The Facts of Life

In some ways, this is like an "I Love Lucy" show with cursing, lots of drinking, and centering on adultery. Ball and Hope work well together.

The plot begins inauspiciously: We see Hope doing a comedy gig as MC at a local event. We hear Ball's thoughts about how crass and unfunny he is. (And he -- this character, not Hope himself -- is.) Because of circumstances that throw them together, however, they are very soon sexually and romantically involved with each other.

If one can get past this, which I could, the movie is sophisticated (well, for its time) and often funny. It was probably a courageous move for both of them to step into such a risqué plot.

The supporting cast is good. Ruth Hussey plays Hope's wife. As always, she is good. But seeing her is sad: Though she looks fine, her voice had aged badly. Irene Dunne's did too. Though I am crazy about Dunne, her last couple movies are painful for this reason. Hussey sounds like an elderly woman, which she really was not. Ball's voice had gone the opposite direction: She speaks almost in the basso profondo of her later television series.

If this turns up, give it a try. It's surpassingly good.

I was surprised by this film and the quality of work by its two stars. We always think of Lucy as goofy or screwy and Hope either swinging a golf club or playing wingman for Bing Crosby. Billed as a romantic comedy, Hope and Ball aim for the funny bone. But there are some serious adult issues raised. This tasty confection, made in 1960, I think is a lot of fun (though it could have been better paced and the contrivances are a bit much) and it has two terrific old pros at work in roles that you just wouldn't expect them to be in. Lucy looked pretty good when she got all dolled up. And Hope is ageless as ever. I thought they had some chemistry between them. Also includes Ruth Hussey, Louie Nye and Dom DeFore (Ozzie and Harriet's neighbor).

I watched this movie primarily because it was nominated for Best Screenplay, and in that regard, I was not disappointed. There are several funny scenes and some pretty witty dialogue, but overall this movie rates about 6/10. It's a little too long and some of the plot points are pretty contrived, but Bob and Lucy have good chemistry, which makes up for the few weak points in this film.

Directed by Melvin Frank and written by Frank with Norman Panama, "The Facts of Life" is an adult love story that will surprise you. Frank & Panama are Bob Hope experts, multiple Oscar nominees and the creators of such classic comedies as "The Court Jester" and "Mr. Blandings Builds His Dream House".

Kitty Weaver and Larry Gilbert are two perfectly nice suburbanites. If Kitty's husband (Don DeFore) seems a little preoccupied with work and his gambling habit, and Larry's wife (Ruth Hussey) a little too caught up with the kids - well, that's life. They have no thought of straying. They certainly have no thought of straying toward each other. However, Fate (in that way of hers) forces these two perfectly nice people to spend time together. Kitty discovers that "the jerk who tells the lousy jokes at the country club" is a genuinely warm and funny fellow. Larry sees a softer side to that stuck up Kitty. Love blossoms with the added complications of vows and conscience.

How Larry and Kitty deal with their feelings, their need to be together and the realities of their lives is played out in a frank, touching and very funny manner. It is wonderful to see two actors who happen to be bona fide comic geniuses working together in such perfect sympathy. The humour of character and situation also involves some gut grabbing slapstick, and some quiet moments that will make you smile or sigh a sentimental sigh for two perfectly nice people.

Bob Hope and Lucille Ball team up very nicely here as each steps away from their well-known screen personas to play a suburban everyman and everywoman who unexpectedly fall for each other, despite the complication of being married to other people. The comedy includes some surprisingly tart satire on the claustrophobic lifestyles of the 50's suburban/country club/den mother families that we all know so well from "Leave it to Beaver," etc. But the big laughs come as the two sneak around town to try to be alone together.