IMDb RATING
7.1/10
5.2K
YOUR RATING
Unusual western about a doctor with a dark past, whose life is complicated and ultimately redeemed by a young thief, and a pretty Swiss immigrant whom he nurses back to health.Unusual western about a doctor with a dark past, whose life is complicated and ultimately redeemed by a young thief, and a pretty Swiss immigrant whom he nurses back to health.Unusual western about a doctor with a dark past, whose life is complicated and ultimately redeemed by a young thief, and a pretty Swiss immigrant whom he nurses back to health.
- Directors
- Writers
- Stars
- Nominated for 1 Oscar
- 1 win & 4 nominations total
Emile Avery
- Townsman
- (uncredited)
Fern Barry
- Mother
- (uncredited)
William 'Billy' Benedict
- Trapper
- (uncredited)
Oscar Blank
- Townsman
- (uncredited)
Danny Borzage
- Dan
- (uncredited)
Annette Claudier
- Dance Hall Girl
- (uncredited)
Tex Driscoll
- Townsman
- (uncredited)
Martin Eric
- Father
- (uncredited)
Frank Hagney
- Townsman
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
In 1873, in the Gold Trail, Montana, the mysterious and controller Dr. Joseph Frail (Gary Cooper) arrives in the small town of Skull Creek with miners in a gold rush. Dr. Frail buys a cabin on the top of a hill and he sees the smalltime thief Rune (Ben Piazza) wounded and chased by a mob that wants to hang him. Dr. Frail helps and heals Rune; but in return, he demands that the young man becomes his bond servant. The alcoholic healer and preacher George Grubb (George C. Scott) tells to the locals that Dr. Frail, who is an excellent gambler and gunfighter, is a devil, but nobody gives attention to his words.
Sooner the stagecoach is robbed by thieves that kill the passengers but the coachman survives and three days later he reaches Skull Creek. He tells that the horses had speed down the hill with a young woman inside the stagecoach. The men organize a pursuit and the rude Frenchy Plante (Karl Malden) finds the Swedish Elizabeth Mahler (Maria Schell) burnt and blind. Dr. Frail and Rune take care of her and they learn that Elizabeth and her father, who was killed in the heist, had come to America to settle down.
When Elizabeth is healed, she falls in an unrequited love with Dr. Frail and she decides to stay in Skull Creek to seek gold with Rune. They form a partnership with Frenchy and Dr. Frail secretly helps them to begin their business with The Lucky Lady Mine. When Elizabeth learns that Dr. Frail is helping her, she is disappointed but she promises to pay her debt with him someday. During a heavy rain, a tree falls down and the trio of partners finds a fortune in gold underground. Frenchy drinks with the locals and when he is drunk, he takes an attitude that will affect the lives of the locals and Skull Creek, mostly of Dr. Frail, Elizabeth and Rune.
"The Hanging Tree" is an unconventional and great western with a dramatic story supported by complex characters in a small town in the gold rush and not in shootout and other usual themes in this type of film. The lead characters are intriguing, with Gary Cooper performing a bitter character with a hidden past but also a good and fair man. Rune is also a good man that had robbed only due to his needy situation. Maria Schell performs a sweet and well-educated woman, capable to greet everybody and also tough in a negotiation. Karl Malden is fantastic as usual and the scum Frenchy Plante is one of the most despicable characters I have ever seen. Virginia Gregg has a minor but effective performance and her character Edna Flaunce is an example of how sickening and nauseating a human being can be.
This is the first time that I see this film, recently released on DVD by a small Brazilian distributor, and it was a magnificent surprise for me since I am not a fan of the conventional Western genre. My vote is eight.
Title (Brazil): "A Árvore dos Enforcados" ("The Hanging Tree")
Sooner the stagecoach is robbed by thieves that kill the passengers but the coachman survives and three days later he reaches Skull Creek. He tells that the horses had speed down the hill with a young woman inside the stagecoach. The men organize a pursuit and the rude Frenchy Plante (Karl Malden) finds the Swedish Elizabeth Mahler (Maria Schell) burnt and blind. Dr. Frail and Rune take care of her and they learn that Elizabeth and her father, who was killed in the heist, had come to America to settle down.
When Elizabeth is healed, she falls in an unrequited love with Dr. Frail and she decides to stay in Skull Creek to seek gold with Rune. They form a partnership with Frenchy and Dr. Frail secretly helps them to begin their business with The Lucky Lady Mine. When Elizabeth learns that Dr. Frail is helping her, she is disappointed but she promises to pay her debt with him someday. During a heavy rain, a tree falls down and the trio of partners finds a fortune in gold underground. Frenchy drinks with the locals and when he is drunk, he takes an attitude that will affect the lives of the locals and Skull Creek, mostly of Dr. Frail, Elizabeth and Rune.
"The Hanging Tree" is an unconventional and great western with a dramatic story supported by complex characters in a small town in the gold rush and not in shootout and other usual themes in this type of film. The lead characters are intriguing, with Gary Cooper performing a bitter character with a hidden past but also a good and fair man. Rune is also a good man that had robbed only due to his needy situation. Maria Schell performs a sweet and well-educated woman, capable to greet everybody and also tough in a negotiation. Karl Malden is fantastic as usual and the scum Frenchy Plante is one of the most despicable characters I have ever seen. Virginia Gregg has a minor but effective performance and her character Edna Flaunce is an example of how sickening and nauseating a human being can be.
This is the first time that I see this film, recently released on DVD by a small Brazilian distributor, and it was a magnificent surprise for me since I am not a fan of the conventional Western genre. My vote is eight.
Title (Brazil): "A Árvore dos Enforcados" ("The Hanging Tree")
This movie should be right up there with "High Noon", "The Searchers", "The Magnificent Seven", and other classic westerns. The cinematography and fantastic outdoor location alone make it a must see. Gary Cooper plays a gun-toting frontier doctor, with a mysterious past, Maria Schell, a determined immigrant, who becomes his patient. Karl Malden, a ruthless miner, who becomes her partner. The supporting cast is excellent, including a very slender young actor by the name of George C. Scott, whose performance is compelling. This is one of Cooper's last movies, and one of his best. I'm not really sure why, but this movie has not been enjoyed as much as it should, or received the praise it deserves. If you're a fan of the genre, and you have not seen this movie, you owe it to yourself to check it out.
"High Noon", move over. "The Hanging Tree", in my estimation, is by far the better picture. The story, characterizations, acting, and musical score put this movie in the class of "Shane", "The Big Country", and "The Magnificent Seven". Cooper portrays Dr. Joe Frail as only he can. He is perfectly cast as a man with "frail hope" and, yet, has the strength and caring to help and protect others. As others have commented, this film is not even available new in vhs format, let alone dvd. The last time I checked The Western Channel and Turner Classic Movies it was not scheduled for viewing.
If you want to enjoy a realistic story and superb acting from a great cast I recommend the "Hanging Tree."
If you want to enjoy a realistic story and superb acting from a great cast I recommend the "Hanging Tree."
No need to recap the sprawling plot.
For a western, the movie is generously produced. The Washington state locations are scenic as heck and a great backdrop to the rushing crowds and boisterous miners. In fact, the gold camp recreation is one of the most realistic I've seen. Then too, the production has one of the most underrated directors of westerns of the period, Delmer Daves, whose list includes such classics as 3:10 to Yuma (1957), Jubal (1956),and the generally overlooked Cowboy (1958). All of these are tightly written and efficiently directed little gems.
But I have to say that despite the first-rate production values and a first-rate cast, this more epic sized western doesn't achieve the impact of Daves' smaller movies. The problem is a loose script and a dawdling camera that stretches out the dramatics and the movie's length to a sometimes tedious degree. I'm guessing that Warner Bros. wanted a production equal to Gary Cooper's iconic standing. I suspect they were also promoting newcomer Schell's career, and thus much time is split between her, Cooper, and the always reliable Malden. All perform well, but add up to bits and pieces that don't fit together very well, while padding the screen time unnecessarily.
I wish Scott's truly fearsome religious zealot had gotten a bigger role. He might have made the movie memorable, so strong is his spotty presence. Something I don't usually notice in films is the movie score. But here the music is blended nicely into the screenplay, without overdoing it. Perhaps revealingly, this is Daves' final western. From here, he went on to teenage fare, such as the blockbuster A Summer Place (1959) that despite its teen angst of the day is not without notable compensations. Anyway, this film's a scenic delight at the same time the narrative unfortunately is not, which adds up to a very mixed result.
For a western, the movie is generously produced. The Washington state locations are scenic as heck and a great backdrop to the rushing crowds and boisterous miners. In fact, the gold camp recreation is one of the most realistic I've seen. Then too, the production has one of the most underrated directors of westerns of the period, Delmer Daves, whose list includes such classics as 3:10 to Yuma (1957), Jubal (1956),and the generally overlooked Cowboy (1958). All of these are tightly written and efficiently directed little gems.
But I have to say that despite the first-rate production values and a first-rate cast, this more epic sized western doesn't achieve the impact of Daves' smaller movies. The problem is a loose script and a dawdling camera that stretches out the dramatics and the movie's length to a sometimes tedious degree. I'm guessing that Warner Bros. wanted a production equal to Gary Cooper's iconic standing. I suspect they were also promoting newcomer Schell's career, and thus much time is split between her, Cooper, and the always reliable Malden. All perform well, but add up to bits and pieces that don't fit together very well, while padding the screen time unnecessarily.
I wish Scott's truly fearsome religious zealot had gotten a bigger role. He might have made the movie memorable, so strong is his spotty presence. Something I don't usually notice in films is the movie score. But here the music is blended nicely into the screenplay, without overdoing it. Perhaps revealingly, this is Daves' final western. From here, he went on to teenage fare, such as the blockbuster A Summer Place (1959) that despite its teen angst of the day is not without notable compensations. Anyway, this film's a scenic delight at the same time the narrative unfortunately is not, which adds up to a very mixed result.
Little known, this Western gem has not attracted the attention or appreciation it deserves. Gary Cooper's Doc Frail is to me the most interesting of his Western heroes, much more complex than the Will Kane of "High Noon." He is a man of sharp contrast, kind but domineering, compassionate but unyielding, a healer but a killer, strong but at the same time frail. He draws people towards him, only to keep them at a distance when they get too close because of a tragic incident in his past, one he can neither forget nor allow to ever happen again. He is a vagabond, moving from gold camp to gold camp to set up his services as a doctor, without hope of ever settling down. Into his life come two key figures bound to change it. One is Rune, a young thief whom he rescues from the hanging tree, and they are bonded together. The other is Elizabeth, a young woman from Switzerland who has come with her father to find a new life in the gold camps. After a stagecoach accident, Doc Frail must cure her, both body and spirit, and she loves him for it, a love he cannot accept. He would send her back to her country; she stubbornly refuses and eventually partners in a gold claim with Frenchy (played by the marvelous Karl Malden), a man with lust in his heart for both gold and women. The emphasis on character lifts this film above the realm of the ordinary. Add to that a memorable title song sung by Marty Robbins, an appealing music score by Max Steiner, a no-nonsense script based on a story by Dorothy Johnson and on location filming in the mountains outside of Yakima, Washington, and what you have is one really fine Western.
Did you know
- TriviaThe last western in which Gary Cooper starred.
- GoofsThis film seems to deflate the value of money disproportionate to its actual worth in the 1800s. The $1/egg that Rune pays the Flaunces is equivalent to over $23 each in 2024. A cattle baron at the Palace Hotel in San Francisco wouldn't have paid those prices. Frail and Flaunce deflate the value of Elizabeth's brooch as maybe worth $20, but in 1870 that was the equivalent of $470 (in 2024).
However, it is well known that prices in remote U.S. mining camps of the 19th and early-20th centuries were astronomical compared to the "civilized" cities. A cattle baron wouldn't pay that price in San Francisco, but he might in a "town" of a 100 people who had access to only a dozen eggs a week. A Smithsonian magazine article from 2015 states that "Back in 1849, a dozen eggs would cost the equivalent of $90."
- Quotes
Townsman in wagon: [Reassuringly to wife] Every new mining camp's got to have its hanging tree. Makes it feel respectable.
- ConnectionsEdited into Meine Schwester Maria (2002)
- How long is The Hanging Tree?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- El árbol del ahorcado
- Filming locations
- Nile, Washington, USA(gold mining town set)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,350,000 (estimated)
- Gross worldwide
- $8,992
- Runtime
- 1h 47m(107 min)
- Aspect ratio
- 1.85 : 1
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