Playgirl After Dark

My first film with Jayne Mansfield, a copy of Marilyn Monroe but not so charming as the original. In this one, Jayne is not bad, she moves well, she sings well enough, with the acting there is a small problem. Marilyn was a much better actress and much more beautiful. And what great body had Marilyn, Jayne is a lot too big, too much in all: thighs, bust, ass, lips, etc. Unfortunately, both of them with a similar destiny and a very sad final. Leo Genn is very good as Johnny Solo. Good role by Christopher Lee. Karlheinz Böhm is from another film, totally inappropriate and insipid. There is also a very young Barbara Windsor in it and a guy called Ian Fleming, but it's not the famous father of James Bond. But, Mr.Terence Young, the director, after this film, he had to screen three novels from the famous Ian Fleming: "Dr. No", "From Russia with Love", "Thunderball", the first three of the series and, in my opinion, the best.

A perfect example of a film whose sum is far less than its parts, "Too Hot to Handle" (1960) proved to be a real letdown for me. On paper, the film would seem to have a lot going for it: Jayne Mansfield playing a stripper in a seedy London club; a moustachioed Christopher Lee as the club's manager, who is plotting against the owner/boss (Leo Genn) with the rival strip club owner across the street; Carl Boehm (so memorable in that same year's "Peeping Tom") as a French reporter doing a story on the club; AND direction by Terence Young, who in the next five years would go on to helm three out of the first four Bond films. Unfortunately, it doesn't work, although the multiple plot threads (rival strip joints, Jayne's infatuation with her boss, an underage dancer) keep things spinning along. Jayne does get to perform two sexy and amusing musical numbers, and acts decently enough, but even her assets aren't enough to float this picture. (In truth, she looks pretty matronly during most of the film.) Part of the problem, for me, is the level of tawdry sleaziness on display, with repeated shots of Brit businessmen ogling at the dancers, who have only stripped down to their skivvies. (No nudity at this club, it seems.) Worse for me was the quality of the DVD itself that I just watched. It would seem that the source for this DVD was a crummy 16mm print, and with lousy sound. Heavy British accents PLUS lousy sound make for an exasperating and difficult cinematic experience. (Potential viewers should also be aware that, despite the Maltin book's claim that this is a color film, it is in truth black & white.) Perhaps if the DVD had looked and sounded a bit better, I might have enjoyed the film more, sleazy and cheesy as it is. But I still wouldn't have thought it was, um, too hot.

Low budget but decent crime drama. Jayne, approaching the end of her brief heyday, is pretty good as the sort of den mother to a group of strippers, she even performs a few mediocre numbers. This really shows how the vision of the desirable female form has changed over the years. Nowadays the lithe hard body look is the goal but Jayne is anything but that, very curvy and quite plump she is harshly lit as is the film but even with that at times she looks stunning. The plot takes a while to get going and really isn't focused sharply enough to make the film as involving as it should be but Leo Genn is good in the lead and he and Jayne hold your interest whenever they are on screen.

After the Hollywood successes of 'The Girl Can't Help It' and 'Will Success Spoil Rock Hunter', 20th Century Fox were at a loss as to what to do with the outlandish personality of Jayne Mansfield. So, as a way of making some quick cash out of their star without having to put her in a picture, they often loaned her out for cheapo European productions such as this B-movie pot-boiler filmed in England.

However, the finished results are surprisingly good. Jayne Mansfield puts in an incredibly accomplished turn as jaded stripper Midnight Franklin. Jayne acts so well in this movie - she really gives a great impression of someone who can turn on the sexy, sleazy charm of a showgirl on stage whilst being disillusioned and fearful behind the scenes. Her pep-talk to a young Barbara Windsor is quite rightly often highlighted as the high-point of Jayne's dramatic career.

The story is at times a little muddled but is well acted by a solid supporting cast including Christopher Lee, Leo Genn and Karl Bohm and is presented in a seedy, gritty manner befitting the film's seedy setting of London strip joints. The only complaint I could make about the movie and its setting is that in basing the film around strip joints the limitations of what could be shown due to censorship laws (this was 1960 after all) are painfully obvious as all we are left with are several musical numbers of supposed strippers writing around more or less fully clothed. Although, it is not absolutely necessary to make this movie a sordid nude-fest I think it is obvious how strict censorship was in those days given what little nudity we actually get to see. And why feature so many 'strip' numbers anyway...?

All in all this is a pretty good movie and worth a look to see Jayne Mansfield flexing her acting muscles. The version I managed to track down on video is unfortunately in black and white and with a rather poor sound mix but catch it if you can!

The dance numbers with Jane Mansfield were the main draw of this show, and we don't get to see the bareness of her outfits in black and white. It's too bad foreign films where this was in color are still made without any English dialog on DVD. The subplots that made the backdrop of this story are interesting, but Mansfield's part wears out while she acts out as a mother figure to Johnny, the nightclub owner, warning him not to use his gun against a rival club across the street that's blackmailing him. Then she's mom to an underage girl, attempting to keep her from going to a fatal date with a villainous club investor. The supporting characters like Christopher Lee as the host and the various strippers help break up the monotony of her "don't do this" speeches. Koch Vision had a color version but I don't know why no one has it now.