The Young Land

"The Young Land" is a western set immediately after California is ceded from Mexico to the United States following the Mexican-American War. Most westerns are usually set in the late 19th century...this one is in 1848. The story essentially is whether or not American justice applies to everyone, as a young punk (Dennis Hopper) kills a Mexican-American man for kicks...and he assumes no court will convict him nor will anyone care...since the victim was 'one of them'.

The appointed judge (Dan O'Herlihy) is a stickler for the law and for proper procedure...which is problematic because he only has a local sheriff (Patrick Wayne) and a US Marshall to assist him....and there are many Mexican-American vaqueros ('cowboys') and American cowboys who are bent on their own form of justice. You have no idea what's going to happen until the end...and it's a very tense setting.

As a former US History teacher, I appreciate the setting and plot. I didn't appreciate the historical inaccuracies. They are not horrible inaccuracies, but folks just didn't run around shooting each other with revolvers back in 1848. First, shootouts like you see in the film were incredibly rare. Second, at this time, revolvers of any type were exceptionally rare...only having been invented shortly before this. The same can be said for the lever action rifle used at the end...it wasn't available until about 1860. Most of the guns they use in the film were all of much later models than 1848. Now this doesn't destroy the film...it just makes it annoying for us ex-teachers. And, it could be worse, as in "The Alamo" (1960) there were TONS of repeating pistols and rifles...none of which had yet been invented!

The direction is good and the acting quite good despite there being no 'names' in the story for 1959. Dennis Hopper is great as the scummy villain...but he was definitely an unknown at the time. This is even more the case with Patrick Wayne, John Wayne's son, who plays the lead....he's good and handsome but like Hopper he added little to the film's marketability and most people wondered who the heck these folks were! Still, they were very good....and O'Herlihy as well.

By the way, while he may not have looked it, Wayne was an interesting choice in this film about race relations and prejudice, as in real life Patrick's mother was a Mexican-American and father the famous American icon.

Immediately following the "Treaty of Guadalupe Hidalgo" in 1848 the territory known as California passed from Mexico to the United States of America. Since almost all of the people living there had been citizens of Mexico there was some apprehension among them concerning how they would now be treated. So when an American gunslinger named "Hatfield Carnes" (Dennis Hopper) kills a Hispanic man the residents of a sleepy village are extremely anxious about whether justice is served. To complicate matters this village has a very rowdy group of American outlaws who feel threatened at the thought of one of their own being tried in a court of law. On the flip side there are also vaqueros riding in from various parts of California to make sure that Hatfield pays for his crime. As a result the unofficial sheriff "Jim Ellison" (Patrick Wayne) is thrown into the middle of something that is rapidly becoming very ugly. At any rate, rather than reveal the rest of the story and risk spoiling the movie for those who haven't seen it I will just say that this film turned out to be a pleasant surprise. The acting was pretty good and I especially liked the performances of Yvonne Craig (as "Elena de la Madrid") along with the aforementioned Patrick Wayne. All in all, this movie wasn't too bad and I rate it as slightly above average.

Patrick Wayne had his first starring role in this handsomely produced film - a B western with many A western trappings, including a remarkable sound track - and, though only about eighteen years old when he did the movie, comports himself well. What's most impressive is the willingness of everyone involved to tackle a then controversial theme, for this is one of those mid to late 1950s westerns that dealt with racial prejudice during an era that saw the birth of the modern civil rights movement. Of course, civil rights dates back in our history, and so the incident in the film serves as an effective metaphor for what was going on at the time when this movie was made. A wild-eyed Billy the Kid type (Dennis Hopper, doing his umpteenth version of James Dean by way of Nick Adams, the rebel without a cause as a whining weakling) shoots down a Mexican citizen in the newly formed state of California. It's up to a very young lawman (Wayne) to hold him for trial. The Mexicans in town want proof that they are equal to Anglos now that California is American, and so want to see the prisoner hung - legally. Anglos, on the other hand, want the killer to go free. Though he's dating a beautiful Spanish girl (Yvonne Craig, with delightfully revealing décolletage), he's fair-minded and refuses to take sides - holding the prisoner for the judge who will decide. That character is played by the great Dan O'Herlihy, who brings this eccentric (and ultimately pivotal) character to vivid life. The result is something exceptional, and it's a shame this film is not better known.

Patrick Wayne is the sheriff of the town town in this section of California with a jail. Sort of. The Treaty of Guadalupe Hidalgo has been signed, and California is now American. But there's been no official appointment, so he's just making it up as he goes along. So after he arrests Dennis Hopper for shooting down a Mexican, he's surprised to find judge Dan O'Herlihy riding into town with Deputy Marshal Cliff Ketchum. After the jury is charged and they retire to come to a verdict, the Mexicans gather to see what American justice looks like. So do Hopper's friends.

There isn't much subtext to this movie, and director Ted Tetzlaff runs things that way, with a competent cast that includes Yvonne Craig, Ken Curtis, and Pedro Gonzalez Gonzalez, all indulging in stereotypes of various sorts. Hopper is excellent, of course, as is Curtis as another bad man who fled to California and is appointed deputy to guard his old friend. Winton Hoch shoots wide vistas in Technicolor, and Dmitri Tiomkin picked up and Oscar nomination with Ned Washington for best song.

Usually a film held up in release is a sign that nothing good will come of it eventually being inflicted on the movie-going public. But in the case of The Young Land this is not a bad little western about an incident from the early days of California after we acquired it from Mexico. As it was a forcible acquisition the native Mexican population was anxious to see how they would do under American law and jurisprudence.

The issue comes to a head when a murderous young punk played by Dennis Hopper uses his fast draw to gun down a Mexican vaquero who works for Roberto DeLa Madrid. Sheriff Patrick Wayne whose job usually is to jail drunks disarms Hopper and arrests him. Now the job is to try him and for that Wayne sends for a federal judge played by Dan O'Herlihy who is a model of judicial decorum.

O'Herlihy is not terribly impressed with Wayne as a sheriff, but gradually they develop a certain respect for each other. And Wayne also grows some in the estimation of Yvonne Lime, daughter of Robert DeLa Madrid.

The Young Land is a simple straightforward tale told thusly for the audience. It's got some thoughtful and sincere performances by its cast. Hopper stands out in his role. And it even got an Oscar nomination for the song Strange Are The Ways Of Love which lost to the far better known High Hopes.

The story has worn well and The Young Land is as fresh as it was when it was sadly held up in release.