Without a new play and money, a 55 y.o. Broadway theater producer retires. But when fired, his 22 y.o. secretary says, she loves him. He decides to make that a scene in a new play and her to... Read allWithout a new play and money, a 55 y.o. Broadway theater producer retires. But when fired, his 22 y.o. secretary says, she loves him. He decides to make that a scene in a new play and her to write it and play the role.Without a new play and money, a 55 y.o. Broadway theater producer retires. But when fired, his 22 y.o. secretary says, she loves him. He decides to make that a scene in a new play and her to write it and play the role.
- Director
- Writers
- Stars
- Awards
- 3 nominations total
Richard Adams
- Young Man
- (uncredited)
William Bailey
- Doorman
- (uncredited)
Richard Bull
- Ticket Seller
- (uncredited)
Charles Cane
- Mounted Policeman
- (uncredited)
Zelda Cleaver
- Maid
- (uncredited)
Stephen Courtleigh
- Minor Role
- (uncredited)
Hal K. Dawson
- Father in Play
- (uncredited)
Bess Flowers
- Diner at Sardi's
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Odd to find Clark Gable, in one of his final films, trying his damnedest to perk up such an outright piece of fluff. As a 50-ish theatrical producer fighting off the unwanted affections of his smitten juvenile secretary--and later using his predicament as the basis for a new play--Gable initially seems unsure of himself, though he does locate the dumb spirit of the piece and warms up midway through. As the lovestruck working girl, newcomer Carroll Baker is sweet but also stiff (and her hairstyle and clothes don't seem to match her age--she doesn't look like what other young ladies of this period resemble). Remake of 1935's "Accent on Youth" is hackneyed and coy, but the cast (including Lee J. Cobb and Lilli Palmer as Gable's ex-wife) manages to sell it despite shortcomings in the material and the handling. Gable and Palmer were both nominated for Golden Globes, and the picture was nominated for Best Comedy. **1/2 from ****
One noteworthy thing about this movie is the use of music. Both the title song "But Not For Me" (also used in 'Four Weddings and a Funeral') and "You Make Feel So Young" pop up at various moments to good effect. Both songs date from the 1940s.
Any film with Lee J. Cobb is good according to me. And no one can fill out a tux like Gable. There's even a Joi Lansing walk through.
This film is somehow a B & W, 1950s version of 'Something's Gotta Give' - aging leading man and the Lili Palmer/Diane Keaton character. There's even a Long Island connection. If that sounds like an attractive idea, then it's worth a peek. Otherwise, the whole exercise will appear impressively dated.
Any film with Lee J. Cobb is good according to me. And no one can fill out a tux like Gable. There's even a Joi Lansing walk through.
This film is somehow a B & W, 1950s version of 'Something's Gotta Give' - aging leading man and the Lili Palmer/Diane Keaton character. There's even a Long Island connection. If that sounds like an attractive idea, then it's worth a peek. Otherwise, the whole exercise will appear impressively dated.
In one of his last films, Clark Gable portrays an entertainment executive who decides to regain lost youth by having a love affair with his young secretary (Carroll Baker). The film has its flaws and it's certainly no "Gone With The Wind" but Gable still manages to give an excellent performance here.
This movie is a sweet light hearted comedy. You should watch it twice if possible. Once to just see it and the second time to get the parts you missed the first time through. The story could be set in most any time frame or city with minor variations. It is a traditional tale of the good looking male who is beginning to feel a little 'past it' and a beautiful younger female with a major crush on him. There is a nicely balancing, very attractive, other woman of his own age who 'understands' only too well. There are a number of variations that thicken the plot - some are for laughter, some are for romance. This particular cast of actors and actresses fill their parts delightfully well. The many supporting character parts only add to the enjoyment of the movie. I truly enjoy the musical score, especially the title song "But Not for Me", and the way it is worked through the movie.
One of those bubbly late-'50s romantic comedies that thinks it's cleverer than it is and seems terribly pleased with itself. The actors grit their teeth and play the familiar froth as if it were Moliere, and you admire them for trying. Gable is Gable, unforced and likeable but not a natural comedian, and Palmer gives her bitchy character a warmth not found in the dialogue. The movie's main asset is the handsome black-and-white photography of midtown Manhattan (I'd like to have seen more marquees), and the nostalgic ambience of that long-ago era when theater was actually a topic of discourse among the general population.
Did you know
- TriviaThe film's original title was "Accent on Youth", but this was thought inappropriate for the 57-year-old star Clark Gable.
- Quotes
Russell 'Russ' Ward: The public makes the stars. I only make the opportunity.
Roy Morton: Corny, but quotable.
- ConnectionsFeatured in Clark Gable: Tall, Dark and Handsome (1996)
Details
- Runtime
- 1h 51m(111 min)
- Color
- Aspect ratio
- 1.85 : 1
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