Three men attempt a prison break, but their plan derails when their boat falters near an island, where the caretaker recognizes the convict. A hostage situation erupts, leading to a tense st... Read allThree men attempt a prison break, but their plan derails when their boat falters near an island, where the caretaker recognizes the convict. A hostage situation erupts, leading to a tense standoff with authorities.Three men attempt a prison break, but their plan derails when their boat falters near an island, where the caretaker recognizes the convict. A hostage situation erupts, leading to a tense standoff with authorities.
- Nominated for 1 BAFTA Award
- 2 nominations total
Carlo Giustini
- Luke
- (as Carlo Justini)
Kenneth J. Warren
- Police Commissioner
- (as Kenneth Warren)
Deryck Barnes
- Sergeant Drake
- (as Derek Barnes)
Ewan MacDuff
- Naval Captain
- (as Ewan Macduff)
Fredric Abbott
- Constable
- (as Fred Abbott)
Peter Bathurst
- Attorney General
- (uncredited)
Featured reviews
As a keen Australian movie fan, I have to admit I'd never heard of this British production largely filmed on location in Sydney, Australia during the late 1950's. The Australian input into the movie is minimal, restricted to the mainly harbour-side locations and a couple of supporting actors and extras, but conveniently, director Harry Watt had had previous experience of filming in Australia and it shows.
The Australian accents for instance, as performed by the British cast members are spot on, with American import, Aldo Ray, being the exception to the rule. He clearly plays an Australian character (not American as other reviewers allege) and yes, there's never any explanation, as to why he has a different accent from his brother, who when the film starts, has apparently master-minded his escape from a train (which we never see) with the aid of 2 other gang members.
Though critically regarded at the time, TSOP was never a commercial success, perhaps explaining why it has been so forgotten, also unfortunately heralding the arguably premature end of Watt's movie career. However in recent times through the influence of figures such as Quentin Tarantino, it has undergone a further critical re-appraisal, which serves to highlight many positive aspects of this much under-rated film.
One can easily see why Tarantino's interest was piqued. Twists abound from the start, with these gentlemanly crooks, being forced to divert from their escape plans and take an injured man to hospital, in a prologue which is both humorous and suspenseful.
The gang quickly gain our sympathies, when we soon realise all they are intent on, even whilst relatively gently taking hostages, is escape. Contrasting with this are their police pursuers, who are shown to be at the very least, extremely hard-nosed in their intent and seemingly not all that concerned about the hostages' welfare. It all makes for some clever reversals of your typical crime caper tropes.
Again I take issue with some of the other reviewers, when stating that the narrative plays out in a generally realistic, believable fashion. There is a Fort Dennison (Pinchgut) in the middle of Sydney Harbour, which may well have seen daily tourist tours of the facilities. It's not far-fetched to think a workable cannon existed there since the Korean War and gang members may also have had naval service during World War 2. It all adds up, including leader Matt's gradual mental disintegration.
Watt makes great use of iconic landmarks such as The Sydney Harbour Bridge and the unbuilt Sydney Opera House even gets a nascent, indirect mention via the medium of early Australian television and yes, there was a TCN Ch 9 in Sydney at the time.
The Siege of Pinchgut, whilst no classic, is indisputably an unexpected surprise from 60 years ago and I can well understand it being restored and archived by the The National Film and Sound Archive of Australia.
The Australian accents for instance, as performed by the British cast members are spot on, with American import, Aldo Ray, being the exception to the rule. He clearly plays an Australian character (not American as other reviewers allege) and yes, there's never any explanation, as to why he has a different accent from his brother, who when the film starts, has apparently master-minded his escape from a train (which we never see) with the aid of 2 other gang members.
Though critically regarded at the time, TSOP was never a commercial success, perhaps explaining why it has been so forgotten, also unfortunately heralding the arguably premature end of Watt's movie career. However in recent times through the influence of figures such as Quentin Tarantino, it has undergone a further critical re-appraisal, which serves to highlight many positive aspects of this much under-rated film.
One can easily see why Tarantino's interest was piqued. Twists abound from the start, with these gentlemanly crooks, being forced to divert from their escape plans and take an injured man to hospital, in a prologue which is both humorous and suspenseful.
The gang quickly gain our sympathies, when we soon realise all they are intent on, even whilst relatively gently taking hostages, is escape. Contrasting with this are their police pursuers, who are shown to be at the very least, extremely hard-nosed in their intent and seemingly not all that concerned about the hostages' welfare. It all makes for some clever reversals of your typical crime caper tropes.
Again I take issue with some of the other reviewers, when stating that the narrative plays out in a generally realistic, believable fashion. There is a Fort Dennison (Pinchgut) in the middle of Sydney Harbour, which may well have seen daily tourist tours of the facilities. It's not far-fetched to think a workable cannon existed there since the Korean War and gang members may also have had naval service during World War 2. It all adds up, including leader Matt's gradual mental disintegration.
Watt makes great use of iconic landmarks such as The Sydney Harbour Bridge and the unbuilt Sydney Opera House even gets a nascent, indirect mention via the medium of early Australian television and yes, there was a TCN Ch 9 in Sydney at the time.
The Siege of Pinchgut, whilst no classic, is indisputably an unexpected surprise from 60 years ago and I can well understand it being restored and archived by the The National Film and Sound Archive of Australia.
"London Live" a U.k. t.v. channel is currently showing Ealing films daily from 2 p.m. Monday-Friday.I managed to see this film which was new to me despite having seen many films especially produced by Ealing.No it is not one of their comedies but is in the serious gangster genre set on location in Sydney, Australia.Other reviewers have outlined the plot so I won't repeat it.The only British actors I could identify were 1.Richard Vernon 2. Heather Sears. 3.Victor Maddern and U.S. actor Aldo Ray, the latter because he acted in some UK TV programmes.
American actors have great trouble with Australian accents.At first, as I missed the beginning, it was not clear why American robbers were in Australia.Were they supposed to be playing Aussies?This is one of the few Australian films to be shown on U.K. t.v.as we are more familiar with their "soaps" on t.v. e.g. "Home & Away" & "Neighbours".As this film was produced in 1959 the moral code was still in force so I knew the wanted men would get caught or receive their comeuppance.Watchable I gave it 6/10.
American actors have great trouble with Australian accents.At first, as I missed the beginning, it was not clear why American robbers were in Australia.Were they supposed to be playing Aussies?This is one of the few Australian films to be shown on U.K. t.v.as we are more familiar with their "soaps" on t.v. e.g. "Home & Away" & "Neighbours".As this film was produced in 1959 the moral code was still in force so I knew the wanted men would get caught or receive their comeuppance.Watchable I gave it 6/10.
Three men break a convicted criminal out of jail. Their escape plan falters when their boat breaks down off Fort Dennison - "Pinchgut " - an island in Sydney Harbour. The caretaker of the island recognises the felon and the game is up. The four hold the caretaker and his family hostage, resulting in a deadly standoff with police.
An interesting enough hostage drama. The initial setup is well done, with the ambulance and hospital scenes being particularly exciting. The climax of the film is also quite exciting.
However, the middle section, the back-and-forth between the gang and the police, is a bit of a drag at times. The lack of character engagement here is quite telling as, while you're initially made to think that the felon was wrongfully convicted and is in the right, his actions throughout the film are hardly endearing. The police largely act quite professionally (with one glaring exception) so are not the villains of the piece. Still, it's hard to pick a side, especially as there are some good elements within the gang.
One major positive is the views, as we get some great shots of Sydney Harbour (pre-Opera House), including of the Harbour Bridge and from the Harbour Bridge. The Sydney Harbour views are, for me, the highlights of the film.
An interesting enough hostage drama. The initial setup is well done, with the ambulance and hospital scenes being particularly exciting. The climax of the film is also quite exciting.
However, the middle section, the back-and-forth between the gang and the police, is a bit of a drag at times. The lack of character engagement here is quite telling as, while you're initially made to think that the felon was wrongfully convicted and is in the right, his actions throughout the film are hardly endearing. The police largely act quite professionally (with one glaring exception) so are not the villains of the piece. Still, it's hard to pick a side, especially as there are some good elements within the gang.
One major positive is the views, as we get some great shots of Sydney Harbour (pre-Opera House), including of the Harbour Bridge and from the Harbour Bridge. The Sydney Harbour views are, for me, the highlights of the film.
If this was filmed in the us I would give it only 6, but as an Australian it give a fascinating insight into Sydney in the 50s. The story line is not the greatest and would pass if not filmed here.
The movie "Four Desperate Men" or "The Siege Of Pinchgut" while B grade and enjoyable has some great Sydney Locations.
I have worked and still am currently employed by TCN Channel 9. I started in 1979 about twenty years after the making of the movie.
41 years later working for Nine at Media Hub and this is my first viewing of the movie.
TCN 9 went on air on September 16th 1956 (The first television station in Australia to go on-air) and the first OB Van (Outside Broadcast Van) which is featured for a brief moment in the movie. The OB Van was used mainly used for transmission of Horse Racing remotes.
I have worked and still am currently employed by TCN Channel 9. I started in 1979 about twenty years after the making of the movie.
41 years later working for Nine at Media Hub and this is my first viewing of the movie.
TCN 9 went on air on September 16th 1956 (The first television station in Australia to go on-air) and the first OB Van (Outside Broadcast Van) which is featured for a brief moment in the movie. The OB Van was used mainly used for transmission of Horse Racing remotes.
Did you know
- TriviaCarlo Giustini was dubbed by the distinctive voice of Robert Rietty.
- GoofsWhen Aldo Ray gets shot with the machine gun, there are no bullet wounds on his body. He just grabs his stomach and falls.
- Quotes
Superintendent Hanna: You know as well as I do that it's suicide to underestimate a man when he's desperate.
- ConnectionsFeatured in First on the Last (2020)
Details
- Runtime
- 1h 40m(100 min)
- Color
- Aspect ratio
- 1.66 : 1
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