John Paul Jones

I was delighted to see this film as I am a voracious consumer of anything about the American Revolution. Aside from any possible historical flaws mentioned by others I found some of the directing touches quite interesting. Most novel was the way George Washington was portrayed when Jones went to visit him at Valley Forge. He was filmed only from the back as would be seen by some observer (e.g. news reporter ) in the room. The effect was quite powerful. It saved us worrying about things like if the actor playing Washington looked enough like him etc. and simply gave us a ghostly impression of the Washington we read about in the history books - namely, a giant of a man both physically and morally and probably the greatest man in history. It occurred to me that Director John Farrow was portraying not the man but rather alluding to the LEGEND on screen. If that was the aim he certainly succeeded.

The 'living presence' of the legend was enhanced by the fact that the image spoke in that arcane English of the time.

The net result was that a huge cinematic impression was provided of a very great man. Nice directing twist innovation !

Just a question; where was JPJ filmed? (I'm looking for ALL locations)and does the movie archive keep a list of unnamed and uncredited extras who appeared (in the backdrop) of the film? My folks have had a replica of the Declaration of Independence in our living room that they say was a souvenir given to people (i.e. my uncle) who were hired by the producers as extras. He said that he was a signer of the document. He and my aunt also kept a copy in their house. It's been awhile since I've seen the movie, but I will look more closely next time to see if I recognize him. My uncle wasn't an actor, but a military man (retired, I think, by that time). He had to have been in the right place at the right time to be chosen as an extra. I'd love to have more info. Jeff

Biopic about a notorious sea commandant , a 18th-century naval hero who became the prestigious leader of the American navy against the British Empire . This is tribute to the Revolutionary War naval hero filmed in big budget , spectacular scenes and great production design , though was pretty wooden and failed at box office . The career of Revolutionary War naval hero , John Paul Jones (Robert Stack) from his youth in Scotland through his service to Catherine the Great of Russia (Bette Davis) . It deals with his beginnings of his naval career as a cabin boy to the captaincy of his own ship . This came to an end, however, when John killed a member of his crew, a mutineer with a sword in a dispute , but because he would not be tried in an Admiral's Court, he felt compelled to flee to Fredericksburg, Province of Virginia, leaving his fortune behind . He went to Fredericksburg to arrange the affairs of his brother, who had died there without leaving any other family ; and about this time, in addition to his original surname, he assumed the surname of Jones . Later on , he greatly aids George Washington (John Crawford) and the American cause . With Benjamin Franklin's (Charles Coburn) help, he secures a ship from Louis XVI (Jean Pierre Aumont) and Marie Antoinette (Susana Canales) which he calls the Bonhomme Richard and ultimately meets the vaunted British battleship of the line, the Searapis, in one of the great naval battles of all time.

It's a passable historical drama story where the protagonist , Robert Stack , is acceptable . Stack striving mightily to be shipshape as Jones . It is an epic and moving tale , as the starring fights enemies , taking on the risks of sea battles to survive in a world surrounded by powerful forces . The picture contains interesting drama , a love history , colorful spectacle , historical events and sea battles have some flare , being filmed in Denia , Alicante , Spain . This historic movie was realized with import help from Spanish government delivering logistics , props , soldiers and many other things . Being a Spanish/American co-production by Suevia Films-Cesareo Gonzalez along with Samuel Bronston Production in his first movie in Spain where he produced monumental flicks such as ¨El Cid¨ , ¨55 days in Pekin¨ , ¨King of Kings¨ , ¨Circus World¨ and ¨The fall of the Roman Empire¨ . Very good support cast such as Macdonald Carey as Patrick Henry , Jean-Pierre Aumont as King Louis XVI , David Farrar as John Wilkes , Bruce Cabot as Gunner , Thomas Gomez as Hopkins , Peter Cushing as Capt. Richard Pearson and final film of Charles Coburn ; including cameo appearances from Bette Davis as Catherina The Great, the Russian empress , Eric Pohlmann as George III replaced George Sanders , and film debut of Mia Farrow , director's daughter and Maureen O'Sullivan . Rousing musical score by master Max Steiner , this would be the last time Max Steiner would compose a film score for a film featuring Bette Davis , he had written several scores for movies starring Davis, and had been her favorite composer . The picture was professionally directed by veteran filmmaker John Farrow , though with no originality , being his final film . However , this sometimes tedious , empty and overlong epic sank without a trace .

The motion picture was correctly based on historic events , these are the following : John Paul Jones (July 6, 1747 – July 18, 1792) was a Scottish sailor and the United States's first well-known naval fighter in the American Revolution. Although he made enemies among America's political elites, his actions in British waters during the Revolution earned him an international reputation which persists to this day. As such he is sometimes referred to as the "Father of the United States Navy" . He later served in the Imperial Russian Navy. During his engagement with HMS Serapis, Jones uttered, according to the later recollection of his first lieutenant, the legendary reply to a taunt about surrender from the British captain: "I have not yet begun to fight!"

Essentially a biography in movie format, tells of the life of John Paul Jones, the man who put the U.S. Navy on the map during the American Revolution. It touches briefly on his early life, concentrating on his life in the colonies and what led him to go there after a career in the King's service. Movie also touches on the impact and standards that Jones imprinted on today's navy, and it is this element, among others, that makes this well worth watching. Stack (although taller than Jones's height of 5'4") is perfectly cast in the title role. Not to be overlooked either are Coburn's portrayal of Benjamin Franklin, Davis's of Catherine the Great, and Max Steiner's excellent musical score. Additional note: movie was produced by Samuel Bronston, who also produced and did a magnificent job on "El Cid." Whether one is looking for a movie about the Age Of Sail period or simply wants to learn about Jones, this is an excellent choice.

JOHN PAUL JONES is certainly a colorful film to look at, but the script is rather stately and dull when it should be tense and exciting and a lot of this may be due to the casting of ROBERT STACK in the title role. He cuts a handsome figure in his period costumes and is certainly a man who can speak forcefully on occasion, but he tends to wear the same solemn expression throughout. His outbursts of anger are sometimes hard to comprehend but he does get things done and everyone seems to bend to his will no matter what the circumstances are--that's the kind of hero he's depicted as being.

It's a handsome looking film with a capable cast including CHARLES COBURN as Benjamin Franklin and MARISA PAVAN as Jones' love interest in a rather colorless role. But BETTE DAVIS has fun with her brief scenes and actually brings a lively flavor to the film once she appears as Catherine the Great and falls under the spell of the man with a commanding presence.

It may not be accurate as history, but it's spectacular to watch in some of the lushest Technicolor from the '50s with a nice score by Max Steiner that gives the film a lift when it needs it. Under John Farrow's direction, the film is a bit talky at times but comes to life during the battle scenes. Farrow shares credit for the script with contributions from Ben Hecht and others.