Kapo

A teen Jewish girl and her family are imprisoned in a concentration camp . There, the 14-years-old girl played by Susan Strasberg finds a harsh reality and changes identities with the help of the camp medic and rises to the position of Kapo. This is a good movie about the brutal existence at concentration camps and subsequent breakout from horrible place. This excellent movie deals about extermination center, abuse of camp guards or Kapos who enjoy their power, prisoners committing suicide and the subsequent getaway led by Laurent Terzieff and Russian prisoners . We see the horrors,murders,massacres against the prisoners and Nazis personify evil . Thus , when the incoming transports ,mostly Jews, SS soldiers made instant decisions,those who were fit to labors were sent into the camp, others including the children ,were dispatched immediately to the gas chambers.Finally the inmates broke out in a desperate riot that I believe it can be the concentration camp of Sorbibor, only in which Russian prisoners achieved to escape . The picture reflects perfectly the atrocities as a by-product of sheer Nazi evil . The flick is powered by splendid performances , as Susan Strasberg, -daughter of Lee Strasberg, creator of Actors studio- as suffering starring and Laurent Terzieff is watchable as obstinate Russian soldier wishing freedom. Appears as secondary actor playing a Nazi soldier Gianni Garco or John Garco, future Spaghetti Western hero named Sartana . Shot in magnificent black and white by Sekulovic and Carlo De Palma , Woody Allen's usual cameraman . Sensitive and atmospheric score by Carlo Rustichelli. The film achieved an Academy Award nominee for Best Foreign movie but lost to the ¨Virgin Spring ¨. This extraordinary and unknown film by one of the pioneers of political film , he always interesting director Gillo Pontecorvo. It was one of the first films about the theme of Jewish holocaust and one of the more realistic in its recreation . Gillo subsequently will directed ¨Battle of Argel¨ and ¨Queimada¨.

The picture is based on real events and survivor's memories,these are the following : The large death camps were transformed into extermination centers to implement the policy of genocide thought at the Wannsee Conference (1942). There was some minor industrial activity linked to the war effort but the main work was the execution of inmates (as happen with the starring's family) . Victims (as Susan Strasberg and her parents) were brought to the camp in unventilated transports, and all but a handful were gassed after arrival,the gas chambers could accommodate hundred prisoners at one time using Zyclon B which was a crystallized prussic acid which dropped into death chamber ,most of their corpses were burned in open pits (as occurs at the ending of the movie when is opened a large hole to bury unfortunates).

Although it features two French leads (Laurent Terzieff and Emmanuelle Riva) ,"Kapo" has disappeared from the French dictionaries of films whereas lots of duds are included.

With the exceptions of "Nuit et Brouillard" (which was an exceptional documentary ) and Wanda Jakubowska 's "ostatni etap' (1947) there were few movies which at the time broached the concentration camps subject(the last scenes of Dmytryk's "young lions" ,1958)

Susan Strasberg was impressive ,mainly in the first hour though the evolution of her character is not always believable.Besides,her relationship with Sascha weakens the plot .

Emmanuelle Riva almost outshines Strasberg,maybe because she was a more experimented actress (she was featured in Resnais's "Hiroshima Mon Amour" ) and her scene when she is translating the German words in a voice chocked with emotion may be the strongest in the whole movie.

The "potato" scene is also revealing.I remember what Simone Veil ,a former French minister (secretary) (and herself a former prisoner in a concentration camp),said after watching the last episode of "Holocaust " (the seventies miniseries) : "in the camps ,people were not as helpful ,as kind ,as compassionate as they are in the film" ."Kapo" shows a very harsh world where the women are almost always fighting against their mates:that's the story of Edith /Nicole .

When it was released ,the movie was trashed by Jacques Rivette because of a tracking after Riva 's death ;at the time Nouvelle vague= intellectual dictatorship.Although defended by the Italian masters (including Visconti),the movie was cursed .The IMDb users have restored it to favor.

Quite an excellent character study of what people will do to survive. Although not as powerful as other prisoner of war films such as "Seven Beauties" it stands out because of the performances of all the women and especially Susan Strasberg who does a magnificent job starting out as the young innocent girl, hiding the fact that she is Jewish, a bewildering task, and her agonizing evolution into a hardened guard.

Don't look for huge sets and gruesome scenes of gas chambers and ovens here. It's not that type of film. It's a simple story of the slow chipping away of humanity that dire conditions force. Dignity and nobility give way to cruelty and inhumanity and simple survival becomes a thing to justify as time goes on. By telling this type of story through the eyes of a young impressionable person is excellent.

I was not previously aware of this gem. I found it on TCM after it had already been on for about 10 minutes. I kept thinking that the lead actress looked just like SUSAN STRASBERG & for good reason. It was. The fact that it was foreign with sub-titles threw me initially. Very realistic, almost raw, which was surprising considering that this movie was made in 1959.

STRASBERG as 'Nicole' works her way up through a concentration camp to become the woman in charge of her fellow prisoners. Strong language, violent situations, but this is a story about WWII, not the 'Enchanted Forest'. Good storyline, good direction, & a terrific performance by SUSAN STRASBERG that was all the more admirable when you realize that she was all of 20,21 when she made this.

This Italian film, following the travails of a young Jewish girl in a Nazi work camp, is successful due mainly to its realistic sets, and the performances of Strasberg and Terzieff. Supporting cast members also shine throughout the film. The whole concept of the "kapo" is new to me, and it added a further dimension to the horrific Nazi experience not covered in films such as "Sophie's Choice" and "The Pianist." Deservedly, it was nominated for an Academy Award (Best Foreign Language Film) in 1960. Strangely enough, most filmographies of Strasberg fail to highlight her incredible performance in this film. Certainly, it must have reflected her performance as Anne Frank on Broadway. The same year as "Kapo," George Stevens released his film version of "Anne Frank," starring Millie Perkins, who took the role once Audrey Hepburn turned it down. Certainly, Strasberg must have been considered.

A "kapo" was a prisoner of a concentration camp that watched over the other prisoners in a specified group. A kapo received better clothing, food, and was not required to work. 2001's "The Grey Zone" would be an appropriate double-feature with this film.