The Miracle

After playing the ultimate teen sexpot in Baby Doll, Carroll Baker plays a young nun who was a foundling. The convent where she is a postulant serves as a medical hospital during the Napoleonic Wars. It's there that Baker starts doubting whether she has the right stuff to be a nun.

Who is giving her second thoughts is young Roger Moore, wounded nephew of the Duke Of Wellington. While he convalesces he also stirs something in Baker about what she's missing on the outside. When Moore leaves to rejoin his regiment, Baker follows.

But The Miracle happens. A statue of the Virgin Mary comes off a pedestal in the nunnery chapel and takes Baker's place. But with the statue gone the country around withers and dies, crops go bad, animals and people go hungry. Still no one knows in the convent that the greatest woman in Catholic history is among them.

As for Baker the rest of the film is episodic at best as she joins the gypsies, specifically Walter Slezak as a come-on for his various enterprises. She's also hard luck to any man who falls for her.

I couldn't quite buy Baker as a Catholic nun still the film is worth a look. Roger Moore when he was young and before James Bond was great at these stalwart hero roles. Gypsy brothers Vittorio Gassman and Carlos Rivas and their mother Katina Paxinou stand out as well as Dennis King as old roué of a nobleman and Gustavo Rojo a matador. All the men fall hard for her.

Someone like Sophia Loren would have been great in the title role. And more convincing than mid-west born and bred Carroll Baker as a Spaniard.

During the war of 1812, a young nun leaves the convent to search for a series of romantic adventures, and during her journey the statue of the virgin Mary descends from the pedestal and takes the young nun's place until her return.

Adapted from a fairly deadening and lunatic play, and tricked out with the old-fashioned Max Reinhardt pageantry; this immensely long and heavy-going amalgam of would-be religious parable and decorative period romance soon becomes numbingly risible and never lets up. A very curious choice for an emergent leading lady obviously, and unsuccessfully, fighting against her freshly established image, while the star supporting players - apparently intended as a balance - suffer from being tediously typecast. None of the actors have much opportunity to display their skills and the direction is below average. Quite a stupefying enterprise, but a sometimes engagingly silly one.

Those who are hard-bitten, unsentimental, hate religious epics, or laugh easily at ultra-romantic plots laced with mysticism, religious omens, and ominous signs (such as a wind that mysteriously comes up, droughts that devastate a land when someone leaves, and thunderstorms that spring up just at the right moment) had better either avoid this film or be prepared for a real howl. Add to this some hammy overacting from the miscast Carroll Baker, who is supposed to be Spanish, of all things.(Natalie Wood, who turned down the role, would have been a far better choice, and Sophia Loren might have been even better). And the young,unwrinkled Roger Moore DID look too pretty for a male actor.

But the basic plot, of the Virgin's statue taking a young nun's place is an old and time-honored legend used before on stage and film, and those who really get into this kind of thing will love it, although the disturbing idea of a heavenly curse which apparently causes death is certainly not in keeping with the Catholic idea of a merciful God. The movie is NOT cheesy, by the way; it is quite elaborately produced, with good photography and a throbbing musical score by "Ten Commandments" and "Magnificent Seven" composer Elmer Bernstein.

This could've been a great great movie. The problem was Carol Baker. While I think she's absolutely beautiful and I liked her in baby doll giant she just wasn't the right person for the role of the nun. I could see Natalie Wood, Pier Angeli, Susan Kohner (Imitation of life), Leslie Caron or Susan Strasberg. My mother saw it on Broadway and said what an absolutely beautiful show years and years and years ago also there was a silent film version that is all handpainted in color . it's supposed to bePantomime and absolutely breathtaking. .

My sister recently asked me if I knew where to find this picture, and coincidentally I had it in my film library, purchased about a year back from Movies Unlimited, a mail-order VHS/DVD house. I decided to revisit it, and to my delight it was everything I remembered it to be when it first came out in my pre-pubescence. This is a saga which begs to be re-made today, but NOT for the big screen, rather for the The Met. It has everything one could possibly ask for in Grand Opera. The beautiful young postulant nun, the dashing British officer, the regiment passing through with little children dancing around them waving flags. The backdrop of the Napoleonic Wars. Gypsies, bullfighters, Flamenco dancing and religious spectacle. What more could you ask for? With a plot as thin as a scrim, the libretto would be a cake walk, which I would LOVE to write. Would any composer care to collaborate? One thing eludes me, in the film, and IMDb has failed to enlighten me: Who is the singing voice of Theresa in the Spanish nightclub scenes? Could it be Victoria de Los Angeles? A fabulous voice. I highly recommend this movie to young and old, mostly female audiences (after all, it is cornier than even "An Affair to Remember"). Enjoy the sheer prettiness of it.