The Headless Ghost

I've just watched The Headless Ghost for the first time and quite liked it, even though I'm not a huge fan of comedy. This had a little drama with it two.

A coach load of tourists arrive at the haunted Ambrose Castle and three of these, two Americans and a young Dainish woman decide to stay behind for the night to see if it really is haunted. It isn't long before strange things start to happen and one of the ghosts appears from a painting and later, they confront the Headless Ghost of the title and end up helping him to get reattach his head to his body and achieve this at the end.

Despite it being a comedy, The Headless Ghost is rather creepy and atmospheric at times.

Watch it if you get the chance. Great fun.

Rating: 3 stars out of 5.

A trio of students aren't convinced that Ambrose Castle is haunted, so they contrive a way to stay overnight, and discover one or two surprises.

It's a little unfair to judge this film in 2020, because to my eyes it is unsophisticated and silly, but at the time I imagine this would have been somewhat imaginative and definitely a little different. For 1959 it looks pretty good, with nice sets and costumes, and a few decent effects. The banquet scene looks very good.

On the downside it is silly, perhaps one to watch with youngsters that enjoy a ghost story, as it does have the feeling of a children's ghost story. Not to be taken seriously, but mildly entertaining. 5/10

When " The Headless Ghost " was originally released in the United Kingdom it played the lower half of a double feature programme. The main feature was Roger Corman's " A Bucket of Blood ". I saw these two at the Biograph Cinema on Wilton Road, Victoria,in west London, at that time ( 1960 ), the oldest cinema in the capital. Although " The Headless Ghost " was rather tedious fare, it had an innocent charm, and I do recall the odd chuckle. The British Board of Film Censors passed the film for exhibition with a " U " certificate ( for viewing by all ages ). " A Bucket of Blood " was passed with an " X " certificate, for viewing only by those over 16 years of age. As a consequence, no young children were able to enjoy the ghostly delights in this particular double-bill, which, at a little over two hours, must rank as one of the shortest programmes ever. Give " The Headless Ghost " a chance. Play it with the Corman film and try to imagine what it must have been like sitting in a smelly flea-pit, located in a run down part of London, way back half a century ago.

This is a very low budget and mercifully short B from England. Three exchange students visit a stately home and stay after closing to meet the historical ghosts. The two guys are innocent Americans (one of them is Richard Lyon, son of Ben Lyon and Bebe Daniels, and ,at that time, a TV favourite) and the girl is a pneumatic Dane, who should have gone on to better things. The ghosts are not portrayed as scary, and prominent among them is Clive Revill who would have a decent run in the business in later years. Like a lot of British pictures of the time,it feels like it was made with an eye an giving cast and technicians work, rather than with any desire on producing a quality movie. Overall, easy to watch, easy to forget

"The Headless Ghost" is a harmless, very minor but fairly likable little comedy filmed on the cheap in Britian. Three foreign exchange students - Americans Bill (Richard Lyon) and Ronnie (David Rose) and Danish gal Ingrid (Liliane Sottane) - take in the locations of the Ambrose Estate. Ronnie wants to investigate the stories of the place being haunted for his college newspaper and the three certainly do find plenty to write about. The ghosts are real, starting with amiable, helpful Fourth Earl of Ambrose (the great character actor Clive Revill, in his first credited screen role). One of the ghosts, Malcolm, needs his body and his severed head to be reunited so he can properly rest in peace. Bill, Ingrid, and Ronnie are reluctant at first but are eventually persuaded to see this "mission" through to its end. As written by Aben Kandel and producer Herman Cohen, and directed by Peter Graham Scott, there are no real comedy fireworks here. At best, the movie does elicit some modest chuckles, but at least it's all easy enough to take. The trio of protagonists have the potential to annoy some viewers, especially Bill, but the enthusiasm of the actors' performances is effective, and that accent of Sottanes' is hard to resist. Revill scores as the easygoing ghost, and Alexander Archdale is a hoot as the fun loving spirit of Sir Randolph. One debit is that even at a mere one hour and three minutes, this definitely feels padded: better pacing and this could have run even shorter. Still, one can't completely dislike the padding, as it features some incredible dance moves by a sexy performer named Josephine Blake. The special effects aren't bad, the music by Gerard Schurmann is good, and the movie isn't totally without decent black & white atmosphere. Originally released as the second movie in a double feature with Roger Cormans' "A Bucket of Blood", this is indeed lightweight stuff, and pretty damn silly, but it's also impossible to hate. After all, it's not as if we don't know what we're in for judging by the opening credits. Six out of 10.