The Gene Krupa Story

Biography of penultimate jazz drummer Krupa (played here with enthusiasm by young Sal Mineo) as he achieves fame and fortune for his unique talent, then squanders his success on alcohol, illicit substances and loose women. Mineo is sharp and authentic-looking in his impersonations of the frenetic, almost chaotic looking drumming, while Kohner is his antithesis, a placid, mature girl who despite his lack of judgment and indiscretions, sticks by him, ultimately resurrecting his career after he's incarcerated for narcotics possession (in spite of his protests "they weren't my reefers!"). She encourages him to learn to read music, while his fair-weather friends encourage him to party to excess, his grip on the sticks stutters and concerns grow for his well being.

Larry Dobkin is Krupa's cool-as-cucumber attorney, but the trio of girls assembled to tempt Mineo (principally youthful Craig and sultry Oliver) are welcome distractions from the musical numbers (which are superbly choreographed and not over represented). Darren isn't bad as his trumpet-playing concerned friend and future "Love Boat" captain Gavin McLeod is on deck in a small role as Krupa's brother.

The subject matter is handled with conservatism and the drug dependency issue isn't really explored in any detail (the scene in which he rejects Oliver's offer of a doobie is a little cheesy, surely even by the contemporary standards). Still it's a bit more than a casual theme, and this is more than just a string of musical numbers loosely bound in a biopic melodrama. Mineo's performance is well balanced, while Kohner is appropriately understated and the musical numbers more than compensate for any particular lack of dramatic intensity. Worth a look.

Not historially accurate, but a great portrayal by Sal Mineo. He worked with Krupa for about 2 years before filming began. The only real flaw is that the music is a 1950's version of 1930's swing/jazz, and none of Krupa's hits of the 40's were really included. Nonetheless, the music is very good, with Mineo mimicing extremely accurately Krups's off screen drumming.

Competent, slick and well photographed, but fairly banal treatment of the famous drummer.

Almost no attempt is made to visually set the story in the twenties and thirties. Thus, the film abounds in an abundance of visual anachronisms, including fifties architecture, decor, and clothing, (Misses Kohner and Craig wear Dior style shirtwaist dirndls throughout, whilst Miss Oliver wears Capri style cocktail pants!--nowhere is there a cloche hat, aigrette or dropped waist). Only slight sartorial concessions are made for the men, (a few bowler hats and double breasted vests)

These inaccuracies no doubt accrue from the fact that the picture is being pitched wholesale to the 1959 teen audience and not to their parents.

For his part, Mr. Mineo does exceedingly well, though at times he does lapse into hipster posturing, (in his finger pointing angry scenes he appears to be imitating Ben Gazzara). Given his extreme youth, however, he demonstrates more poise and depth than his teen idol peers. The only really embarrassing moments come when he is depicted as a cassock clad seminarian in prayer.

If nothing else, this film provides your only chance to see Sal Mineo in spats.

Sal Mineo, who made a career of played conflicted people, does a magnificent job in the biography of legendary drummer Gene Krupa.

Mineo, as Krupa, gets wonderful support from James Darren and Susan Kohner. 1959 was a remarkable year for Miss Kohner. It was that year where she received a best supporting actress nomination as the troubled daughter of Lana Turner's maid in that great film "Imitation of Life."

Krupa's family wanted him to enter the priesthood. However, Gene's calling was for being a drummer. As is the case with so many talented people, success came quickly and unable to handle it, Krupa descended into a life of drinking and using reefers. At a time, when there were investigations revolving about musicians and drugs, Krupa's career suffered from his conviction and serving time in prison.

While Mineo at age 20, may have been too young for the part, he does a very credible job as the tormented youth. Kohner, as his girlfriend, Ethel, never gave up on him even though he literally walked out on her before his troubles again. As she did in "Imitation of Life," Kohner shows her own emotional conflict. Her early retirement from films deprived Hollywood of an excellent talent.

We also lost a great talent, when Mineo, who would get possibly the best part of his career as Dov Landau,the following year, in "Exodus," was murdered in 1976.

Lawrence Dobkin, who in 1959, was an important player in the television series "The Untouchables," scores well here as a protégé of Krupa.

Celia Lovsky, who was so memorable in many old films, usually portraying elderly women, was wonderful in 2 scenes in portraying Krupa's disappointed but loving mother. Of course, a Jewish woman playing a Catholic mother, might have raised some eyebrows at that time.

This is an excellent film where the social mores of the time derailed Krupa's great talent and career.

My first time hearing GK I was 8 years old. An old grade school friend of mine had a basic lounge kit and we would go to each other's houses after school and weekends. My buddy used to wear GK's records out! I was amazed. What this did for me was get more deeply into music and gained a real appreciation for it. I eventually went on to front a thrash band in the 80's and a Hardcore band until 2017. The movie brings back intense and moving memories for me. Mineo is fantastic at his mimicry. I'm also a sucker for Susan Oliver. I love her in anything but here she really shows her range as an actress. Also, Bobby Troup? Yes! THAT Bobby Troup from MASH and Emergency. I really dig rags to riches stories, particularly music ones. If you're a music fan and better yet, a fan of killer drummers, check this one out. RIP Niel Peart