this merry-go-romp are Nick Adams playing, as always, an earnest rookie, and Marion Ross and Jack Albertson in minor, pre-TV stardom supports.
The pace is brisk, the actors fetching, the comedy fresh and the fun contagious. Clark and Doris, despite their vast age difference, make such a good team you'd swear they had worked together before. Nope, this was their only pairing. So enjoy!
Gable, in the twilight of his career by this time, is still loaded with sly, roguish charm as he plays a brusque, unrefined, self-taught city editor who, at the behest of his superiors, grudgingly signs up for a night class in Journalism 101, taught by the ever-spunky, no-nonsense Ms. Day. Clark doesn't let Doris in on the fact that he has a life time of experience in journalism, so Doris naturally comes off quite impressed by the "raw talent" of her novice pupil, taking a special interest in sharpening his "promising" skills. The fun really starts when the two start butting heads both professionally and romantically, with the devilish Gable stringing our girl along, while pushing her "virginal" buttons. You know how these things end but who cares? The joy is seeing two consummate pros play off each other.
Gable and Day are surrounded by a highly capable cast, especially (Oscar-nominated) Gig Young, a gifted comedy farceur, breezing through his patented "other man" role with effortless charm and skill. Here he plays Doris' handsome, long-standing beau who appears to be everything the roughhewn Gable isn't...glib, educated, charismatic, polished, impeccably-mannered, highly intellectual, a fabulous dancer, and an expert on practically every subject. Sounds like quite a catch to me! However, he's NOT the lead, so...
Sexpot Mamie Van Doren has a small, knockout role as Clark's platinum-blonde squeeze, a club singer who gets to bump and grind the hell out of a great solo number, "I'm the Girl Who Invented Rock and Roll." Trying to pass the bombshell off as an intellectual herself to impress Doris, the song pretty much says it all about Mamie, much to Clark's chagrin and Doris' delight. Day gets added laughs later when she gets to mimic the song as a sheepish Clark looks on. Others hitching a ride on this merry-go-romp are Nick Adams playing, as always, an earnest rookie, and Marion Ross and Jack Albertson in minor, pre-TV stardom supports.
The pace is brisk, the actors fetching, the comedy fresh and the fun contagious. Clark and Doris, despite their vast age difference, make such a good team you'd swear they had worked together before. Nope, this was their only pairing. So enjoy!
Doris Day and Clark Gable. Together.
This sole teaming between jolly blonde Doris Day and charismatic Clark Gable works so well you wish that there had been more opportunities for them to appear on film together. Still, we have to content ourselves with this tale where newspaper hack Gable goes to night class to learn journalism from Day, the daughter of a leading entrepreneur in the field of real news'.
About five minutes in you know where this story is leading, but it sure is fun seeing it get there. Of great value in the cast is smarmy Gig Young as the perfect writer and the perfect intellectual (and the perfect foil to get on Gable's nerves). You'll also spot Mamie Van Doren, that low-rent version of Marilyn Monroe, as Gable's showgirl cutie in a few scenes.
Teacher's Pet' is one of the unsung successes of Doris Day's run of romantic comedies. Go on, treat yourself to an exceptional example of the genre.
About five minutes in you know where this story is leading, but it sure is fun seeing it get there. Of great value in the cast is smarmy Gig Young as the perfect writer and the perfect intellectual (and the perfect foil to get on Gable's nerves). You'll also spot Mamie Van Doren, that low-rent version of Marilyn Monroe, as Gable's showgirl cutie in a few scenes.
Teacher's Pet' is one of the unsung successes of Doris Day's run of romantic comedies. Go on, treat yourself to an exceptional example of the genre.
Did you know
- TriviaThe movie was deliberately filmed in black and white in an attempt to disguise Clark Gable's age and weight.
- GoofsWhen Pine corrects Gannon about the year of Bill Wambsganss' unassisted triple play in the World Series (1920), he says that was the first year the Series was a best-of-9 format. Actually, the 1919 Series (Cincinnati over White Sox) was best-of-9, as was the first Series of modern times in 1903. The last of the best-of-9 games World Series were, as Pine stated, in 1920 and 1921.
- Quotes
James Gannon: How could you give up a real newspaper job for teaching?
Erica Stone: Well, that's a very good question, Mr. Gallagher. Maybe for the same reason that occasionally a musician wants to be a conductor, he wants to hear a hundred people play music the way he hears it.
- ConnectionsFeatured in Entertainment This Week Salutes Paramount's 75th Anniversary (1987)
- How long is Teacher's Pet?Powered by Alexa
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- Najmiliji djak
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- Runtime
- 2h(120 min)
- Color
- Aspect ratio
- 1.85 : 1
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