The Rabbit Trap

Adapted from a '50s TV drama, this United Artists release stars Ernest Borgnine, at the height of his Everyman abilities, as a family man torn between home and work responsibilities. His boss (David Brian, good) is a slave driver who knows how to exploit his cooperativeness, and his wife (Bethel Leslie, also good) keeps talking sense to him, knowing he's disinclined to listen. When he's called back to work prematurely from vacation and forgets to dismantle the rabbit trap he and his young son set up, the son worries about the suffering rabbit and tries to travel back to the lake on his own. Yes, the movie's really that small. There's a subplot about a va-va-voom but nice secretary who's having an affair with the boss and feels guilty about it, and there's a happy ending that really isn't very happy. And there's annoying, TV-sounding music throughout, and some dull shots of L.A. and environs in 1958. It's well intentioned and reasonably well executed, but also prosaic and up to its neck in the Everyday Problems of Normal People. That's generally not a recipe for exciting cinema.

Ernest Borginine superb acting is on display here, playing an average joe far removed from his usual sadistic heavies or his broad comic McHale's Navy character.

The story completely misses the point that in forgetting the rabbit trap, it is Eddie who has the problem and wants to make it his bosses problem.

Private companies are not like governments. They are not in business to provide jobs for people and they are not run by bosses who enjoy making life miserable for their employees. Unlike government departments, they have competitors and if they don't do it better and or cheaper, they lose market share and eventually go out of business. Despite popular belief going back to Charles Dickens, a company boss/owner only cares about the bottom line not out of evil, but because the bottom line dictates whether or not the entire company survives.

Lets see it from a different angle. What if it was the boss who'd forgotten the rabbit trap and decided to take time off his job to go back for it. What if as a result a crucial decision was not made and the company went out of business? Should the entire company suffer for the bosses personal problems? What if Eddie was your brain surgeon. Would it be OK with you if he got someone else to fill in for him or delayed your surgery to go back for a rabbit trap that he forgot?

I saw this movie decades ago but, like Little Kidnappers, it made it big impression. Leacock was an affecting film director with a distinguished early career and I don't understand why so much of his later work was as a journeyman on television shows. I hope he was well paid.

Ernest Borgnine is excellent as a husband and father whose long-awaited camping vacation with his family is cut short after his boss orders his return to the office; Borgnine's little boy is upset they left a rabbit trap behind, and is angry with his father for not caring about the potential death of an animal versus the demands of his job. Screenwriter J.P. Miller, adapting his 1955 teleplay, broadcast as part of the Goodyear Playhouse, is a bit too obvious drawing out the parallels between the man's position at work and the caged rabbit; but, even as the symbolism is beaten to a pulp, the star's performance carries the material. This project was clearly meant to get Borgnine back on "Marty" territory; while "The Rabbit Trap" isn't nearly as rich in personality as that film, it certainly has its heart in the right place, and Borgnine's confrontation scene with his hard-nosed boss is pretty powerful. ** from ****

While everyone else seems rudderless and flip-floppy, David Brian is unbeatable as a driven businessman with a complex compassionate side but who also knows his boundaries. worth a watch just to see how he handles his role.

6.5