A group of gold thieves pull of a heist and flee into the snowy wilderness, only to be pursued by a horrible, spider-like monster.A group of gold thieves pull of a heist and flee into the snowy wilderness, only to be pursued by a horrible, spider-like monster.A group of gold thieves pull of a heist and flee into the snowy wilderness, only to be pursued by a horrible, spider-like monster.
- Gypsy Boulet
- (as Sheila Carol)
- The Beast
- (as Christopher Robinson)
- …
- Jill Jackson
- (uncredited)
- Woman Sitting at Table
- (uncredited)
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The film starts out slow as a gang plans and executes a robbery, but then it veers off into darker territory as they and their guide are trailed to the hideout by a surprisingly well-realized and startlingly nasty monster.
This is by no means a perfect film: There are occasional stumbles in motivation, dialogue and the timing of events, yet for me these inconsistencies actually contributed to an atmosphere of dreamlike disorientation as the story plays out against the bleached-bone white of the snow and the soot-black shadows of winter pines. The plight of the Beast's victims -- cocooned alive, and fully aware as it feeds on them -- yields a heaping helping of shudders.
The DVD transfer (I'm talking about the most recent release, not the one paired with "The Brain That Wouldn't Die") was made from an excellent print; the soundtrack is quite clear. You may recognize the score as the same used for "Attack Of The Giant Leeches" and -- I think -- "Night Of The Blood Beast": These guys knew how to recycle!
Even with its defects, this is a distinctly weird and surprisingly gruesome chiller, a fine example of how much can be accomplished even with limited resources.
** (out of 4)
Slow-moving but mildly entertaining horror film from director Monte Hellman has a group of thieves stealing some gold and deciding to hide out in the snowy mountains. Their plan seems to be working at first but soon they come across a giant spider deep within the cave.
This here was an early Roger Corman production and like a lot of the films from this era you soon realize that they were working with very little money, which means that there's going to be a lot of talking and very little action. One of the Corman's most known sayings was how when you're monster looks bad it's best to keep it hidden. That pretty much happens in BEAST FROM HAUNTED CAVE as the spider is rarely seen outside of a part here or a part there. The bad costume finally shows up at the very end but at that point it's too late to turn the film off.
I thought the cast were decent for what they were asked to do, which was basically hit their marks and say their lines. The cast were at least interesting enough to keep you glued to the movie and to stick with it longer than you probably would have otherwise. The spider creature design is obviously very cheap but there's some mild charm that you can take from it.
Hellman would go onto make much better cult movies but this one here was mildly entertaining as long as you don't take it too serious.
The debut of Monte Hellman as director is a typical trash movie of the 50's. The story is not bad; the low budget effects are very poor and laughable; the heroine is gorgeous; the sudden conclusion gives the sensation that the shooting was interrupted; and the cover of the Brazilian DVD is extremely funny with the following text: "Young girls scared and sucked by a maze of horror and blood of a hunger beast from hell", which is delightfully funny and ridiculous, since the story has nothing to do with it. In spite of these remarks, I like this type of film, which are part of mine childhood, therefore "Beast From Haunted Cave" is a good entertainment at least for me. My vote is five.
Title (Brazil): "A Besta da Caverna Assombrada" ("The Beast From the Haunted Cave")
The plot involves four theives who stage a mine explosion in South Dakota to divert the town's attention while the bank is relieved of gold bars - but only six bars! Why six? Why, they're going cross-country skiing to the lodge of a local man, and that's all they can carry. From there, they will hop a plane to Canada. Unfortunately, there's a monster following the crooks, sort of a cross between a spider and Bigfoot with extra floppy arms.
If it all sounds odd, that's because it is. The tension between the boss (I suspect it's really Donald Sutherland undercover) and his *ahem* secretary is almost palpable. Frank Sinatra's cousin's performance is outstanding, definitely paving the way for Frank Stallone's run of fame years later.
The disturbing thing is that if these crooks are into putting their fellow fireworks manufacturers out of business, why are we robbing banks in South Dakota? Let's face it, South Dakota is not known for much other than Sturgis and it's motorcycle rally. I'm trying to figure out how partially robbing a bank in South Dakota cements your claim to the fireworks empire. Fortunately, I have other things to worry about other than these jokers.
Sterno says spin your spider web somewhere else.
In fact, the horror elements take a back seat for much of the film, which plays more as a drama of tensions between a band of criminals and the skiing guide they have hired as part of their cover story. From this point of view, the film's real strengths come to light. The characters are written as though they could be actual people and not just devices to move the plot along, as some earlier films of the genre tended to portray their casts. The photography is very good, and there is a superb performance by Sheila Noonan as a troubled moll, one that virtually carries the movie and makes it much more interesting whenever she is on screen.
While the characterization is good for a B-movie, the writing is somewhat uneven. There are some quite deep philosophical insights offered up by the characters, such as the benefits of city life versus country living. If the writer wanted to take these musings in a more serious direction, perhaps this could have been Beast From Plato's Cave. But we can't read too much into a film where the guide's sister - Kay Jennings in a neat little performance - tries to sweet-talk a handsome stranger with the line "Did I tell you I knitted this sweater?" to which he replies "Is knitting your scene?" Some find the ending quite disturbing and scary for a film of its time. Others may find it somewhat flimsy and rushed. Either way, this film still has enough going for it to rate as a must-see for the serious fans of the genre.
Did you know
- TriviaRoger Corman and Gene Corman partly chose their filming location in the Black Hills because they were encouraged to come by the Chamber of Commerce in South Dakota. The Chamber of Commerce offered financial incentives in order to ensure that this, and future Corman films, would be shot in their state.
- GoofsAt 2 min Alexander skis down a short mountain strip with plenty of snow. Minutes later when Marty and Byron do the same thing there is a huge patch of ground with no snow.
- Quotes
Marty Jones: I saw pieces of an egg in the mine, where it got Natalie. Now that could have been buried there for millions of years until the men working on the mine found it.
Alexander Ward: I don't care what it is. I don't care if it chews up the whole state. I don't care if it came from Mars or happened by spontaneous combustion. We're going to Canada with a load of gold, so forget it!
- ConnectionsEdited into Pale Moonlight Theater: Beast from Haunted Cave (2014)
- How long is Beast from Haunted Cave?Powered by Alexa
Details
- Runtime
- 1h 12m(72 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1(original ratio)
- 1.85 : 1