An ex-con sets out to find the money which was hidden after a payroll robbery but is persuaded to turn it over to the police by his former accomplice's widow.An ex-con sets out to find the money which was hidden after a payroll robbery but is persuaded to turn it over to the police by his former accomplice's widow.An ex-con sets out to find the money which was hidden after a payroll robbery but is persuaded to turn it over to the police by his former accomplice's widow.
Photos
Ralph Barnard
- Lieutenant
- (uncredited)
Robert Brubaker
- Brenner
- (uncredited)
Madge Cleveland
- Mrs. Haley
- (uncredited)
William Fawcett
- Packy
- (uncredited)
Jack Kenney
- Gas Station Owner
- (uncredited)
Barbara Mansell
- Stenographer
- (uncredited)
J. Edward McKinley
- Warden John B. Haggerty
- (uncredited)
James Parnell
- Worker
- (uncredited)
Harvey Parry
- Jerry
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
6.0435
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Featured reviews
"I'll See Ya 'Round, Probably On A Slab!"...
Nick Harbin (Ron Foster) gets out of prison after a five year stretch. When he tries to reconnect with his old comrades, he finds that things have changed quite a bit while he was gone. No one seems interested in him, other than to get to the big money he stole.
A flashback sequence shows us that Nick actually has a conscience, and wants to make amends for the tragic event that haunts him. Now, hounded by both the cops and the press, with his old cronies converging on him, Nick has one last chance at redemption.
THE WALKING TARGET is another entertaining, hard-boiled crime thriller. Foster is quite believable in his role. Merry Anders co-stars as Nick's cheating girlfriend, and Joan Evans is the woman of Nick's dreams, the one who got away...
A flashback sequence shows us that Nick actually has a conscience, and wants to make amends for the tragic event that haunts him. Now, hounded by both the cops and the press, with his old cronies converging on him, Nick has one last chance at redemption.
THE WALKING TARGET is another entertaining, hard-boiled crime thriller. Foster is quite believable in his role. Merry Anders co-stars as Nick's cheating girlfriend, and Joan Evans is the woman of Nick's dreams, the one who got away...
"Happiness won't buy money"
A 5-year jail sentence for a payroll robbery seems to have left Nick (Ronald Foster) looking as unreformed as when he went in. That's how the prison governor sees it. Ditto a detective watching closely, and the local press too. That's why Nick feels he's walking around with a target on his back, as the only survivor, the only one who knows where the loot is stashed.
Merry Anders plays the blonde cutesy-pops who has supposedly been waiting faithfully for Nick all along, but then it seems that 'faithful' isn't quite the word, and Nick switches his attention to the widow of one of the gang, for whose death he feels a bit of survivor guilt. (A flashback shows Nick persuading him that it'll be a pushover, and organising the concealment of the money in the chassis of the getaway car.)
Rather improbably, Nick is able to trace the car to a junkyard in the desert, its precious contents still undiscovered. But there we must leave the plot, so as not to spoil the fun - though you might reflect on why the wisecrack "Happiness won't buy money" should be uttered near the end.
Merry Anders plays the blonde cutesy-pops who has supposedly been waiting faithfully for Nick all along, but then it seems that 'faithful' isn't quite the word, and Nick switches his attention to the widow of one of the gang, for whose death he feels a bit of survivor guilt. (A flashback shows Nick persuading him that it'll be a pushover, and organising the concealment of the money in the chassis of the getaway car.)
Rather improbably, Nick is able to trace the car to a junkyard in the desert, its precious contents still undiscovered. But there we must leave the plot, so as not to spoil the fun - though you might reflect on why the wisecrack "Happiness won't buy money" should be uttered near the end.
The difficult way for a convict to become honest
There are moments of a real noir here, but the happy ending spoils it. The acting and the action are good, and the story is good as well, with great suspense and no possibility for anyone to have a guess at how it all will end. The best part of the film is actually the music, which keeps following the action very closely from behind without getting too dominant. The photo is also convincingly in noir style, black and white in shades and dark atmosphere, and of course there are the usual fisticuffs and settlements crowning the troublesome affair. As usual, it would have been easier for the hoodlums to let the hero get away with the girl without causing any trouble, but then again that's what hoodlums are for.
Utterly Routine
The programmer's neither good nor bad, just a familiar storyline given undistinguished treatment. Nick and two buddies rob an armored car, but the buddies are killed in the robbery. Now Nick's out of prison, intent on retrieving the loot he's hidden. Trouble is both a mobster and the cops are watching. Meanwhile, he's got a sexy blonde girlfriend (Anders) who's double-crossing him with his so-called friend Dave (Christopher). Sound familiar. Yeah, old film fans have probably seen its variation a hundred times.
For a budget production, the effort's competently done. Foster in the lead does his best, but doesn't convey much presence. The cast is distinguished by noir villain Berry Kroeger as the mobster, and Joan Evans as good girl Gail. In fact, Evans had a very promising studio career in the early 50's that unfortunately didn't endure. Looks like this was her last feature-length appearance. I wish there were something outstanding, good or bad, to comment on, but there isn't, unless it's movie vet Fawcett (Packy) who's about as ravaged-looking an old duffer I've seen. All in all, the 70-minutes remains a watchable, but highly unremarkable crime drama that's probably forgotten 5-minutes later.
For a budget production, the effort's competently done. Foster in the lead does his best, but doesn't convey much presence. The cast is distinguished by noir villain Berry Kroeger as the mobster, and Joan Evans as good girl Gail. In fact, Evans had a very promising studio career in the early 50's that unfortunately didn't endure. Looks like this was her last feature-length appearance. I wish there were something outstanding, good or bad, to comment on, but there isn't, unless it's movie vet Fawcett (Packy) who's about as ravaged-looking an old duffer I've seen. All in all, the 70-minutes remains a watchable, but highly unremarkable crime drama that's probably forgotten 5-minutes later.
Great example of a cliched, entertaining crime film
This one has most of the crime film cliches - good girl, bad girl, double crosses, cocky cop, illogical choices - but for all of its averageness, it is actually an entertaining film. Pretty good pacing and a quick watch, and some really odd, fun little moments. High art it isn't, but if you enjoy old crime movies with a bit of melodrama, it is worth your time. I enjoyed it.
Did you know
- TriviaAt 36:45 we see Sam Russo (Norman Alden) using a torch to weld the plate on. Next scene shows a stick welder being used.
- GoofsThe cars driven by Nick Harbin and Detectives both have their rear-view mirrors disappear at various times in the movie.
- ConnectionsReferenced in Going Attractions: The Definitive Story of the Movie Palace (2019)
- How long is The Walking Target?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
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- Also known as
- No Place to Run
- Filming locations
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- See more company credits at IMDbPro
- Runtime
- 1h 15m(75 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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