Hannibal

I don't know who the hell shot this, but I suppose I could glance at the credits and lay blame on the culprits, but since I'm lazy and irritated right now I'll just skip the formality and say that Victor Mature probably fired his agent several times over after being booked for this gig.

He is quite literally the only competent person thesping his role, all the while other actors are stiff, comical, and otherwise just plain unconvincing. But like I implied in my first paragraph, it's not even the acting (however bad by the supporting cast) that's the issue: It's the cinematography: It's the direction and shot set ups: It's poor scheduling of the extras so the most can be gotten out of them shot wise. It's everything from the awful costumes to the lack of historical accuracy, to the extreme lack of consistent production values.

The battle scenes are so poorly staged that you wonder who the hell was in charge of this thing. The acting, as mentioned, by all other than the lead (Mature) is some of the worst I've seen for a feature film. It's that bad.

Avoid this thing.

This is one of several epic Italian productions 'supervised' by Hollywood directors - others of its ilk include THE GIANT OF MARATHON (Jacques Tourneur, 1959), Joseph AND HIS BRETHREN (Irving Rapper, 1960), THE MONGOLS (Andre' De Toth, 1961), THE THIEF OF BAGDAD (Arthur Lubin, 1961), THE WONDERS OF ALADDIN (Henry Levin, 1961) and SODOM AND GOMORRAH (Robert Aldrich, 1962); Ulmer himself served again in the same capacity on L' ATLANTIDE (1961).

As was generally the case, in spite of the participation of such noted film-makers, these spectacles displayed little directorial flair; in fact, this particular example is only distinguished from similar sword-and-sandal efforts by its above-average cast - though, to be fair, Ulmer stated in the accompanying interview on the VCI DVD that he didn't have final say on the film and, consequently, his vision was compromised by financiers who found his approach "too philosophical"! In any case, while the "elephant walk" (Hannibal famously crossed the Alps on pachyderms) and battle sequences are well enough staged, the look of the film is rather shoddy and bears evidence of budgetary restrictions. By the way, the Italian side of the directorial chores were handled by Carlo Ludovico Bragaglia - a veteran of costume pictures who would soon replace Vittorio Cottafavi on AMAZONS OF ROME (1961), after the latter fell out with leading man Louis Jourdan!

Victor Mature, himself a regular of this type of film, is ideally cast as the legendary Carthaginian warrior - though his performance is merely adequate, the script having made his character distinctly one-dimensional (where he's involved in an unconvincing and dreary romance with Rita Gam, a woman from the enemy ranks); Gabriele Ferzetti lends dignity to the proceedings as a Roman senator. A surprising presence here is that of Spaghetti Western/action-comedy icon Terence Hill (billed under his real name of Mario Girotti) - playing the key role of Ferzetti's son; according to the IMDb, his subsequent frequent on-screen partner Bud Spencer also appears in the film...but I didn't spot him!

The supplements on the VCI disc include a precious 33-minute audio interview with Ulmer (conducted by Peter Bogdanovich), which imparts several interesting bits on the production of F.W. Murnau's THE LAST LAUGH (1924) - on which Ulmer served as art director - and HANNIBAL itself; also, besides having the director enthusiastically discuss John Schlesinger's MIDNIGHT COWBOY (1969), it reveals his dislike of fellow expatriates Otto Preminger and William Dieterle!

This makes a good addition to the Victor Mature section of your film library. But I was mostly disappointed in just about all the aspects. First the music in the background did not match the situation. Then the movie starts in the middle of Hannibal's life as he started over the mountains if you do not know the history then you will be lost thru the movie. The dubbed voices reminded me of the voices in "Fractured Fairy tales." The were all sort of squeaky and of course as in the tradition of dubbed Italian movies did not match the speech timing. The one exception was Victor he would show the right or left profile and read his likes perfectly. I don't know how he kept a straight face. By the way he was 45 at this time.

After he makes it over the mountains it becomes a love story between Hannibal and Sylvia the niece of the Roman determined to do Hannibal in. Even Hannibal's men think they are in trouble because Hannibal is gaw gaw over a Roman girl. Here uncle thinks she is a traitor but still loves her like a daughter.

A few wars with some so so elephant scenes and a lot of obviously fake blood. Hannibal's ex turns up and Sylvia runs off.

Will Hannibal and Sylvia ever get their lives together? Who wins the war? Why did they stop the story so abruptly?

I like Victor MATURE and would even go as far as to call myself a "fan" of this Arnold Schwarzenegger-predecessor/archetype (with Austrian roots actually), but even I have to admit, that this flick ain't any of his better ones, unfortunately (sigh).

It's awkward from beginning to end: The first scene takes place in the Roman Senate, then you have a long one with the elephants crossing the Alps (that's probably the best of the whole picture, actually you can now turn off your TV-set) and now we're already well over 5 minutes into the picture, still no Hannibal/Annibale. Suddenly one sees some elephants getting loose and a guy which we can identify on second look as Victor Mature does some awkward gestures to get the elephants away. Pretty strange entry for "the hero". Only in scene number 4 and well 10 minutes into the movie someone takes the chance to identify our hero and calls him with his name. OK, the introduction of "the hero" has been managed, somehow.

The ending is equally abrupt, we see Hannibal's army moving along and get a voice over. Obvioulsly the directors (Edgar G. Ulmer usually does it better, but I assume he didn't have much to say in this one) had decided that enough celluloid had been "wasted" and called it a day.

The dialog is so unsophisticated, it hurts, but still not unintentionally funny, only hammy and boring, witless.

Everything in this picture is unfortunately mediocre to sub-par: ahead and foremost the script, but also acting (Victor is certainly also already too old for the role, sorry), photography, whatever. Only the music by Carlo RUSTICHELLI is slightly better, of course he's no Miklos ROSZA either, but at least the music is fitting and powerful. But that does not justify sitting through the whole picture (enjoy the main theme and quit).

For Terence HILL Fans it is worth mentioning that Mario GIROTTI, later known as TH, has a medium large part here and you can watch him "acting" (woodenly, but so what) a Roman.

So my rating is: If you are a Victor Mature fan: 4 out of 10, if you are a Terence Hill fan: 3 out of 10, if you're neither nor: 2 out of 10, so better stay away.

I wish I could have written a better review. :-(

The print that I viewed was the one available from "Belle and Blade Video". The print quality is not great but watchable. This one really needs to be seen in the widescreen format as this Pan and Scan version has many scenes where actors are speaking and are not even in frame. I can only guess how this would effect some of the many battle scenes. The problem with this movie is not so much in the screenplay, with all the elements we have come to expect in the Italian Sword and Sandal movies. The obligatory "love story" and the not too historical depiction of Ancient Combat. Trying to tell the complete story of the Great Carthaginian leader who kept Rome in Terror for nearly a decade is not an easy one. The direction and editing is what I think is the real problem here. Some scenes are just too long while others cry out for more attention. There is a disturbing quality to some of the battle scenes, which switch from outdoor photography to sound stage. Since it is the only movie out there on Hannibal, it wins by default. I am amazed that this story has not been redone. Overall, if you are into Ancients and the Sword and Sandal Genre you probably will like this film. Oh, by the way the obligatory "Elephants" are there, and handled as well as one might expect from this type of film.