Four Desperate Men

Three men break a convicted criminal out of jail. Their escape plan falters when their boat breaks down off Fort Dennison - "Pinchgut " - an island in Sydney Harbour. The caretaker of the island recognises the felon and the game is up. The four hold the caretaker and his family hostage, resulting in a deadly standoff with police.

An interesting enough hostage drama. The initial setup is well done, with the ambulance and hospital scenes being particularly exciting. The climax of the film is also quite exciting.

However, the middle section, the back-and-forth between the gang and the police, is a bit of a drag at times. The lack of character engagement here is quite telling as, while you're initially made to think that the felon was wrongfully convicted and is in the right, his actions throughout the film are hardly endearing. The police largely act quite professionally (with one glaring exception) so are not the villains of the piece. Still, it's hard to pick a side, especially as there are some good elements within the gang.

One major positive is the views, as we get some great shots of Sydney Harbour (pre-Opera House), including of the Harbour Bridge and from the Harbour Bridge. The Sydney Harbour views are, for me, the highlights of the film.

"London Live" a U.k. t.v. channel is currently showing Ealing films daily from 2 p.m. Monday-Friday.I managed to see this film which was new to me despite having seen many films especially produced by Ealing.No it is not one of their comedies but is in the serious gangster genre set on location in Sydney, Australia.Other reviewers have outlined the plot so I won't repeat it.The only British actors I could identify were 1.Richard Vernon 2. Heather Sears. 3.Victor Maddern and U.S. actor Aldo Ray, the latter because he acted in some UK TV programmes.

American actors have great trouble with Australian accents.At first, as I missed the beginning, it was not clear why American robbers were in Australia.Were they supposed to be playing Aussies?This is one of the few Australian films to be shown on U.K. t.v.as we are more familiar with their "soaps" on t.v. e.g. "Home & Away" & "Neighbours".As this film was produced in 1959 the moral code was still in force so I knew the wanted men would get caught or receive their comeuppance.Watchable I gave it 6/10.

One of the previous reviewers stated erroneously that Ealing only lasted 20 years.That is completely wrong.A studio has been on the present site for around 100 years.In 1930 a company was formed called Associated Talking Pictures headed by Basil Dean.This made films for release by Radio Pictures.Trouble was Radio wanted them as supports for their American imports whereas Dean wanted them for top of the bill.So they split from Radio.Dean was ousted in 1938 because he liked to use his wife,Victoria Hopper,in colossal flops such as "Whom The Gods Love".It was at this point that Balcon,who had left MGM British became head of the studios,the name changed to Ealing and it became world famous.However by 1955 various problems beset Balcon and he had no option but to sell the studios,where films are made to this day.Balcon had a distribution deal with MGM and rented space at their Boreham Wood studios,where the likes of "Davy" and "Dunkirk" were made.However MGM was in turmoil and Balcon left for ABPC who distributed this film.However films had moved on since his heyday and so the company was disbanded at the end of the year.It is actually a rather good film,even if Aldo Ray is less than convincing as an Aussie.It is an entertaining film and a fine testament to Ealing and Balcon.

The last film produced by Ealing Studios is a disappointing tale in which four men led by escaped prisoner Aldo Ray hold a family hostage on a tiny island off Sydney Harbour called Pinchgut with the intention of having his case reviewed. There might have been some mileage in exploring the desperation of an innocent man going to such desperate lengths, but writer-director Harry Watt shows little interest in delving too deeply into the matter. The film is almost completely devoid of tension as it lumbers clumsily towards a predictable conclusion.

If this was filmed in the us I would give it only 6, but as an Australian it give a fascinating insight into Sydney in the 50s. The story line is not the greatest and would pass if not filmed here.