A slave and a Viking prince fight for the love of a captive princess.A slave and a Viking prince fight for the love of a captive princess.A slave and a Viking prince fight for the love of a captive princess.
- Director
- Writers
- Stars
- Awards
- 2 wins & 2 nominations total
Almut Berg
- Pigtails
- (uncredited)
Peter Capell
- Minor Role
- (uncredited)
Bill Cummings
- Viking Warrior
- (uncredited)
Kelly Curtis
- Young Girl
- (uncredited)
Peter Douglas
- Young Boy
- (uncredited)
Georges Guéret
- Viking Warrior
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I've always thought that this was a fun film to watch. Kirk Douglas with his impressive physique is well cast but I think Ernest Borgnine steals the show playing his father. A great role for him. Maybe Tony Curtis looks a little out of place among the vikings but he's always been a good enough actor to pull it off. Great sets and just beautiful cinematography. The film was shot on real locations in Norway. If you get a chance to see this just sit back and enjoy this fun adventure film.
Two Viking half brothers (who are unaware that they are related) fight over Welsh Princess Morgana, who has been captured during a raid in England while en-route to marry the King of Northumbria.
A handsomely mounted historical epic in the old tradition. However, a great deal of effort was made to achieve accuracy in terms of clothes, villages, ships, weapons etc. The stunning Norwegian locations add to the authenticity, and are breathtakingly photographed in Technirama by master cinematographer Jack Cardiff.
Kirk Douglas, Tony Curtis and Ernest Borgnine all give strong performances, although the characters are hard to like. The level of brutality is quite surprising for a film made in 1958, and the overall atmosphere is one of harshness.
While the film is perhaps not quite in the league of 'Spartacus' or 'El Cid' in terms of epic status, it is admirably authentic, unsentimental and vigorous.
A handsomely mounted historical epic in the old tradition. However, a great deal of effort was made to achieve accuracy in terms of clothes, villages, ships, weapons etc. The stunning Norwegian locations add to the authenticity, and are breathtakingly photographed in Technirama by master cinematographer Jack Cardiff.
Kirk Douglas, Tony Curtis and Ernest Borgnine all give strong performances, although the characters are hard to like. The level of brutality is quite surprising for a film made in 1958, and the overall atmosphere is one of harshness.
While the film is perhaps not quite in the league of 'Spartacus' or 'El Cid' in terms of epic status, it is admirably authentic, unsentimental and vigorous.
Believe it or not the plot of this film has a basis in fact. There was a Viking leader called Ragnar Lothbrok (Leather-breeches) who was put to death in a snake -not wolf- pit by Aelle, king of Northumbria, at York in the year 865. His son 'Ivar the Boneless' raised a Viking army, invaded Northumbria and killed Aelle.
The film builds on this to include an illegitimate half-brother and rivalry over a beautiful Welsh princess to create a story of rousing, full-blooded action.
The film has a great atmosphere which is hard to put into words. You can almost sense the harshness of the climate in a way that makes you feel you are there. The climatic fight scene between Douglas and Curtis is a good example of this. Brilliantly staged on the roof of a castle overlooking the sea, you hear the whistling of the wind and crashing of waves against the shore below. The photography emphasises this sense of height and space to create one of the best film fights I have ever seen.
There are glaring errors, of course. The Anglo-Saxons never had castles like the one here, or ships of the type used by Princess Morgana: these both date from 500 years later.
I learned all this when (inspired by the film) I studied the Viking era at University. Between you and me, the film was a great deal more fun!
The film builds on this to include an illegitimate half-brother and rivalry over a beautiful Welsh princess to create a story of rousing, full-blooded action.
The film has a great atmosphere which is hard to put into words. You can almost sense the harshness of the climate in a way that makes you feel you are there. The climatic fight scene between Douglas and Curtis is a good example of this. Brilliantly staged on the roof of a castle overlooking the sea, you hear the whistling of the wind and crashing of waves against the shore below. The photography emphasises this sense of height and space to create one of the best film fights I have ever seen.
There are glaring errors, of course. The Anglo-Saxons never had castles like the one here, or ships of the type used by Princess Morgana: these both date from 500 years later.
I learned all this when (inspired by the film) I studied the Viking era at University. Between you and me, the film was a great deal more fun!
When I was a boy of 11 years, I admired the reconstructed Viking ships near our cottage at the Hardanger fjord. It was the year 1957, when Kirk, Tony and Borgnine visited our country and participated in this beautiful movie... In a funny sort of way, the picture makes us Norwegians proud of that brutal past... I have seen it many times, and am struck by the surprisingly "right" atmosphere, touched by the landscape that I know so very well, and fascinated by the action. OK, so it's Hollywood, but somehow, I have the feeling they don't make movies like this any more. Pity! Well, maybe I'm getting old.
Call me a fool, but I feel strongly that the Richard Fleischer/ Kirk Douglas 1958 film THE VIKINGS is a waiting-to-be-rediscovered masterpiece.
Of the costume drama spectaculars of the 1950s-1960s, it has the most coherent script and theme. It knowledgeably explores the themes Europe was dealing with during its Dark Ages. Acting performances are first rate (Frank Thring's villainy drips pure acid), and the photography is breathtaking. Mario Nacimbene's score has a majesty that matches any, including its little love theme. See it (if possible) on the big screen/wide screen format.
Of the costume drama spectaculars of the 1950s-1960s, it has the most coherent script and theme. It knowledgeably explores the themes Europe was dealing with during its Dark Ages. Acting performances are first rate (Frank Thring's villainy drips pure acid), and the photography is breathtaking. Mario Nacimbene's score has a majesty that matches any, including its little love theme. See it (if possible) on the big screen/wide screen format.
Did you know
- TriviaErnest Borgnine plays the father of Kirk Douglas. In real life he was 1-1/2 months younger than Douglas.
- GoofsA Norman-style stone castle is featured in England, though the film is set before the Norman Conquest of 1066.
- Crazy creditsOne of the rare 1950s films to present all the credits at the end.
- Alternate versionsWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'A' rating. All cuts were waived in 1993 when the film was granted a 'PG' certificate for home video.
- ConnectionsEdited into History of the World: Part I (1981)
Details
Box office
- Budget
- $3,500,000 (estimated)
- Gross worldwide
- $37,559
- Runtime
- 1h 56m(116 min)
- Aspect ratio
- 2.35 : 1
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