Four Fast Guns

The false town tamer (James Craig who had killed the real one and takes his place) has to wipe out the town from a crippled saloon owner who seems to hire any gunslinger in the whereabouts. We see Craig killing one by one all those supposed to kill him. Until the last one who happens to be his one kid brother (Brett Halsey)!

An odd little Western in which the four fast guns of the title include Sabin and the three men hired to kill him. Not the fastest pace, but not dull either. It's quite interesting with some nice flourishes such as three fast guns coming to take care of James Craig's false lawman, and one of them generates a twist, the rather bleak look of the town, it's inhabitants and the landscape - there's an air of brutishness prevalent and only the humour by Edgar Buchanan as the deputy lightens things. The most interesting element is Paul Richard's character- a disabled villain who has a penchant for poetry and piano playing. But there's a twisted aura about him, especially when he plays a discordant note when something annoys him. It's an interesting and above average western which can appear boring but it isn't. It reminds me of Terror in a Texas Town, another odd western with that bleakness.

Four Fast Guns is directed by William J. Hole Jr. and written by James Edmiston & Dallas Gaultois. It stars James Craig, Martha Vickers, Edgar Buchanan, Brett Halsey and Paul Richards. Music is by Alec Compinsky and cinematography by John M. Nickolaus Jr.

After killing in self defence the town tamer who was on his way to clean up the town of Purgatory, gunman Tom Sabin (Craig) finds himself offered the position himself. With the financial rewards too great to turn down, Sabin agrees and finds a town being ruled and pillaged by wheelchair bound Hoag (Richards). Hoag has the financial pull to hire the best gunmen around to do his bidding, and soon enough Sabin finds he must out gun the men sent to kill him. Tricky enough as it is, more so when one of them turns out to be a familiar face.

Efficient and shot in black and white for noirish effect, Four Fast Guns kind of gets in and does its job with the minimum of fuss. The problem is is that it really offers up nothing new in the genre, with the attempt to blend an airy comedic tone with the drama never sitting comfortably together. There's a standard love triangle stitched into the quilt, which works whilst going exactly where you expect it to go, and the high points of the film come by way of the gun play show downs and Edgar Buchanan's ebullience. Acting performances are adequately of a low budget B Western standard, photography is pleasing (Darn Good Westerns DVD print is nice) and the brisk running time doesn't allow for pointless filler.

Enjoyable enough while it is on, instantly forgettable once it's over. 6/10

The title might vaguely ring a bell as the final film of Martha Vickers; who fifteen years earlier had a father in a wheelchair in 'The Big Sleep' and this time has a husband similarly challenged.

Despite being shot in CinemaScope, the general monochromatic drabness of the town of Purgatory (which the script is fond of reminding us the town is called, and doubtless inspired the name of the town in 'Support Your Local Gunfighter') captures the cramped bleakness and propensity for violence that probably characterised the authentic Old West.

OK, it's definitely not True grit, the acting is not great but the story has solid background.

It's good for a low budget movie and will be enjoyed as a Sunday afternoon Western.

Sadly, since the early 1980's the Western movie has been frowned upon and assigned to the B shelf ever since, there were some exceptions, though the investment which such movies enjoyed in the 50's, 60's and the early 1970's is now sadly a thing of the past.

For this very reason even the lesser quality B Westerns are enjoying somewhat of a come back among true Western fans.

Overall it's not a bad movie, the script is actually quite good, acting on the other hand is below average, with few exceptions. Direction and production seem to have suffered due to lack of funding.

All in all, a 6 out of 10, Not unmissable, but still worth seeing!.

James Craig rides into Purgatory when they're taking up a collection for a town tamer. He takes the pot, then has troubling doing the job. The problem seems to be wheelchair-bound Paul Richards, who runs one of the saloons and spends most of his time playing the piano and reading poetry. Craig can't bring himself to shoot an educated, kindly, helpless man despite the waves of lust sent off by Richards' wife, Martha Vickers. So Craig moves into the dilapidated Marshal's office with Edgar Buchanan, and begins to renovate the place while four hired guns come into town seriatim to earn Richards' money.

The comedic elements work pretty well in this film, especially when Richard Martin shows up in the movie, playing a Mexican. The serious elements..... well, I'm sure they're there, I just can't take any of it particularly seriously when we don't see any gunfights, just people knocking memorials into the ground, while the good townfolk who want Craig to shoot a cripple mock him for cowardice.

Perhaps it has something to do with the fisheying of he image whenever cinematographer John Nickolaus moves the camera. Perhaps it's all a burlesque of the psychological and symbol-laden A westerns that the 1950s threw up occasionally. That would explain why they decided to call the place Purgatory, when the two towns that actually bear the name are in New England.