Santa Claus

I saw this film numerous times in the late 60's/early 70's whenever it reared it's head like a reindeer with rabies every November-December as a Saturday matinée kiddie show.It was always stiff competition for THE CHRSTMAS THAT ALMOST WASN'T (oops-can I SAY "Christmas"?), perhaps the greatest,most iconic Christmas-season film of all time.But that's another review.

At the time,I marveled that the on-screen tint of SANTA CLAUS was almost "pink and white", so much had the color of the sprocket-torn prints changed color.

The film is kinda creepy! I thought so then--and still do, actually. I was highly entertained then, as I still am! It's amusing in a "retarted-elf" sort of way. By the way,the image quality looks much better on the DVD I have now than it did in the theater, circa 1969-74.

If you are expecting maybe "the lost RANKIN-BASS Christmas special-forget it! If you want FELLINI DOES Christmas--read on...

By nature, the dubbing on these foreign films (the original version here was in Spanish)always makes them seem "surreal". This adds to the films inherent oddness. It is also pretty scary in that a "mishevious demon" (as described in the original US trailer) spends the entire film trying to turn decent kids "evil". One particularly nightmarish scene has a young "latch-key" boy wishing he had parents for Christmas-suddenly the "port-a-family" emerges out of giant "Christmas presents-of-the-mind" until he realizes he's just daydreaming! See this,Christmas lovers--and if you're a stoner, save your stash--this film will make you think you're hallucinating...without drugs!

Santa Claus (1959)

* (out of 4)

Insane Mexican movie has one of the worst reputations out there but I didn't find it nearly as bad as many would make it. The film has Santa Claus (Jose Elias Moreno) trying to deliver toys on Christmas Eve but he's being interrupted by a Devil but have no fear because Santa is friends with Merlin the Magician. One does need to remember that the figure of Santa is viewed differently from country to country so I think it's a tad bit unfair to criticize this movie just because he doesn't come off under the American tradition. With that said, one would really have to scratch their heads as to why the producers would think that having Santa battle the Devil would make a good holiday movie. You'd also have to wonder why on Earth K. Gordon Murray would want to buy the rights but I guess his investment paid off as this sucker did become a major staple around Christmas time for many years and today even more people are checking it out each year. The movie is certainly insane from start to finish because there's never really any explanation for what's going on. I'm still trying to figure out why Merlin and Santa are friends and why the reindeer's are fake and need to be started by cranking a key. I also have to wonder why they show Santa working out with a weight-reducing machine so that he can fit down a chimney. We also get to see the Devil make children throw some rocks at Santa but I have to admit this was pretty funny. The movie gets off to a pretty weird start as we see children from various countries singing various songs. You can tell these kids weren't actors as most of them are constantly looking around for their direction. This movie has surreal moments, creepy moments, funny moments and some rather smart moments (the magic key) and this is what makes this movie so watchable even though the production is quite horrid.

When I was a little kid, I was in the habit of seeing every movie I could get my hands on. I don't remember how, but somehow I ended up with a VHS copy of this movie, and thought it the most bizarre thing I'd seen in all of my six years. Back then, I had no taste for strangeness, so I found it boring and put it aside and didn't think of it again for many years.

Flash forward twenty years. I'm a big fan of MST3K, and a lover of many so-called "bad movies". Cinematic weirdness is my way of life. So I decided to give this one a shot again. It's strange how I can see how I've evolved, in comparing my reactions during the two periods in which I was familiar with this film.

All of the highlights of the film involve the demon Pitch, sent to Earth to...seemingly do little more than frustrate Santa Claus slightly. Or at least that's what he's competent enough to do in the film. You'd think Satan would have more reliable deputies. He manages to turn three little boys against Santa, and plays some strange pranks on him, all while prancing around the sets to goofball music in a way that was probably meant to be mildly funny for children, but turns out to be unintentionally hilarious for adult bad movie buffs like me.

This is really only a "bad" movie if you choose to take it seriously. There is a strange ridiculousness to it that is unlike anything I've ever seen in a movie that will leave "normal" audiences in the 21st century befuddled, while leaving those of us with a taste for the bizarre in hysterics. So if you go into it looking for a typical, moralistic children's Christmas movie, you will likely be scratching your head and saying "huh?", but if you like your Christmas movies with a side order of weird, you won't be disappointed.

How to explain the unusual 1959 feature from Mexico, wherein the Merriest Man on the Planet teams up with Merlin the Magician to defend the magic of Christmas against Ol' Sparky, a/k/a the Devil --- or, to be more accurate, his agent Pitch?

Well, for some reason, this film has its share of defenders. Recently, the website www.kgordonmurray.com was developed just for them, paying tribute as it does to the Miami-based entrepreneur who somehow acquired the U.S. rights to this strangely bizarre Santa Claus film from its Mexican-based producers. One would surmise that the all-Mexican cast and crew wanted to stress all the tenets associated with Mexico's perceptions of good versus evil; God (personified here by Santa) versus Satan (or, as the English-language version calls him, Lucifer, King of Hades), again in the person of Pitch --- Well, really, the whole thing was put together by people who simply had no clue as to Santa's primary concepts!

Adding Merlin the Magician (direct from King Arthur's Court) and giving him a special place in Santa's heavenly castle might have worked wonders for the screenwriters, but purists of Camelot and its ilk will certainly ask what in thunder Merlin's doing in a movie about Santa Claus. And what is all this business with magical flowers, and even magic cocktails anyway? The idea of getting drunk to be with the ones you love sounds a bit twisted in my book --- but, as they say, to each his own.

Then we turn to Lupita, the little girl who seems obsessed with being good. OK, it's good to want to be good, but even behaving positively can at times be taken to extremes, as we obviously see here. Pitch makes every effort to seduce her into doing bad things, but at this point it becomes clear that she will not be moved. One has to wonder why. Lucifer has, after all, threatened Pitch that if he fails in his mission against St. Nick, he'll be fed chocolate ice cream (which is fun, but it doesn't exactly classify as a so-called 'punishment'.

Look, the bottom lime here is that this silly film is a laugh riot. How we giggle and guffaw at this film each time we view it is beyond analysis. Just enjoy the darn movie, and laugh yourself a merry (albeit bizarre) little Christmas. Now.

Every once and again, a producer takes a simple, appealing little idea and runs amok with it. The middle-1970s were largely the official stumbling block for "childrens movies" designed to offer gentle, non-hip entertainment. Now, even Disney-produced films can have touches of low humor and things that parents of the 1950s would take exception to.

However, in 1959, there was still time for an unsophisticated storyline. The best years of Rankin-Bass lay ahead, and -- down in Mexico -- work was being completed on a slightly outre' Christmas film.

SANTA CLAUS emerges in the 1990s as a "party film," simply on the merits of some of the more bizarre elements, which include the fabled Jolly Old Elf spying on unaware children with a sophisticated, wiggly telescope eye, a minor demon tormenting Santa with a toy missile launcher, and far more elfin magic than is good for you.

In his castle (literally) in the clouds, Santa and a gaggle of "typical" children (a Mexican boy, a somewhat Germanic girl and an all-American cowboy Norte Americano) are busily getting the good on the unwary children of the world. In spite of a minor flaw with his mobile spy eye, Santo deftly homes in on a little girl who has no means to get that doll she's been wanting.

You realize, of course, that she'll get it...

In the meantime, down in suburban Heck, the devil sends wicked, somewhat able Pitch to Earth to stonewall Santa's Christmas dealings. Pitch is essentially warned that he'd better not screw this job up. At this point, I think we all see where all this is heading.

Santo arrives on Earth in a vaguely sci-fi sleigh. He bedevils a couple of nasty boys who heckle the waif, and we see her tormented with guilt as Pitch tries to engineer her stealing of a doll.

Of course, she instinctively does the right thing, which leaves Pitch at loose ends. Having been a wee bit short of the task of corrupting a 5 year-old child, he turns on Santa. There follow a few extremely humiliating scenes of the demon trying to do something significant.

Santa wins, Pitch loses.

How do you analyze a film like this? It plays exclusively on a "feel good" emotional level, with no sophistication in plot or execution. For the very young, it will probably play well (a public domain video version was market in the U.S. some years ago). For the older viewers, I'd suggest the Mystery Science Theater 3000 version, which mercilessly homes in on each and every bizarre or particularly weak point.