IMDb RATING
6.6/10
1.4K
YOUR RATING
Mistaken for a murderous outlaw, an innocent passerby is forced to go on the run to try and clear his name by catching the real culprit.Mistaken for a murderous outlaw, an innocent passerby is forced to go on the run to try and clear his name by catching the real culprit.Mistaken for a murderous outlaw, an innocent passerby is forced to go on the run to try and clear his name by catching the real culprit.
James Westmoreland
- Moon
- (as Rad Fulton)
Shari Lee Bernath
- Child
- (uncredited)
Billy Booth
- Child
- (uncredited)
Roy Engel
- Blacksmith
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Another in a Long Line of Solid Audie Murphy "Western" Movies
Audie Murphy Leads a Good Cast in front and back of some Outstanding Scraggy Rock Formations that make this a slightly Edgy Entry in the "Murph" Filmography.
By 1960 the Western was Waning in Popularity due to an Overexposure of Movies and TV Titles that became Exponential as the Decade Unfolded. This is a Strong "B" Entertainment that Delivered Color, CinemaScope, and an Adult-Theme Touch.
Some of the Dialog is Cutting Edge for the 50's, and the Leering Looks that Felicia Farr gets in the Cabin as She is Verbally Raped and Forced into Servitude is a Standout.
Some of the Back-Stories are Complex as Murphy is on the Run from a Psychopathic "Lawman" and some Revengeful Townsfolk, that the Script is Quick to Call Religious Hypocrites (you wouldn't find that on TV).
Steve McNally is Memorable as the Cold-Blooded "Marshall" and Jan Merlin makes His Mark as a "Smile-Happy" Shotgun Killer. Fast Paced and Thoughtful Western that is Slightly Above Average in the Decade's Outlandish Output of Westerns and another Solid Outing for Audie Murphy Fans to Appreciate.
Note...Audie Murphy's Career mostly ignored by Film Historians deserves another look and deeper analysis. As a consistent entertainer, especially in the Western Genre, it has been passed over and underrated.
By 1960 the Western was Waning in Popularity due to an Overexposure of Movies and TV Titles that became Exponential as the Decade Unfolded. This is a Strong "B" Entertainment that Delivered Color, CinemaScope, and an Adult-Theme Touch.
Some of the Dialog is Cutting Edge for the 50's, and the Leering Looks that Felicia Farr gets in the Cabin as She is Verbally Raped and Forced into Servitude is a Standout.
Some of the Back-Stories are Complex as Murphy is on the Run from a Psychopathic "Lawman" and some Revengeful Townsfolk, that the Script is Quick to Call Religious Hypocrites (you wouldn't find that on TV).
Steve McNally is Memorable as the Cold-Blooded "Marshall" and Jan Merlin makes His Mark as a "Smile-Happy" Shotgun Killer. Fast Paced and Thoughtful Western that is Slightly Above Average in the Decade's Outlandish Output of Westerns and another Solid Outing for Audie Murphy Fans to Appreciate.
Note...Audie Murphy's Career mostly ignored by Film Historians deserves another look and deeper analysis. As a consistent entertainer, especially in the Western Genre, it has been passed over and underrated.
This Is A Very Murphy Movie
If you like Audie (which I do) you will come to find a comfortable familiarity with many of his movies. Hell Bent for Leather is one of those movies. Doesn't really stand out from the pack but is an enjoyable film.
Its all about Murphy righting the wrongs as he does so well.
It fun as most of his material is :)
Its all about Murphy righting the wrongs as he does so well.
It fun as most of his material is :)
enjoyable, unassuming, faultless Western
Fans of Western movies will not be disappointed. While not a great or even distinguished Western, it also LACKS the faults of so many other Westerns. On the plus side it can boast good colorful outdoor mountainous locations and cinema-photography , leading and supporting actors, a believable situation and a literate imaginative script. On the negative side: zero; I can't think of anything laughable, offensive or jarring. Audie Murphy looked and acted good. Felicia Farr looked better, even gorgeous. And Stephen McNally stole the movie with his acting chops. Robert Middleton was his usual excellent self in a brief suspenseful scene during Murphy's chase from McNally. Jan Merlin did well as a villain.
I thought it was an interesting and unusual motive for Sheriff McNally's lying that Murphy and not Merlin was the criminal being chased. I won't reveal it in this review, though it is spelled out in most of the other reviews here. The reason puzzled me throughout watching the film, and it was finally revealed at the conclusion. Also intriguing was how Murphy would extricate himself from his predicament. Finally, kudos for Farr's back story. Surprising that there were no romantic scenes (embraces, kisses, etc.) between the two leads, Murphy and Farr, though the last scene had then leave hand in hand.
I thought it was an interesting and unusual motive for Sheriff McNally's lying that Murphy and not Merlin was the criminal being chased. I won't reveal it in this review, though it is spelled out in most of the other reviews here. The reason puzzled me throughout watching the film, and it was finally revealed at the conclusion. Also intriguing was how Murphy would extricate himself from his predicament. Finally, kudos for Farr's back story. Surprising that there were no romantic scenes (embraces, kisses, etc.) between the two leads, Murphy and Farr, though the last scene had then leave hand in hand.
The Wrong Man
Behind the lurid title lies a moody, good-looking psychological western shot in colour & CinemaScope against the imposing backdrop of the Alabama Hills.
There moody, good-looking Audie Murphy gets a less than warm welcome from ferrity-faced Jan Merlin, doll-faced widow Felicia Farr, saturnine Sheriff Stephen McNally and mean-looking Robert Middleton; never quite sure who it's safe to do a deal with.
There moody, good-looking Audie Murphy gets a less than warm welcome from ferrity-faced Jan Merlin, doll-faced widow Felicia Farr, saturnine Sheriff Stephen McNally and mean-looking Robert Middleton; never quite sure who it's safe to do a deal with.
One of the best western starring Audie Murphy
Very entertaining western directed by George Sherman (who did Big Jake with John Wayne and produced The Comancheros 1961). The actors are excellent. We get Audie Murphy and Stephen McNally back altogether 8 years after Duel at silver creek 1952, but here they are enemies. Felicia Farr acts in her last western. And very good supporting cast with Jan Merlin as Travers, John Qualen and Bob Steele among others.
With a very good screenplay, I really liked the character, Stephen MacNally plays. The three main actors are perfect, and they carry the movie. So if you have the luck to have the opportunity to see this movie: GOOOOO!
With a very good screenplay, I really liked the character, Stephen MacNally plays. The three main actors are perfect, and they carry the movie. So if you have the luck to have the opportunity to see this movie: GOOOOO!
Did you know
- TriviaAudie Murphy and Felicia Farr are heading to a town called 'Paradise'. In 'Posse from Hell', another Audie Murphy western, they're also heading to a town called 'Paradise'.
- GoofsWhen Clay and Janet struggle for the rifle and fall off of the wagon, they lose the rifle near the top of the hill and roll down the ravine. But in the next camera shot they are near the bottom of the hill and still have the rifle before losing it.
- Quotes
Janet Gifford: I used to love this country. Now I hate it.
Clay Santell: It's not the country, it's some of the people who live in it.
- How long is Hell Bent for Leather?Powered by Alexa
Details
Box office
- Budget
- $500,000 (estimated)
- Runtime
- 1h 22m(82 min)
- Color
- Aspect ratio
- 2.35 : 1
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