The Adventures of Huckleberry Finn

Mississippi River rafting with Eddie Hodges (as Huck) and Archie Moore (as Jim) impersonating Mark Twain's pair of runaway drifters. Despite the obvious attempt to be a classy production, with a well-intentioned assemblage of cast and crew, this version sinks like a pebble (if not a stone). It's overcast and miscast, but occasionally satisfying. Lucky young Hodges, who sang with Frank Sinatra, has a great scene with Andy Devine and Buster Keaton. Apparently, 20th century filmmakers were too shy to truly transfer all "The Adventures of Huckleberry Finn" to film. What they hinted at (or left out completely) can be found by reading the book - or, if you're lazy, listen to a vocal version of "Moon River". We're after the same rainbow's end.

***** The Adventures of Huckleberry Finn (6/17/60) Michael Curtiz ~ Eddie Hodges, Archie Moore, Tony Randall

68/100. Although it takes quite a few liberties with the Mark Twain novel, the appearances of many well known guest stars and an exceptional quality in its production make it a very entertaining movie. It appears they were trying to make it more of a movie geared more towards family viewing.

Fine cinematography and art direction. I was never bored, it wisely is not too long. Eddie Hodges is a little weak as Huckleberry Finn, and since it is such a pivotal role, that does hurt the effectiveness of the film somewhat. Tony Randall is very good, Buster Keaton has a nice bit as well, as does Andy Devine, Sterling Holloway and Neville Brand.

All the acting was superb. The sets were...well, it was 1960. But the script! To hear Mark Twain so joyfully transposed, and so artfully accurate for the film characters and actors! What a straight, simple joy to see this film, made to entertain and doing it proudly, with all concerned -- actors and director mainly -- working on the same premise. And tell me Tony Randall didn't go home whistling after every day on the set! But this was Mark Twain done proud. How many other great writers so easily lend themselves to film scripts? What a writer! What fun he had with phrases, sayings and words. And how well all that was put to use in this movie. And PS Archie Moore was a great heavyweight.

Purists of Mark Twain will find fault with this adaption of Huckleberry Finn, but I like it and I think it captures the charm of Twain and the moral lessons he was trying to teach.

Small town America, it's strengths and weaknesses is a subject done to death in novels, plays and film. I myself just did a review of This Boy's Life which has some of the same themes as Huckleberry Finn. Hannibal, Missouri of the 19th century sure had more charm than Concrete, Washington of the 20th century. Yet Eddie Hodges as Huck Finn had to leave it to fulfill his destiny as surely as Leonard DiCaprio had to leave Concrete.

In fact the most riveting performance in this film is Neville Brand as Huck Finn's Pap. He's as bigoted and narrow-minded, though more explicitly racist than Robert DeNiro in This Boy's Life. Today we would call someone like Neville Brand, trailer park trash.

Because the two are on screen for nearly the whole time, the players essaying the parts of Huck and Jim have to be good and have good chemistry. Archie Moore who was the reigning Light Heavyweight Champion when this was made delivers a great performance as the runaway slave Jim. As does Eddie Hodges as Huck. One theme of Twain's that remains intact is Huck's growth as a human being after being thrown together with Jim who he now sees as a person instead of property.

In fact MGM put together an excellent supporting cast for tyro players Eddie Hodges and Archie Moore. Tony Randall and Mickey Shaughnessy as con men King and Duke are a joy to watch. The whole movie is.

I had the pleasure of watching the final scene of this film being shot back in 1959. I was six years old and witnessing this began my lifelong love for the movies. When the film arrived in our city, I was struck by Jerome Morross' incredible music score, which completely captured the sense of adventure, wonder and beauty of life on the Mississippi River and rural Missouri. The film itself is robust, dramatic and filled with Mark Twain's colorful, classic words. The cast is perfect and Michael Curtiz' direction keeps the action flowing. This is a wonderful film for all ages.