Cash McCall

This is a great, fun film with the feel of similar films of the era such as 1962's "That Touch of Mink," whose plot bears more than a passing resemblance to this film's.

James Garner is great as usual, as is the radiant Natalie Wood. Dean Jagger's performance as the plastic company patriarch strikes just the right note and Henry Jones does his usual excellent job as the somewhat smarmy assistant.

But one of the real stars of the film is its 1960 decor. It really sets the period but also has a very distinctive look that is now considered retro-"atomic chic" with more than a little "Googie" thrown in.

I've no idea why this film hasn't been released on DVD (it's perfect for anamorphic DVD at a 1.85:1 aspect ratio). If you don't want to rent or purchase the VHS tape, your only recourse is to await its very infrequent showings on cable (most recently on Encore's "Love" channel some six or so years ago.)

I watched this solely because James Garner was in it and I thoroughly enjoyed it! Natalie Wood was beautiful! I thought the plot was somewhat hard to swallow - but it shows how much you would do for love! If you like this movie, rent "Wheeler-Dealers" with Mr. Garner and Lee Remick. It is hilarious!

James Garner makes a dashing young entrepreneur of the business world in Cash McCall, the second of two films made from Cameron Hawley's business world novels, the other being the acclaimed Executive Suite. Hawley certainly knew how to capture the business world well and put a proper face on it.

Usually it's not a real good idea to mix business with pleasure, but in Cash McCall, Garner succeeds quite well. I now know where some of the plot of Grease came from. If you'll remember John Travolta and Olivia Newton-John have a summer fling which ends, but then find themselves in the same school in different social circles.

Cash McCall begins with Garner already having had that fling with Natalie Wood on vacation in Maine and he discovers she's the daughter of Dean Jagger, president of a plastics firm he's looking to acquire. When he discovers who she is it does complicate matters, but Garner is a most resourceful man. In the end it all works out to everyone's satisfaction, but there are a few bumps in the road. Those bumps are what the film is all about.

James Garner has played so many con men on the big and small screen it would have been an easy matter for him to slip into that familiar characterization for him. But he plays this one absolutely straight and does quite well with the part. Of course if he had been anything less than up front he wouldn't have gotten Wood. Natalie was just radiant in her role as the Philadelphia Main Line princess, a bit more human than Tracy Samantha Lord of The Philadelphia Story.

Besides Dean Jagger, the leads are backed by an established group of players portraying various business types as Edward Platt, E.G. Marshall, Otto Kruger, Parley Baer, and Roland Winters. Two performances that are really outstanding are Nina Foch as the hotel chief housekeeper at the place where Garner resides occupying an entire floor and part of another and Henry Jones as an efficiency expert who Garner recruits.

I'm surprised that Cash McCall was not taken up as material for a prime time soap opera in the Eighties, the decade of such. It certainly has all the ingredients.

Still it remains as one of James Garner's best early film performances and usually on the top 10 list for his fans.

When Natalie Wood was in her prime, she was at the top of the biz, stunningly beautiful, sharp, but accessible. And no one played the all-american stud better than Jim Garner.

Call it a bedroom farce if you like but Cash McCall combines a lot of wheeling and dealing with a good old fashioned boy-meets-girl to make a very pleasing movie.

At first glance, McCall (Garner) is part playboy, part ruthless businessman, but we know better; that his heart of gold belongs only to Lory Austen (Wood), a woman he met last Summer, and he's thought of nothing but her since.

Standard fare, well done with attractive stars, that alone puts it in the upper 20% as far as I'm concerned. Enjoy it.

When you first hear of this flick, you think it is like most of Garner's "Light Comedy" from the 60's - Not so. This film shows the a steamy underside of the Big Business "Scene" and the kind of trickery that goes on... And how even an honest down to earth deal could be made to look like a swindle, with a little jealousy and backstabbing added when least expected- And for that you have to give proper credit to Nina Koch for playing a kind of reverse "Erica Martin" from Executive Suite.

Garner is surrounded with some of the great character actors of the time: Dean Jagger, E. G. Marshall (From "12 Angry Men"), Otto Kruger (From Hitchcock's "Saboteur" and "Magnificent Obsession"), Edward Platt ("Chief" from "Get Smart").

And of course Natalie Wood, and in this film she gives one of her best... She is an absolute firecracker. I like the fact that the interaction between Garner and Wood is a little subdued.

One thing that is amazing, is that this was directed by Joe Pevney, who directed some of the best episodes of Star Trek Original Series.