Lieutenant Hemp Brown's army payroll wagon is robbed by ex-sergeant Jed Givens' gang, forcing Brown to search for the culprits after he is deemed a coward by the court martial.Lieutenant Hemp Brown's army payroll wagon is robbed by ex-sergeant Jed Givens' gang, forcing Brown to search for the culprits after he is deemed a coward by the court martial.Lieutenant Hemp Brown's army payroll wagon is robbed by ex-sergeant Jed Givens' gang, forcing Brown to search for the culprits after he is deemed a coward by the court martial.
- Director
- Writers
- Stars
George American Horse
- Townsman
- (uncredited)
Emile Avery
- Gang Member
- (uncredited)
Walter Bacon
- Townsman
- (uncredited)
Wag Blesing
- Henchman
- (uncredited)
Charles Boaz
- Alf Smedley
- (uncredited)
George Bruggeman
- Townsman
- (uncredited)
Dick Cherney
- Court Clerk
- (uncredited)
Noble 'Kid' Chissell
- Townsman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Lieutenant Rory Calhoun is in charge of making sure the payroll and the wife of the commanding officer gets to the fort. He runs into ex-sergeant John Larch, who robs the payroll. Charges are brought for theft; Larch is believed dead. The only thing the court can make stick is cowardice, which gets him cashiered, of course, and infamy. So he goes in search of Larch to prove his innocence.
There are lots of nice details in this Shaky A western, one of many made by Calhoun in the 1950s. Director Richard Carlson seems particularly good in directing the women, particularly Beverly Garland, the star of a traveling show that succors him. But there's something about this movie that strikes me as odd. It seems to lack any subtext whatsoever, with all of its points lying on the surface, a story that is well told, but has nothing at all to say about anything else.
And it should. The direst B western has something to say about the coming of civilization. This seems to be a story about Calhoun's character and nothing more. Perhaps that's the subtext: things happen, and there's no meaning to them beyond the individuals involved. That's rather nihilistic, isn't it?
There are lots of nice details in this Shaky A western, one of many made by Calhoun in the 1950s. Director Richard Carlson seems particularly good in directing the women, particularly Beverly Garland, the star of a traveling show that succors him. But there's something about this movie that strikes me as odd. It seems to lack any subtext whatsoever, with all of its points lying on the surface, a story that is well told, but has nothing at all to say about anything else.
And it should. The direst B western has something to say about the coming of civilization. This seems to be a story about Calhoun's character and nothing more. Perhaps that's the subtext: things happen, and there's no meaning to them beyond the individuals involved. That's rather nihilistic, isn't it?
A rather decent U-I western from 1958.Rory Calhoun is properly vengeful as the wronged soldier who goes after bad guy John Larch and his gang. Beverly Garland was an interesting actress as she really was not beautiful in the traditional, glamorous girl or pinup way. I note this because she looks really 'hot' in this movie. I wonder if Director Richard Carlson had anything to do with this as he added a strong dose of heated passion in another U-I western that he directed four years prior ('Four Guns To the Border'); also with Calhoun. This is a good western and I don't think that you will be disappointed at all. For fans of Ms. Garland, I strongly recommend, 'Gunslinger' (1956) which is a very early directorial effort from Roger Corman. This is a bizarre western (also with John Ireland) which was completed on a shoestring budget and a one week shooting schedule.
I know Richard Carlson better as an actor than as a director, and I am afraid THE SAGA OF HEMP BROWN does not explain why the thespian of solid performances in BEHIND LOCKED DOORS and THE SOUND OF FURY, for instance, should turn his hand to directing - an occupation at which he seems less gifted.
THE SAGA begins well enough, though Hemp Brown - anything to do with hemp, the drug? Nah, back in the 1850s they had never heard of it yet - begins his long list of stupid mistakes that allow Jed Givens (well played by John Larch) to turn the situation to his favor some three times during the flick.
So, believability is not THE SAGA's strongest asset - far from it, in fact - which reflects a poor screenplay by Bob Williams and Bernard Girard.
Cinematography by Philip Lathrop rates pedestrian at best, though occasionally you see some nice mountains in the background. Editing by Martinelli looks amateurish in the fisticuff sequences, where actors clearly avoid hurting each other.
Acting never rises above standard, though Beverly Garland is gorgeous, with a terrific pair of legs to boot.
Passable time waster oater. 6/10.
THE SAGA begins well enough, though Hemp Brown - anything to do with hemp, the drug? Nah, back in the 1850s they had never heard of it yet - begins his long list of stupid mistakes that allow Jed Givens (well played by John Larch) to turn the situation to his favor some three times during the flick.
So, believability is not THE SAGA's strongest asset - far from it, in fact - which reflects a poor screenplay by Bob Williams and Bernard Girard.
Cinematography by Philip Lathrop rates pedestrian at best, though occasionally you see some nice mountains in the background. Editing by Martinelli looks amateurish in the fisticuff sequences, where actors clearly avoid hurting each other.
Acting never rises above standard, though Beverly Garland is gorgeous, with a terrific pair of legs to boot.
Passable time waster oater. 6/10.
After a botched robbery, an ex-cavalry lieutenant struggles to regain his good name by catching the real robber.
The first part—the robbery and the cashiering—made me think this would be a superior western. But then Brown (Calhoun) meets up with Mona (Garland) who falls for him immediately Hollywood style, and it's murky time from there on, especially when it's trying to figure out who's on what side and why. One thing about these Universal oaters of the 50's—they're always well photographed in Technicolor. So when the story flounders, as it does here, there's still lots to look at. I'm just sorry that two of the best B-actors of the period, Garland and Larch, don't get to do more. I was looking forward to Garland's hoochie-koochie before she wrapped herself in a cloak. Anyhow, if you can figure out the latter part of the plot-line, you might enjoy this otherwise routine oater.
The first part—the robbery and the cashiering—made me think this would be a superior western. But then Brown (Calhoun) meets up with Mona (Garland) who falls for him immediately Hollywood style, and it's murky time from there on, especially when it's trying to figure out who's on what side and why. One thing about these Universal oaters of the 50's—they're always well photographed in Technicolor. So when the story flounders, as it does here, there's still lots to look at. I'm just sorry that two of the best B-actors of the period, Garland and Larch, don't get to do more. I was looking forward to Garland's hoochie-koochie before she wrapped herself in a cloak. Anyhow, if you can figure out the latter part of the plot-line, you might enjoy this otherwise routine oater.
Can there have been any male actor in Hollywood to rival the handsome face of Rory Calhoun in his hey day in this film? Bland it may be, hackneyed plot, lack of reality but what the film may lose in greatness, it makes up for with Rory Calhoun's fine acting and general superb handsomeness.
I thoroughly enjoyed the film which shows Rory being dismissed for cowardice and after quite a few adventures and fights he is able to regain his reputation, win the girl, AND get paid for being a handsome fine actor.
Sorry chaps, this guy was GORGEOUS!
I thoroughly enjoyed the film which shows Rory being dismissed for cowardice and after quite a few adventures and fights he is able to regain his reputation, win the girl, AND get paid for being a handsome fine actor.
Sorry chaps, this guy was GORGEOUS!
Did you know
- ConnectionsReferenced in Svengoolie: The Undead (2021)
Details
- Release date
- Country of origin
- Language
- Also known as
- Justicia y honor
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 20m(80 min)
- Aspect ratio
- 2.35 : 1
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