The Rabbit Trap

It's hard to imagine, but in this film Ernest Borgnine plays a milquetoast who lets his boss walk all over him. Eddie Colt (Borgnine) hasn't had a vacation in years and the day he and his family finally arrive at a vacation rental, the boss (David Brian) orders him to return to work immediately, as there is an emergency and he's needed. Well, there is no emergency but Eddie disappoints his family and puts up with this thoughtless behavior.

There is a problem. Just after arriving at the vacation spot, Eddie took his young son through the woods and laid a trap to catch a rabbit. They have no intention of killing or harming the animal and plan to let it go....but with the big hurry to get out of town, they forgot about the trap....and the little boy is devastated. What will happen to any bunny that gets stuck inside....surely it will die!

While the title and plot might make it sound like a cute film about kids, it's really more of a light drama about a man who just doesn't appreciate what's really important in life. It also gives Borgnine one of his best roles, as like his Oscar-winning performance in "Marty", here he excels at playing a real guy...with an incredibly natural performance. Exceptional despite the title!

While everyone else seems rudderless and flip-floppy, David Brian is unbeatable as a driven businessman with a complex compassionate side but who also knows his boundaries. worth a watch just to see how he handles his role.

6.5

I normally only write reviews for the very top 5% or the bottom 5%, movies so far outside the average stuff, that I feel compelled to write. My compulsion here, come from my reaction to another review. To wit,

"The story completely misses the point that in forgetting the rabbit trap, it is Eddie who has the problem and wants to make it his bosses problem. Private companies are not like governments. They are not in business to provide jobs for people and they are not run by bosses who enjoy making life miserable for their employees. Unlike government departments, they have competitors and if they don't do it better and or cheaper, they lose market share and eventually go out of business. "

Wow. Where to start. Sure the sons point of view is simplistic, failing to see the company's profit and loss structure, but is an individual caring about the possible suffering of one of gods creatures all that insignificant? For all the fathers exposing children to hunting, decking them out in size 3 or 4 cameo's, and doing all but buying them child sized shotguns so they can get a jump on their killing odyssey, wouldn't the world be a bit nicer, a slightly better balance if more fathers would skip a day at work, just in case their child might have positioned a small animal for an awful death?

in my life, between being a combat medic, then a special forces medical instructor, and finally med school, internship and residency, I've seen a great deal of cruelty. Perhaps its why I see a need for more compassion, kindness and awareness of suffering of both humans and animals.

Adapted from a '50s TV drama, this United Artists release stars Ernest Borgnine, at the height of his Everyman abilities, as a family man torn between home and work responsibilities. His boss (David Brian, good) is a slave driver who knows how to exploit his cooperativeness, and his wife (Bethel Leslie, also good) keeps talking sense to him, knowing he's disinclined to listen. When he's called back to work prematurely from vacation and forgets to dismantle the rabbit trap he and his young son set up, the son worries about the suffering rabbit and tries to travel back to the lake on his own. Yes, the movie's really that small. There's a subplot about a va-va-voom but nice secretary who's having an affair with the boss and feels guilty about it, and there's a happy ending that really isn't very happy. And there's annoying, TV-sounding music throughout, and some dull shots of L.A. and environs in 1958. It's well intentioned and reasonably well executed, but also prosaic and up to its neck in the Everyday Problems of Normal People. That's generally not a recipe for exciting cinema.

A family that just has started their vacation, must return home because the father (Ernest Borgnine) is required by his boss. When they arrive, realize that they forgotten a harmless rabbit trap ready. Because of the insistence of his son, he try to convince his boss to let him go to the vacation spot to check whether any rabbit has been caught, and so release him from a slow death agony. He must choose between his job, or give a good example of compassion and love to all creatures to his son. The Ernest Borgnine acting is at his best. I love this film.