Killers of Kilimanjaro

A British adventure; A story set during German colonial rule of Tanganyika in 19th Century East Africa. It is about an American engineer who arrives in the Mount Kilimanjaro region to finish building a railroad but he is consistently beset by hostile natives and wild beasts. This film was inspired by the story of the Tsavo maneating lions recounted in the African Bush Adventures by J.A. Hunter and Daniel P. Mannix. This is a colourful action adventure with some moments of mild suspense and specks of good humour and features wildlife in attractive locations in Moshi, Tanganyika. Robert Taylor plays the indefatigable hero with panache and grace, faced with an assortment of tribulations, including wild animals, cannibals, slave traders. Anne Aubrey plays a rather bland love interest providing no real spark and so it relies on the landscape and exotic culture for diversion. Maltese actor John Dimech ("Lawrence of Arabia") gives delightful support as a young Arab boy. The story is straightforward, depicting indigenous races as unenlightened, merciless or plain greedy, and Anthony Newley is portrayed as an emasculated Brit who regains some self-respect. The romance is underplayed which gives it a monotone feel. All in all, it is a film that progresses to a hectic pace though it has some old-fashioned morals.

This is a clicked version of all the African adventure films that came out in the fifties.It might have had a chance with a youthful leading man.Robert Taylor looks an old man at 48 though it does not seem slightly risible to the writers that a romance with a 21 year old Anne Aubrey is somewhat unlikely.Well photographed scenery is about the only bright spot.Assuming it is not stock shots.

It's an hybrid of many things, this - and all set in the not very politically correct scenario of late 19th century colonial Africa. Robert Taylor is "Adamson" - a railway engineer tasked with completing a dangerous stretch of track between Mombasa and Lake Victoria. No mean feat as he must face duplicity from some, slave-trading, locals with vested interests and some hostility from the natives whose land he must cross. Adding to his difficulties, he is engaged by "Jane" (a pretty unremarkable Anne Aubrey) to try to track down her engineer brother - a man charged with the same task earlier, but who has disappeared. It's a solid boy's own adventure story this with plenty of stereotypes of the time peppering a tale that has little jeopardy but just enough action and beasties to sustain it for ninety minutes. The one thing I did struggle with was the curious casting of Anthony Newley as his assistant "Hooky" but otherwise this is just a sort of "King Solomon's Mines" meets "Northwest Frontier" type of film that lauded the pioneering spirit of empire at a time when that's what cinema audiences wanted. It's entirely forgettable fayre, and very much of a time long gone - in just about every fashion.

This British-made safari adventure is yet another outing from Warwick Films (which would eventually evolve into Eon Productions with the James Bond series); although the title itself is meaningless, the plot awfully thin and the budget evidently restrained, the end results are quite pleasant and handsome to look at (despite the panning-and-scanning from the original 'Scope ratio). American Robert Taylor fills in the required "fading Hollywood star" spot for added marquee' value, while fetching redhead Anne Aubrey and amiably clumsy Anthony Newley – both reunited from the same team's THE BANDIT OF ZHOBE (1959; a screening of which, coincidentally, also came about for me on the same day I acquired this one!) are the proverbial young up-and-coming stars. While Taylor is ostensibly a railroad engineer accompanying Aubrey to seek out her long-lost father and fiancée (Allan Cuthbertson) in dangerous Warusha country, there is hardly a train in sight throughout the film but instead as much actual animal footage as their (limited) resources could buy. The cast is rounded-up by a would-be villainous Gregoire Aslan, his spunky son played by our very own John Dimech, (who joins Taylor's expedition and, bizarrely, orders the African porters around in his native Maltese tongue for a while but then swaps for what sounds like gibberish passing for authentic Swahili!), Martin Benson (as a treacherous head porter), Martin Boddey (as a rival German railroad engineer) and, very early on, Donald Pleasence as a ship's captain. It was amusing for me to watch Dimech sharing scenes with Newley and Pleasence since both these two stalwarts would themselves come to Malta – in the late 1960s (controversially) and early 1980s (obscurely, although I did manage to catch a glimpse of him drinking at the bar of a local Band Club) respectively!

Rather than the misleading title, the name on the credits as director of the reliably uninspired Richard Thorpe warns you what to expect from this lacklustre copy of 'King Solomon's Mines' with regular cuts away to travelogue shots of zebras, giraffes, crocodiles and so on.

Poor Earl Cameron is required to wear feathers and bones as a witch doctor. But Anthony Newley's 'funny' Englishman is if anything equally demeaning, and Robert Taylor's condescending treatment of him endears you to neither.