A slave and a Viking prince fight for the love of a captive princess.A slave and a Viking prince fight for the love of a captive princess.A slave and a Viking prince fight for the love of a captive princess.
- Director
- Writers
- Stars
- Awards
- 2 wins & 2 nominations total
Almut Berg
- Pigtails
- (uncredited)
Peter Capell
- Minor Role
- (uncredited)
Bill Cummings
- Viking Warrior
- (uncredited)
Kelly Curtis
- Young Girl
- (uncredited)
Peter Douglas
- Young Boy
- (uncredited)
Georges Guéret
- Viking Warrior
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Loving the cute criticisms of a 50's movie by today's standards...
After reading many of the reviews here, I'd like to remind the younger folk that this is the way movies were, back in the 50's. We didn't mind "weak" (?) Tony Curtis being cast in that role, Ernest Borgnine as Ragnar, etc., all the blood and guts (What? There's more on cable TV today!), the "subservient" (?) women, etc. This was a great, swashbuckling movie, all real, no computer graphics anywhere, trying to portray life as it was in the Viking era. Essentially, a reflection of what we of the mid 20th century expected a Hollywood movie to be. Kudos to the great Kirk Douglas, may he Rest In Peace.
Memories from Childhood
When I was a boy of 11 years, I admired the reconstructed Viking ships near our cottage at the Hardanger fjord. It was the year 1957, when Kirk, Tony and Borgnine visited our country and participated in this beautiful movie... In a funny sort of way, the picture makes us Norwegians proud of that brutal past... I have seen it many times, and am struck by the surprisingly "right" atmosphere, touched by the landscape that I know so very well, and fascinated by the action. OK, so it's Hollywood, but somehow, I have the feeling they don't make movies like this any more. Pity! Well, maybe I'm getting old.
The Vikings-an under-appreciated masterpiece
Call me a fool, but I feel strongly that the Richard Fleischer/ Kirk Douglas 1958 film THE VIKINGS is a waiting-to-be-rediscovered masterpiece.
Of the costume drama spectaculars of the 1950s-1960s, it has the most coherent script and theme. It knowledgeably explores the themes Europe was dealing with during its Dark Ages. Acting performances are first rate (Frank Thring's villainy drips pure acid), and the photography is breathtaking. Mario Nacimbene's score has a majesty that matches any, including its little love theme. See it (if possible) on the big screen/wide screen format.
Of the costume drama spectaculars of the 1950s-1960s, it has the most coherent script and theme. It knowledgeably explores the themes Europe was dealing with during its Dark Ages. Acting performances are first rate (Frank Thring's villainy drips pure acid), and the photography is breathtaking. Mario Nacimbene's score has a majesty that matches any, including its little love theme. See it (if possible) on the big screen/wide screen format.
When male actors were MEN
This film actually holds up very well in today's show-too-much and CGI blanding effect environment.
Douglas, Curtis and Borgnine run away with it all, and Janet Leigh is rather breathtaking.......
Combat scenes are coarse and brutal, not "300" level, but tough nonetheless. Stunt work is top notch.
The quality of the film, the color, the scope, the natural sets are worth purchasing the DVD for alone. The beautiful score is actually one of the most haunting melodies I have heard in my life.
The tension leading up to the assault on the English castle is dead-on....no music for the most part, just unrelenting marching, and the dread on the faces of the castle defenders.....very satisfying movie experience.
Douglas, Curtis and Borgnine run away with it all, and Janet Leigh is rather breathtaking.......
Combat scenes are coarse and brutal, not "300" level, but tough nonetheless. Stunt work is top notch.
The quality of the film, the color, the scope, the natural sets are worth purchasing the DVD for alone. The beautiful score is actually one of the most haunting melodies I have heard in my life.
The tension leading up to the assault on the English castle is dead-on....no music for the most part, just unrelenting marching, and the dread on the faces of the castle defenders.....very satisfying movie experience.
Realistic and brutal depiction of Viking life.
Two Viking half brothers (who are unaware that they are related) fight over Welsh Princess Morgana, who has been captured during a raid in England while en-route to marry the King of Northumbria.
A handsomely mounted historical epic in the old tradition. However, a great deal of effort was made to achieve accuracy in terms of clothes, villages, ships, weapons etc. The stunning Norwegian locations add to the authenticity, and are breathtakingly photographed in Technirama by master cinematographer Jack Cardiff.
Kirk Douglas, Tony Curtis and Ernest Borgnine all give strong performances, although the characters are hard to like. The level of brutality is quite surprising for a film made in 1958, and the overall atmosphere is one of harshness.
While the film is perhaps not quite in the league of 'Spartacus' or 'El Cid' in terms of epic status, it is admirably authentic, unsentimental and vigorous.
A handsomely mounted historical epic in the old tradition. However, a great deal of effort was made to achieve accuracy in terms of clothes, villages, ships, weapons etc. The stunning Norwegian locations add to the authenticity, and are breathtakingly photographed in Technirama by master cinematographer Jack Cardiff.
Kirk Douglas, Tony Curtis and Ernest Borgnine all give strong performances, although the characters are hard to like. The level of brutality is quite surprising for a film made in 1958, and the overall atmosphere is one of harshness.
While the film is perhaps not quite in the league of 'Spartacus' or 'El Cid' in terms of epic status, it is admirably authentic, unsentimental and vigorous.
Did you know
- TriviaErnest Borgnine plays the father of Kirk Douglas. In real life he was 1-1/2 months younger than Douglas.
- GoofsA Norman-style stone castle is featured in England, though the film is set before the Norman Conquest of 1066.
- Crazy creditsOne of the rare 1950s films to present all the credits at the end.
- Alternate versionsWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'A' rating. All cuts were waived in 1993 when the film was granted a 'PG' certificate for home video.
- ConnectionsEdited into History of the World: Part I (1981)
Details
Box office
- Budget
- $3,500,000 (estimated)
- Gross worldwide
- $37,559
- Runtime
- 1h 56m(116 min)
- Aspect ratio
- 2.35 : 1
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