War of the Colossal Beast

The sequel to The Amazing Colossal Man, which has never been on DVD due to rights issues. I saw that one on TNT's Monster Vision years ago. I think I may have seen this one, too. If not on TNT, I may have seen it on MST3K. I may have also seen Earth vs. the Spider and Village of the Giants on MST3K, too - they loved Bert I. Gordon. It's funny that all three of these films have such low ratings (none are above 3.0), because, while they aren't good films, they are nowhere near that bad. They're pretty typical B movies. War of the Colossal Beast actually has a pretty emotional core, and the film's final moments are quite touching. It also has a fantastic opening sequence (Gordon really seems to know how to open his movies - all three of these start off beautifully). We don't see the Colossal Beast, just a truck driver driving full speed, frequently looking behind him and screaming. Dean Parkin is quite good as the title character, who has become a near-mindless monster, half his face torn off, after being nearly killed and falling off Hoover Damn in the first film. Like most B movies, the plot is pretty lean, and there are long stretches when nothing's really happening. There's also a nearly ten minute stretch which I think is just footage from the previous film.

This is the story of how "War of the Colossal Beast" made an imprint on my life. I saw it when I was almost 2. I remember my parents lying in bed, dead asleep to the world and their bedroom tv was on. I remember being in my crib (I remember the bars!) and being thirsty so I picked up my bottle but there wasn't any water in it. I remember looking at their tv and I remember seeing this giant with one eyeball and big teeth... growling!!! It had my attention. After that, the Star Spangled Banner played and the tv went to the snowy picture. My parents, by the way, never budged. To be honest, my mom was snoring. I was scared out of my skin. I cried and threw my bottle at their bed. I think I hit my dad because my dad stirred, sleepily leaned over and turned the tv off. I sat in the dark! I was afraid that the giant with the one eyeball and big teeth that was growling was going to come through the window and get me and my parents didn't care because they stayed asleep!!! As I grew older, I could not be in the room alone if the Star Spangled Banner on tv played and the station was signing off. I used to scream like crazy. The older I got though, I controlled the screaming but I grew anxious, broke out in a cold sweat and demanded to change channels. Now that digital and satellite cable has arrived, I can look at the Amazing Colossal Beast and laugh at the cheap special effects because I know the tv wont play the Star Spangles Banner and trun to snow. The moral of the story is: no matter how cheesy and bad you think a sci-fi movie from the 50's is, don't leave your infants or toddlers in front of them. Lord knows what they will remember and Lord knows how it will effect their psyche!!!

This is the sad case of the Colossal man, Glen Manning, who through no fault of his own was doomed to suffer a horrible fate. In the first movie, he appeared to die as he fell off Hoover Dam. Now, he has resurfaced, with huge facial deformities and damage to his brain. The problem this time is that he doesn't seem to have the ability to communicate with others. His sister goes to bat for him when the military wants nothing more that to destroy him. It's interesting where he fits on the definition of humanness. That's why the sister is working so hard to get him some help, but he doesn't seem to be able to interpret his world. He does show his compassion one more time at the close of this film. The big guy never had a chance.

War of the Colossal Beast is a sequel to Gordon's earlier The Amazing Colossal Man (1957), and it picks up where that one left off. However, the film features a different cast. It was distributed theatrically by American International Pictures as the top half of a double feature with Attack of the Puppet People.

This sequel has competent acting performances, fair direction and ordinary special effects. It is also an obvious attempt at milking dry an already successful formula.

Unlike the first film, the character of Manning virtually has no dialogue which makes it far more difficult to feel empathy for the character.

The special effects are pretty ordinary by any standards with great reliance made on double exposure shots. However, quite a good job was made with Manning's facial make-up and the audio of his character's grunts and groans which effectively contribute to the "horror" aspect of the film.

The film is short enough as it is but unfortunately much of it consists of flashback footage from the first film which merely serves to pad the movie.

Despite the film's title, the Colossal Beast does not really engage in much of a "war" with anyone. For much of the time we see Manning being captured, him lying on his back and some military vehicles being maneuvered into position.

The War of the Colossal Beast does serve to highlight one theme that threads itself through many aspects of life in any era. Namely, how we choose to deal with big and seemingly intractable problems which are often of our own making.

"War of the Colossal Beast," the sequel to the cult-classic "The Amazing Colossal Man," isn't as bad as some critics would have you believe. It's loaded with unintentional laughs ("Get the picture?"), lots of cultural stereotypes, and a make-up design that is superior to most of its sci-fi contemporaries. The Colossal Beast's first appearance in the film can still shock the unsuspecting viewer, and the end sequence at Griffith Park -- along with the reinserted color pay-off -- make this film a must for any '50s B-movie enthusiast.