SOS Pacific

SOS PACIFIC is a relatively low budget adventure film that takes place in the Pacific but was actually filmed in the Canary Islands. After a rather lengthy and complex set up, the viewer is introduced to a disparate group of characters whose light aircraft ditches in the sea leaving them in a battle for survival against the odds.

This is a film that's enlivened by a decent cast and an anything-goes plot which keeps twisting and turning all over the place. At first it feels like your usual crime thriller with smugglers, cops, and traitors thrown into the mix, and then it becomes your typical disaster film with survivors of a plane crash coming together. The final plot I won't spoil, but I wasn't expecting it and it's handled very well with a maximum of tension.

The film's protagonist is none other than the likable Eddie Constantine (The Long Good Friday), immensely charismatic throughout. Richard Attenborough has a really delicious part as a small-time crook and low life and he runs away with the mannerisms of his character. Pier Angeli and Eva Bartok supply the glamour, John Gregson is the pilot, and Hammer actor Clifford Evans the detective. None of them put a foot wrong. Director Guy Green had an interesting run of films ranging from the Hammer thriller THE SNORKEL to the Attenborough classic THE ANGRY SILENCE, and this is certainly a feather in his cap. The copy I saw on the Talking Pictures TV channel was badly colourised, and I think the black and white version would have been more effective.

This is a very under-rated film which sets off at a good pace, and gathers momentum as the story progresses. As suspense thrillers go, it's hard to beat, and is helped in no small way by terrific playing from a top class ensemble cast. Special mention must go to Richard Attenborough as the oily, sly grass. Attenborough simply oozes slime in the role, and demonstrates yet again what a very fine actor he is. Pier Angeli, Eddie Constantine and John Gregson are all uniformly excellent as well. It's a film that never seems to receive regular airings, which is a pity as it is well worth seeing and is highly recommended. The location scenes are good, and the direction and cinematography are first rate too. The film really is a long lost gem!

SOS Pacific is directed by Guy Green and adapted to screenplay by Robert Westerby from a story by Gilbert Travers Thomas and Bryan Forbes inputs additional dialogue and scenes. It stars Richard Attenborough, Pier Angeli, Eddie Constantine, John Gregson, Eva Bartok, Gunnar Möller, Clifford Evans, Jean Anderson, Harold Kasket and Cec Linder. Music is by Georges Auric and cinematography by Wilkie Cooper.

When a flying boat encounters mid-air troubles it has to emergency land near an island in the Pacific. Apparently uninhabited, the island, as the survivors are soon to find out, has something shocking in store for all.

A little British cracker, SOS Pacific might be out dated now with its big reveal of theme, but it's a perfect example of how to make a tight thriller on a modest budget. It's very much a film of two halves. The first half plays out as a disaster movie, here we are introduced to the folk who will ultimately make up the survivors on the island. It's a roll call of stock formula characters; a tough copper and his cheeky but hero-in-waiting prisoner, a good time girl, the weasel loose cannon who is also an informer, a prim and proper lady, a German physicist, the stoic and beautiful stewardess and the pilot with a drink problem! Familiar characters to a degree, but well blended and fleshed out by the astute Guy Green (A Patch of Blue) who deftly piles tension on top of tension with each passage of story.

After the back stories involve us we then get the mid-air dramatics and the surprise that's awaiting us all on the island. Once there the characters shift in tone, they have to for various reasons, and then we are treated to heroics, suspicions, sacrifices, fights, hysteria and a thrilling "ticking clock" type finale. Wilkie Cooper's (I See A Dark Stranger/Green For Danger) black and white photography accentuates the sweaty atmospheric mood, and Auric (The Innocents) scores it in 2 x 2 thriller/drama fashion. Cast performances are uniformly good, with the stand outs being Constantine who makes for a good Bondian type alpha male, Attenborough a telling slime-ball and the gorgeous Angeli as the pivotal lady of the piece.

Some of the dialogue is twee and the model work is not high grade stuff, while unlikely coincidences are evident throughout, but this is definitely worth seeking out by anyone interested in tight and taut British thrillers. 7.5/10

I most certainly agree with the reviewer who awarded the film a "10". It does, indeed, well deserve it.

It is one of the most underrated pictures around with good, strong performances, very taut direction by Guy Green, excellent photography by Wilkie Cooper and interesting locations in the Canary Islands. Also worthy of note is the music score which was by the great French composer, Georges Auric.

Just as good, of course, is the story. I wont, of course, give away its great plot but just simply advise people to see it whenever it turns up. I envy the person who bought it on ebay! I, too, hope he enjoys it. It's a must-see thriller of the first order.

Richard Attenborough is the big-name star of "SOS Pacific," and got the top billing for the film. And, which his character is particularly important for the plot, his role is about fourth or fifth in screen time. The main character and "hero" of this film is Mark Reisner, played by Eddie Constantine. And the female lead is Pier Angeli as Teresa.

This is an interesting film set somewhere in the Pacific Ocean but away from the Southern vacation and tourism islands. It's an interesting plot, and the only film I can think of that was made that had an aspect of the nuclear tests in the ocean. That's the best part of the film that take a considerable time to get to that point. But the buildup is necessary to give the audience the background on the characters. Unfortunately, that also seems quite slow after a while, and the early part doesn't have the better acting.

To say more about the plot would be to dampen the effect and enjoyment of this movie. It's worth seeing.