The Adventures of Huckleberry Finn

Purists of Mark Twain will find fault with this adaption of Huckleberry Finn, but I like it and I think it captures the charm of Twain and the moral lessons he was trying to teach.

Small town America, it's strengths and weaknesses is a subject done to death in novels, plays and film. I myself just did a review of This Boy's Life which has some of the same themes as Huckleberry Finn. Hannibal, Missouri of the 19th century sure had more charm than Concrete, Washington of the 20th century. Yet Eddie Hodges as Huck Finn had to leave it to fulfill his destiny as surely as Leonard DiCaprio had to leave Concrete.

In fact the most riveting performance in this film is Neville Brand as Huck Finn's Pap. He's as bigoted and narrow-minded, though more explicitly racist than Robert DeNiro in This Boy's Life. Today we would call someone like Neville Brand, trailer park trash.

Because the two are on screen for nearly the whole time, the players essaying the parts of Huck and Jim have to be good and have good chemistry. Archie Moore who was the reigning Light Heavyweight Champion when this was made delivers a great performance as the runaway slave Jim. As does Eddie Hodges as Huck. One theme of Twain's that remains intact is Huck's growth as a human being after being thrown together with Jim who he now sees as a person instead of property.

In fact MGM put together an excellent supporting cast for tyro players Eddie Hodges and Archie Moore. Tony Randall and Mickey Shaughnessy as con men King and Duke are a joy to watch. The whole movie is.

I had the pleasure of watching the final scene of this film being shot back in 1959. I was six years old and witnessing this began my lifelong love for the movies. When the film arrived in our city, I was struck by Jerome Morross' incredible music score, which completely captured the sense of adventure, wonder and beauty of life on the Mississippi River and rural Missouri. The film itself is robust, dramatic and filled with Mark Twain's colorful, classic words. The cast is perfect and Michael Curtiz' direction keeps the action flowing. This is a wonderful film for all ages.

All the acting was superb. The sets were...well, it was 1960. But the script! To hear Mark Twain so joyfully transposed, and so artfully accurate for the film characters and actors! What a straight, simple joy to see this film, made to entertain and doing it proudly, with all concerned -- actors and director mainly -- working on the same premise. And tell me Tony Randall didn't go home whistling after every day on the set! But this was Mark Twain done proud. How many other great writers so easily lend themselves to film scripts? What a writer! What fun he had with phrases, sayings and words. And how well all that was put to use in this movie. And PS Archie Moore was a great heavyweight.

This is one of a number of film adaptations of Mark Twain's classic novel of the same title. I haven't seen any others to compare. Although Eddie Hodges, as Huck Finn, and Archie Moore, as African American slave Jim, are the principle characters, I vote for Tony Randall as giving the stand out acting performance, as con man the 'King', along with his accomplice Mickey Shaughnessy, as the 'Duke'........In general, I found it an entertaining experience. Neville Brand plays Huck's scary ne'er do well alcoholic father, Papy, who is always criticizing Huck. He even accuses Huck of murdering his mother, since she died in childbirth. Jose Hutchinson plays the widow Douglas, who takes Huck in, being essentially an orphan. Jim, slave to the widow, runs away after he heard that she was planning on selling him to raise money to meet Papy's demand for not taking Huck way. Jim is also accused of probably murdering Huck, in Huck's staged suggestion that he had been attacked and thrown in the river. These two runaways meet and steal a raft to float down the Mississippi.......I have several reality issues to discuss. Jim's stated goal is to float down to Cairo, Illinois, a free state, and head north. But, Hannibal , Missouri, where he started from, is well north of Cairo. So, why couldn't he simply raft over to the Illinois side of the river and claim freedom?? 2)Jim recognizes the corpse in the derelict house boat they run into as being that of Papy, and refuses to allow Huck to see in that room. How did Papy's corpse wind up there? He lived in a shack. 3)Why are the King and the Duke on the steamboat that picked up Huck and Jim? They were arrested by the sheriff and presumably put in jail, unless they simply paid a fine for impersonating, with the intent of robbing an inheritance. See it In color at YouTube

It's the Mark Twain classic. Huckleberry Finn fakes his own death to escape his abusive father. He travels down the Mississippi River with fellow runaway, a slave named Jim. They form a strong bond and encounter various people including two con men. I've never read the book. Somehow, I escaped it in school. I do know the broad strokes. The movie has a bit of cursing and I counted one n* word. There could be more but it's not quite the book. I can't talk to the faithfulness of the adaptation. The story is much more fitting for a mini-series with its episodic nature. The kid is pretty good. He has the rambunctiousness. Jim needs a bigger performer. It's easier to dial it down than it is to dial it up. All in all, their friendship is what sells the movie and the story. They do well in that aspect and thereby makes this movie work.